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Full text of "Select epigrams from the Greek anthology"

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HARVARD UNIVERSITY 

LIBRARY OF THE 

Classical Department 

HARVARD HALL 



SELECT EPIGRAMS FROM THE 
GREEK ANTHOLOGY 



• r 





SELECT EPIGRAMS 

FROM THE 

GREEK ANTHOLOGY 

EDITED BV 

J. W. MACKAIL 



LONGMANS, GREEN, AND CO. 

39 PATERNOSTER ROW, LONDON 

NEW VORK. BOMBAY, AND CALCUTTA 



HARWroUNIV^JY. 



This volume contains, in a form which it is 
hoped may be useful in the Upper Forms of 
Schools and acceptable to lovers of poetry 
generally, the Greek text of the larger work, 
Select Epigrams from the Greek Anthology^ edited^ 
with Revised Text, Translation, Introduction, 
and Notes, by J. W. Mackail : New Edition 
revised throughout, (Longmans, Green & Co. 
1906. Price, 14s. net.) 



LONGMANS' POCKET LIBRARY 



Cloth, Leather, 

gilt top. gilt top. 

THE STRANGE CASE OF DR. TEKYLL '• ^ s. / 

AND MR. HYDE, with other Fables. By Robert 2 8 

Louis StsvsNSON. net aet 

APOLOGIA PRO VITA SUA. By John 2 6 8 6 

Hbnry Cardinal Newman. "*' "*^ 



THE STORY OF MY HEART: My Auto- 2 8 
biography. B 
piece Portrait. 



biography. By Richard Jepperibs. With Frontis- °«^ ««' 
Po 



SELECT EPIGRAMS FROM THE GREEK 2 8 

ANTHOLOGY. (Text only.) Edited by J. W. ««' n«^ 
Mackail. 

A CHILD'S GARDEN OF VERSES. By 2 8 

Robert Louis Stevenson. With Photogravure °®' "*^ 
Frontispiece. [fn March i^firj, 

LETTERS TO DEAD AUTHORS. By 2 8 

Andrew Lang. [In April 1907. °** °** 

VOCES POPULI. By F. Anstey. First Series. 2 8 



With 90 Illustrations by J. Bernard Partridge. 

[/« A^l 1907. 



net net 



LONGMANS. GREEN, AND CO. 

LONDON. NEW YORK. BOMBAY, AND CALCUTTA 



CONTENTS 



SELECT EPIGRAMS— 



PAGB 



The Garland of Meleager, . 




I 


I. Love, . . . . 




3 


II. Prayers and Dedications, 




28 


III. Epitaphs, . . . . 




43 


IV. Literature and Art, 






63 


V. Religion, . 






79 


VI. Nature, 






86 


VII. The Family, 






96 


VIII. Beauty, 






104 


IX. Fate and Change, 






109 


X. The Human Comedy, 






120 


XI. Death, 






134 


XII. Life, 






152 


^DICES, . 






167 



THE GARLAND OF MELEAGER 

MoOcra <f>i\ay rive rdvBe (f>€p€i<; TrdyKapirov doiBdv ; 
' 7j Tt9 o Kol rev^a^ vfivoderav aTe<f>avov ; 

^Avvae fjuev MeXeo^/)©?* dpi^dXtp Se AioxXel 

fjLvafJLoavvov ravrav i^eirovrjae 'xdpbv 
TloWd fi€V ifiTrXi^af; 'Ai/uri;? Kplva, iroWct Se 

j^ Xelpia, Kol ^a7r(f)ov<i ^aid fjuev, dXXd poSa* 

^dp/ciaaov re %opoj/ M.€Xavi7nriBov ejKvov vfivayv, 

Koi veov olydvOrj^ KXrifia Xifi^coviSeo}' 
Xifv SV dva/jbl^ irXe^a^ fivpoTrvovv evdvOefwv Ipiv 

^oaaiSo^, fj<; BeXroif; /cr)pov errj^ev "Ep©?" 
T^ S* afia Kol adp/y^v^ov d<f)* '^BvirvooLo 'Vtavov 

Kal yXvKVP *ilpivvr)<; TrapOevo'x^payra KpoKOv, 
'AXxaiov T€ XdXrjffpov iv v/MV07r6Xoi<; vdKivOov, 

Kal Xafiiov hd<f>v'q^ xX&va fieXainreraXov' 
'El/ Se AecovlSeoD OaXepoif^ Kiaaolo Kopvfi^ov<;, 

MvaadXKOV re KOfia^ o^oTopov ttitvo^* 
VXaiariv re irXardviarov direOpiae Ilafi<f>lXov otjj/rj(; 

(TV/jLirXeKTov fcapvr]^ epveai IlayKpdT€o<;, 
Tvfiveeo T evTreraXov XevKr)v, y(Xo€p6v re aiavfi^pov 

^t/ciov, lStv<f>i]fjLOv T d/jbfioTpo^ov irdpaXov* 
'El/ 8* apa Aafjbdyrjrov lov /iieXav, f}hv re fivprov 

K.aXXifjLdxov^ (TTV^eXov fiearov del fieXiro^^ 
A-vxyiha r Eu^opt6)i/09, IB* iv M.ovarj<Tiv afKOfiov 

&9 Ato9 iic /eovpcov eax^P iirayvvfilrjv 
T'pac B* dp! 'Hyqaiinrov iveirXefce fiaivdBa ^orpvv, 

nipa-ov T* €V(oBrj axoivov dfirja-dfievo^' 
^ifv B* afia teal yXvKvp/qXov dir aKpep^ovtov Atorlfiov, 

A 



2 GREEK ANTHOLOGY 

KoX poirj^ avOrj irp&ra ^eve/cpdreo^, 
%fivpvaiov^ T€ KkdSov^ Ntxaiverov, rfSk ^aivvov 

repfJLtvOov, I3\<o0pi]v t' d'XpdSa Aififiieo)' 
'El/ Se Kal i/c Xetfi&vo^ dfitofi'^TOLo aiXiva, 

^aiii Siafcvi^cop avOea, TlapdevLho^, 
A.eL'^avd T* evKapirevvra pbeKLardKroDv diro M-ovaitov 

^avOoif^ ix KoXdfj/r)^ Ba/c^t/XtSeo) ard')(ya<i* 
'Ei/ S' dp 'AvaKpelovra, to fiep yXvKif Kelvo fiiXiafia, 

V€KTapeov^ B* iX^yov^, aairopov dvOifiiov* 
'Ei/ Be Koi CK ^op^rj^ aKoXiorpi'^o^ avOo^ dxavOrf^ 

'ApyiX6')(^ov, iriicph^; arpdrfyafi air' a>K€avov' 
Tot? B* afi* 'AXe^dvBpoio viov^ opirrjKa^ ikatrj^, 

rjBe HoXvKXeirov irop^vpeov Kvafiov 
*Ev B* ap* d/jidpa/eov fJK€ UoXvarparov, avOo^ doiB&v, 

^oivKradv re vir)v Kvirpov dir^ 'Avri/irdrpov 
Kal ^'qv KoX Xvpiav <TTa')(yoTpL')(a Orj/caro vdpBov 

vfivoOerav lEpfjuov B&pov deiBofiepov 
'Ei/ Bk nocretS^TTTTOi/ re Kai 'HBvXov aypC dpovprj^ 

XifceXlBed) r' dvifioi^ dvOea <l>v6fL€va' 
Nat firjv Kal ')(pva'eiov ael Oeioio YiXdrfDVo^; 

KX&pa Tov i^ dp€Tfj<; TrdvroBi Xa/juTrofievov, 
"XarpdDV T XBpiv "Kparov ofiov fidXev, ovpavo/j,dK€V^ 

^oiviKO^ Kelpa^ Trpcoroyovov^ SXiKa^, 
AtOTOP T* ev')(alT7iv ^aiorifiovo^t ev ^Xoyl fii^a^ 

^acBlfiov, 'AvTor/opov t* €vaTpo(f>ov ofifia fioo^, 
Tdv T€ <l>iXdKpr)TOP ^eoBaypiBea) veoOaXrj 

IpTTvXXov, KvdvdDV T apOca ^apieeo, 
"AXXeop T eppea iroXXd p€6ypa<f>a' roif; B* afia 
Movcff^ 

Kal (rffyeriprf^ en ttov irpdifia XevKola, 
^AXXh (f}CXoi^ fi€P ifiouTL <f>€pa) ')(dptp, eari Be fivarai^ 

Koipo^ 6 T&p iAovaitop lySveTT^? are^apo^. 



I 



LOVE 
I 

PRELUDE 
POSIDIPPUS 

JS.eKpoirl palve \dyvv€ iroXyhpoaov iK^dBa ^aK'X^ov, 
palve, SpoaL^icrOa) avfi^okiKrj irpoiroat,^* 

%irfdad(o Ztrjvayv 6 ao(f>o^ kvkvo^^ a re KXedvOov^ 
fjLOvaa' fieXoi 8* rjfuv o yXvKVTTiKpo^ "Eipto^, 

II 

LAUS VENERIS 
ASCLEPIADES 

'H8u Oepov^ Scslr&VTC x^^^ ttotoj/, ^Sv he vavrai^ 
ix x^ifi&vo^ ISeip elaptpov XTe(f>avov' 

"HSfo-TOj/ S* oirorav /cpvyfry fiia Toif(; (fyiXeovra^ 
XXaiva Koi aivrjrai, Kvirpi^ vir dii^oreptov, 

III 

love's SWEETNESS 
NOSSIS 

" hZiov ovhkv ''KptoTO^, ct S* SX/3ia, Sevrepa irdvra 
icTLV' airo (rrofiaro^ S' eirrvaa KaX to fiiXi, 
ToOto Xeyei Noaak* riva S* d Kvirpi^ ovk i(l>iXaa-€v 
ovK olSep Ki]va<s ravOea irola p68a. 



4 GREEK ANTHOLOGY [sect, i 

IV 

LOVE AND THE SCHOLAR 
MARCUS ARGENTARIUS 

Ilvppf)v i^aTTLVTj^ elBov iirep'X^o/jLevrjv' 
BlfiXov Be plylra<; €7rl yrjv %€pt, ravr e^orjaa' 
epya ri fwi Trapi'X^et^, & yepov 'HaioBe ; 



THE FIRST KISS 
STRATO 



'^aTreplrjv Motpt? fte, Kad* fjv vyialvofiev &prjv, 
ovK olB* etre <Ta<l)&^ ecr ovap, i^aTrdaaro* 

^'HBtj yap Tct fjLcv aWa fjudX' drpeKem^ ivorjaa 
y^Koaa fioc 7r/jo<r€07;, ')(i>K6a eirvvOdvero, 

Et Be fie teal 7re<})i\rjK€ TeKfiaLpofiai' ei yhp aXTjOe^^ 
7rft)9 d7ro0ei(o0eh TrXd^ofju eiri'xdovLo^ ; 



VI 

THE REVELLER 

MELEAGER 

^e^Xrjadci) Kvfio<:' dirre* Tropevaofiar rjviBe roKfia. 

oivo^ape^, tIv ej^et? (jipovrlBa ; Kcofidao/Jbai. 
Kaofidtrofiac ; 'rrrj 6vp^ rpeirrj ; ri B' eptort \oyiafi6^ ; 

dirre rdyp^i, irov B* 17 irpoade XoyoDv fieXerrj ; 
^RppL<f>0oi) ao(f>ia^ 6 7ro\u9 irovo^* %v fiovov olBa 

Tov0\ oTi Kal Zi;i/09 \rjfia KaOeTKev ''E/oo)?. 



4-9] LOVE 5 

VII 

LOVE AND WINE 

RUFINUS 

''VLifKio'fjbaL irpo^ "^ISipayra nrepl arepvoiai Xoyiafiop, 
ovSi fie vcKi](r€L, fiovvo^; iiav irpo^ eva^ 

%vaTO^ S' adavcLTfp avanjcofiar fjv Be ^otfObv 
^dKj(^ov exv^ '^^ fiovo^ 7r/oo9 Bv iyoo Svvafiac ; 

VIII 

LOVE IN THE STORM 
ASCLEPIADES 

NZ^e, yaXa^ofiokeif iroUi a/coro^, al0€f xepavvov, 

Travra tcL 7rop<l>vpovT ev ')(jSov\ aele vetfyrf, 
*Hi/ yap fie Krelvrf^, Tore iravaojiaf ffv he fi a<^§9 

Kal hiadel^ rovrmv ')(eipova, KcoficuTOfiar 
''E\^e^ yap fi 6 xpar&v Kal aov 0e6<:, cS ttotc nreur- 

Zev, BicL 'XjuXKeLcDV %pva'09 ehv^ OaXdfiwv, 

IX 

A KISS WITHIN THE CUP 
AGATHIAS 

E^/il fiev ov <l>iX6oLVo^' orav S' ideXyf; fie fiedvaaai 
irp&ra a-v yevofievrj irpoo'^epe Kal Si'xpfiar 

Efr yctp eiTL'^^avaei,^ rol<i ')(ei\eaiv, ovKerc vrj<^eiv 
evfiape^, ovSe (f>vyeiv top yXvKvv olvo'^^oov 

Hopdfievei yhp efioiye kvKi^ irapa cod to ^IXrffia, 
. KaL fWi oLTrayyeWeL ttjv ^aptv fjv eXa^ev. 



6 GREEK ANTHOLOGY [sect, i 

X 

love's martyr 

MELEAGER 

Alei fioL Btvel fiev iv oiiaavv ij^o? ''Epwro?, 

ofifia Se alya Hodoc^ to fyKvKif Bdxpv <f)€p€r 

OvS* f} vv^, ov (f>€yyo<; iKoifiiaev, a\X* viro <f)i\Tpa)v 
TjSrj TTOV KpaSia ypoDaTO^ eveari rviro^. 

*fl irravoi, ri S' aev iror iiblirTaardai /juev, *'E/3a)T€9, 
otoaT , airoTTTqvaL a ovo oaov i^ayv^Te ; 

XI 

love's drink 

MELEAGER 

To aKV(f)0^ lySu yeyr)0€, \€76t S* on ra^ ^iXepcoro^ 
Zr)vo(l)iXa^ yjravei rov \a\i,ov arofiaro^, 

"0X13 lov eW* vtt' ifiot^ vvv j^etXecrt 'xeLXea delaa 
airvevarl '^V')(hv rav iv ifiol nrpoirioi, 

XII 

LOVE THE RUNAWAY 
MELEAGER 

Kfqpva-a-OD rov *'Epft)Ta rov aypiov apTt, yap apri 

opdpivo^ i/c KoCra^ ^X^*^* airoirrdfievo^. 
"^(TTi 8' 6 iral^ yXvKvSa/cpv^, deiXaXo^f wkv^, dOafi- 

aificL yeX&Vf irrepoec^ v&Ta^ thaperpoi^po^, 
llaT/309 o ovK€T €)(a> <ppa(^6LV Ti-i/09' ovTe yap aiuTjp, 

ov Y^aiv (fyqai reKelv rov Opaavv, ov TreXayo^, 
HdvTrj yap /cat iraaiv dTre'^^Berat' dXX' iaopare 

p/q TTOV vvv ylrv^cu^ aXXa rlOrfat XCva. 



lo-is] LOVE 7 

K.a(Tov K€lpo<;, iSov, irepX ffxokeov ov fie \e\r)6aSi 
TO^ora, Zr}vo<f)LKa^ 6fifia<ri, Kpvrrro/JLepo^. 

XIII 

LOVE'S SYMPATHY 
CALLIMACHUS 

"EX/C09 ey^wv 6 ^elvo^ iXdvOavev 6)9 aviffpov 
irvevfia Sict a-rrjOicov, elSe^, avrfyar/eTO. 

To Tpirov fivih^ einve, rh Se poSa ^vWofioXevvTa 
TwvSpo^ diro <TT€<f>dv<0v TTCLVT i')(iovTo ya/JLai' 

'^ilTTTrfrai fiey^ ^V t^* A^ Saifiova^ ovk diro pvcfiov 
elKa^o), (fxopb^ S' txvia (f)a>p efiaOov, 

XIV 

THE MAD LOVER 
PAULUS SILENTIARIUS 

*Av€pa XvaarfTrjoL kvvo^ ^e^okqixevov IS 
vSaai Oripei/qv eiicovd ^aal ^tXeireiv 

AvaadoDV Td')(a iriKpov "Ep©? iveTrrj^ev oBovra 
6^9 ifi€, fcal fiavlai^ Ovfwv i\r)ta'aTO' 

%ifv yap ifiol xal irovro^ iirtiparov eiicova <f>aiv€t, 
KaX TTorafi&v StvaL^ koI Siira^ oivo')(pov» 

XV 

TO THE world's END 
PAULUS SILENTIARIUS 

Ei KoX TrfKorepto M€p6rj(; reov ?^j/09 ipeiaet^, 
TTTrfvb^ ''E/9ft)9 TTT^i/cU K€i<r€ fiivci fl€ if)€p€r 

Et Kal 69 dvToXlrjv 7rpo9 o/w'x^poov t^eat 'Hw, 
7refo9 dfierprjTOL^ eyjrofiat iv araSioc^, 



8 GREEK ANTHOLOGY [sect, i 



XVI 

love's garland 

MELEAGER 



nXefft) XevKolov Trki^o) S* airaXrjv afia fivpToc<; 

vdpKiaaov, TrXe^a) koI rh yeX&vra Kpiva, 
nXefct) Kol KpoKOv r}hvv, iirtirXi^o) B' voKivdov 

7rop(f>vp€rjv, irKi^a) Kal ^CKepaaTa poSa, 
'fl? &v iirl KpoTd(f>oi^ fivpo^oaTpv')(pv 'HXtoScijoa? 

€V7r\6/eafiov ^atVi/j/ dvdo^oX^ aT€(f>avo^. 



XVII 

LOVER'S FRIGHT 
MELEAGER 



"ApTracrar ris roaaov av ai'^^fidaav aypco^ etrj ; 
tI^ TO<ro9 dvrapai Kal irpo*; "l^ptora fidytfv ; 

fialve TrdXiv cTepvoDP ivTO^ ifx&v, KpaBit). 



XVIII 

LOVE IN SPRING 
MELEAGER 

^HSrj XevKolov OdWei, ddWei Se <f>l\o/M^po<; 

vdpKtaao^, OdWec B* ovp€a'uf>oiTa Kpiva' 
"'HSt; B* 17 <f>ikepa/TTo^, iv avOeaiv &pifiov dp0o^, 

Zrjvo^iXa TleiOov^ ^Su redrfKe poBov, 
Aeifi&ve^, ri fidraca KOfuii^; eiri <f)aiBpa yeXare ; 

d yhp 7rat9 KpiaaoDV oBvirvowv <rT€<l>dv<op, 



16-22] LOVE 

XIX 

A FLOWER AMONG THE FLOWERS 

MELEAGER 

'O (rTe<^ai/09 trepl fcparX fiapaiverai 'HXtoSwpa^' 
avTTj 8* iKXdfjuTrei tov (rre^dvov aTi<j>avo<i, 

XX 

PARTING AT DAWN 
MELEAGER 

'H0S9 ayyeke Xfilpe ^aea^ope koX Ta'xp^ eK6ov<; 
"^airepo^ tjv aTrar/et^ \d0pio<i av0i^ aytov, 

XXI 

DEARER THAN DAY 
PAULUS SILENTIARIUS ' 

%(o^€o, aol fieWoov iviireiv, iraXivopaov icorjv 

ay^ dvaaeipd^o) kol irdXtv dy)(i fievo)^ 
S^i/ yap iyoD StunrXrJTa Sidaraaiv old re iriKpijp 

vvKTa KaTairTr\a'<T(o rrjv 'A^epoi/rtaSa* 
"HfjuLTL yap aeo <f>iyyo^ ofJLoilov* dTsXa to pMv irov 

a<f>doyyov, av Si fioc Kal to XdXrjfia ^epei^ 
Ke^i/o TO 2,€ipi]V(ov yXv/cepcoTCpoVy « errt, ira<rai 

eialv ifji7j<; yjrvxv^ eXTrtSe? i/cKpe^iie^, 

XXII 

THE MORNING STAR 

MACEDONIUS 

^(&a'd>6p€, fitf TOV "EptOTa /Scd^eo, firjSe SiSdaxov 






Apei yetTOvecav vrjXee^; ^Top ex^iv, 



THE GARLAND OF MELEAGER 

MoOcra (fyiXa, rivt rdvBe <f>€p€i^ irdyKapirov aoiSdv ; 

fj Ti<; 6 teal T€v^a^ vfjuvoderdv aT€<f>avov ; 
"Ai/uo-e fiev MeXea7/t)09' dpL^dXtp Be AiokXcI 

fivafjuocrvvov ravrav i^eirovrjae x^P^^' 
HoWa fjLCv ifiirXe^a^ ^Avvrr)^ xpiva, iroWiL Se 

Xelpca, teal Xa'rr(f>ov^ ^aca fiiv, dXKa poSa* 
^apKiaaov re X^P^^ M.€\avi7r7riBov eyKVov vfivoDV, 

Kal veov olvdvOrj^ KXrjfia Xt/jLcovCSeoD' 
Svi/ S' dva/M^ TrXe^a? fivpoirvovv eidvOefiov Ipiv 

No<rcriSo9, ^9 BiXroL^ Krjpbv errf^ev "'Ep©?' 
T^ B* afia Kol adfiyfruxov d<f>* fiBvirvooLo ^Viavov 

Kal yXvKVP ^Hpivvrj^: irapdevo^ptara xpoKOv, 
'AXxaiov T€ \d\7j0pov iv vfivowoXot^ vdKivOov, 

KoX XafjLiov Bd<f>v7f^ /cX&va fieXafJureTaXov 
'El/ Be AetoviBeo) OaXepoif^ Kiaaoio Kopv/i/Sov^, 

M.va<rdX/cov re KOfiaf; o^oropov ttltvo^' 
VXaiai^v re TrXardviarov direOpia-e Jlafi<f>tXov otfjL7j<; 

o-vfiTrXeKTov Kapvt)^ epveac HayKpdreo^, 
Tv/jLved) T evTreraXov Xev/crfv, xXoepov re alavfi^pov 

^LKLOV, TStv<f>7]fjLov T dfifMOTpo^ov wdpaXov 
'£1/ B* apa ^afidyrjTOV lov fiAXav, riBv re fivprov 

KaXXifidxoVj a'TV(f>€Xov fiearov del fiiXcro^, 
AvxviBa T ^v^opUovo^y IB* iv M.ovaija'tv afia>fiov 

89 Ato9 i/c Kovpcov eax^v inroDvvfMirjv 
Tya-i B* dp! '}iy7]<rt7nrov iveirXcKe fiacvdBa ^orpvv, 

Ylepaov t* evdBrj cxoivov dfirjadfievo^' 
^vv B* apu KoX yXvKvp/rfXov dir uKpefiovtov Aiorip^ov, 

A 



2 GREEK ANTHOLOGY 

KaX poirj^ av0rj irp&ra MevcKpareo^, 
Xfivpvaiov^ re K\dBov<; ^CKaivirov, i^Se^aivvov 

repfiivdov, I3\(o0p7]v t' a'xpdha Zttfi/jbUo)' 
'El/ Se zeal ck XetfjL&vo^ dfioDfiijTOio aeXiva, 

^aict htaKvi^oDV avdea, JlapOeviSot;, 
Aeiy^avd r* evKapirevvra fjueKia-TaKraov dirb M-ovaeoiv 

^avdov^ i/c /ca\d/Mi]<; Ba/c^uXtSecd a-rd'xyciV 
'Ei/ S' dp ^AvaKpelovra, to fiev yXvKif icelvo fiiXiafia, 

ve/crapeov^i S* i\eyov<;, dairopov dvOefiiov 
'Ei/ Se Kot i/c <l>op^rj^ <TKo\i6TpL'^o<; av6o^ aKdvOr}^ 

^Apyt'kd'XpVj iTLicph^ (TTpdr^ya^ air* onKeavov* 
Tot9 S* a/A* *A\€^dvSpoio viov^ opirrjKa^ ekalri^, 

fihk TLokuKKeirov 7rop(f>vp€ov Kvafiov 
*Ev S* ap* dfidpaKOV fJKC HoXva-Tparov, av0o^ doiS&v, 

^oivKradv re virjv kvttoov dir* 'AvTLTrdrpov' 
Kal fir)v Kot %vpiav ara'xvorpt'x^a Orjicaro vdphov 

vfivoOirav ^^pfiov S&pov deiBofievov 
*¥tv 8e TloaeiSiTTTrov re Kai ^HhvKov dypC dpovprj^ 

Xi/eeXiSed) t* dvefiou^ avffea <t>v6fi€va' 
Nal fifjv KoX 'vpixreiov del Oeioio TlXdrcovo^ 

K\&va Tov ef dperr}^ TrdvToOi XafiirofievoVy 
"Aarpcov r tSpiv "Aparov ofiov fidXev, ovpavofidKCv^ 

(f>olvi/co<; /celpa^ TrpcoToyovov^ SXtxa^, 
AcDTOV T* ev^x^alrrjv ^aiprjp,ovo^y iv (f>\oyl fii^a^ 

^aiSlfiov, *AvT(vy6pov t' €v<rTpo(f)ov ofifia jSoo^, 
Tdv T€ <f>c\dKpr)TOV ^eoBoopiSeo} V€o0a\rj 

IpTTvWov, icvdvtov r avdea ^aview, 
"AKKoav T epvea iroTCKd veoypa^a* to?9 8* dfia 
yLovarj^ 

KoX a-<f>€Tipi]^ ert irov rrpmifia XevKo'Ca, 
'AWd (f)t\oi^ fiev ifioia-i ^epco j(dpiV9 eari Be fivarai^ 

Koivb^ 6 T&v Movaetov lySvcTr^? a-Te^avo^. 



I 



LOVE 
I 

PRELUDE 
POSIDIPPUS 

K.€/cpo7rl palve \dyvve iroXvhpoaov l/c/idBa ^dKj(pv, 
palve, BpoaL^iaOcd avfi/SoXiKf) irpoiroaL^' 

XiydaOoi) Z'qvtov 6 0*0(^09 kvkvo^^ a re ^Xeavdov^ 
/jbova-a' pAkoi h* 'qfilv 6 yXvKVTnKpofi "E/so)?. 

II 

LAUS VENERIS 
ASCLEPIADES 

ix 'xje&fi&vo^ ISelv eiapivov Xretfyavov 
''HSiarov S' oirorav Kpvslrp fjLia tou? <f)i\€0VTa^ 
')(\alva Kol alvrjrai Kv7rpc<; vir d/jL<f>0T€p(av. 

Ill 

love's SWEETNESS 
NOSSIS 

''ASlov ovBev ''E/oa)T09, & S' oX^ia, Sevrepa iravra 
ia-Tiv diro aro/JLaro^ S' eirrvaa koX to /mcKi. 

ToOto \iy€i No(r<r/9* riva S* a Ku7rp49 ovk i(^i\aa€v 
ovK olBev Krjva^ ravOea irola poSa, 



4 GREEK ANTHOLOGY [SECT, i 

IV 

LOVE AND THE SCHOLAR 
MARCUS ARGENTARIUS 

'HtnoSov TTore ^i^Xov i/jbai^ viro X'^pa-lv eKia-acov 
Tluppf)v i^a7rLvrj(; elBov iirep'X^o/jLevrfv' 

B/)8Xoz/ Se plyjraf; cttI yrjv X^Ph tuvt €06r)ara' 
epya ri fwi, irapex^t^, co yepov ^HaioSe ; 



THE FIRST KISS 
STRATO 



'FtaTrepirjv MoZpt? fi€, Kad' fjv vyialvofiev &prjv, 
ovK oW eXre aat^S)^ elr ovap, rjairdaaro* 

"HS^; fyap rh fiev oKKa fidX! arpe/ceo)? ivorjaa 
y&Koo'a fWL irpoae^rj, ^coacoo-* iirvvOdveTO, 

Et he fie Kal 7re<l)i\7jfce refCfiaLpofiai' el yctp aXrjde^^ 
7rci)9 cLTTodetcoOel^ irXd^ofju iirtx^ovio^ ; 



VI 

THE REVELLER 
MELEAGER 

3e^\i](r6a) kv^o^* airre* Tropeva-ofiar rjvlSe ToXfia, 
olvo^ape^y tIv e^^t^ <\>povrlha ; Kcofidaofiai, 

KcofJida-ofiat, ; irrf 0vfi€ rpeirrj ; ri S' epcdri "Koyca-fjiOf; ; 
airre rd^o^. irov B* rj irpoirOe Xoycov fieXerT) ; 

^Bippl<\>d(o cro<f)ia<; 6 iroXv^ irovo^* %v fiovov olha 
TOvd\ on KoX Zrjvb^ Xfj/jua KadelKev ''Epo)^, 



4-9] LOVE 5 



VII 

LOVE AND WINE 
RUFINUS 

^' ClirKiafiai tt/oo? "E/owra nrepi aripvoiai Xoyiafiov, 
ovBi fi€ vitcqaeiy fiovvof; iiav irpo<i ei/a, 

@vaTO^ S' dOapdr^ avaTrjaofiar fjv hk ^orf06v 
HaK'^ov I%i7, Tt jjiovo^ irpb^ Bv^ iyo) Bvvafiai ; 

VIII 

LOVE IN THE STORM 
ASCLEPIADES 

NZ<^€, ya\a^o^6\€&, iroUi (tkoto^, aWe, Kepavvov, 

iravTa tcl 'tropif^vpovT' iv 'yOovX a-eie vi(f>i], 
*Hi/ yap fie Krelvrjf;, Tore iravaofiav* rfv he yH d<j>y<; 

Kal hiadelf; tovtwv j(€ipova, KayfidaofiaL* 
''EX/cet yap fi 6 Kpar&v Kal aov 0e6<;, cJ Trore ireur- 

ZeS, hia yaKKeLwv %pi;o*o9 eSu9 0a\dfju(ov* 

IX 

A KISS WITHIN THE CUP 
AGATHIAS 

Ell fit fiev ov <I>lX6oivo^' orav K edeKri^ fie fiedvaaai 
TTp&ra <TV yevofievrj irpoai^epe Kal Si'^fpfiar 

Efr yctp eiriy^avaeis Tot9 'xeiXeaiv, ovKeri vrffbeLv 
evfiape^^, oifSe (fyvyelv top yXv/cvv olvo^oov 

TlopOfievei yap Ifioiye kv\l^ irapa aov to ^i\r)fia, 
. Kal fioi airayyeKKeu rrjv xaptv fjv eXafiev, 



6 GREEK ANTHOLOGY [sect, i 

X 

LOVERS MARTYR 
MELEAGER 

AUl fiot htvel fiev ev ovaat,v ^%09 "Fipayro^, 

ofifia Be clya Tl6doc<; to yXv/cv BaKpv <f)ep€r 

OifB* f) vv^, ov (^€7709 i/colfjuaev, aW vtto (f>iXTpa)v 
rjSr) irov KpaSia yvooa-rb^ evearc tvito^. 

*fl TTTavoi, TL S" a€L TTOT i(f>L7rTaa0ai /JueVf *'E/}(»T69, 
oloar , aTroTTTrjvac o ovo oaop Ltrxvere ; 

XI 

love's drink 

MELEAGER 

To (TKV(f>o^ fihv y€yr)0€, Xeyev S* ore ra^ ^CKeptoro^ 
ZrfvoifylXa^ yjravec rov Xdkcov arofiaro^, 

"OX^iov eW* vir" ipm<; vvv j^etXecrt j(etK£a Oelaa 
airveviTTl ylrv)(av tclv iv ifwl irpoirioi, 

XII 

LOVE THE RUNAWAY 
MELEAGER 

K.r)pvaa(D rov "IStpfora tov aypiov apTt, yap apri 

opOpLvo^ etc KoCra^ ^X^**"* aTroirrdfievo^, 
''EiO'Tv 8' 6 7ra69 yXvKvBaxpv^, aeCkaXo^f oiKv^, adafi- 

crt/x^ yeX&v^ nrrepoei^ v&ra^ ^ap€Tpo<f>6po^, 
Tlarpb^ S* ovk€T ej^o) (l>pd^€iv rivo^* ovre yap ai6i]p, 

ov ')(j9di>v ifyrjai rcKelv tov Opaavv, ov ireXa/yo^. 
UdvTTj yap Kal Traavv aTre^^eraf d\V iaop&Te 

fiTj irov vvv '^v'xal^ aXXa Tidffai Xiva, 



lo-is] LOVE 7 

KacTOL tcelvo^;, ISov, irepX (jxoXeov ov fie \e\iy5a9, 
TO^ora, Zr)vo(l>Lka^ ofi/Maac icpvirrofAevos* 

XIII 

love's sympathy 

CALLIMACHUS 

"EX^09 e')((av o ^elvo^ ekdvdavev w avirjpov 
TTvevfia 8ta arrjOicov, eZSe?, avrfjar/eTO, 

To TpLTov rivLh^ eTTLve, Tct Se poha (f>vWo^o\€vvTa 
T0i)vBp6<i airo <rT€(f>dva)v nravr i'^eovro yafiar 

"iiirrriTaL fiiya hrj rr fui haifiova^ ovk diro pvafiov 
eLKci^G), 000/909 S* c^via ^Gop efiaOov, 

XIV 

THE MAD LOVER 
PAULUS SILENTIARIUS 

^Avipa Xva-a-rjTTJpi /cvi/09 ^e^okrjfievov l^ 
vSaai Orjpeifjv elxovd ^acrl fiXeTrecv 

Avaadxov Ta/)(a TriKpbv ''EpG)9 iveirrj^ev oSovra 
6t9 ifi€, /cat fiaviais 0vfiov iXrjtaaro' 

%rfv yap ifiol /cal irovTO^ eirrjpaTOv eifcova <l>aLV€C, 
Kal TTora/Jb&v Slpai^ xal Siira^ olvo')(pov. 

XV 

TO THE world's END 
PAULUS SILENTIARIUS 

Et Kal TrfKoTep<o Meporj^ reov Xj(yo^ ipeCa-ei^y 
TTTTjvo^ ''E/3ft)9 'TTTfjv^ Kel(T€ fievcL fi€ ^epet* 

Et Kal €9 dvToKlrjv irpo<i 6fjb6')(^poov i^eat 'HA, 
7refo9 dfji€Tpi]Toi^ eyjrofiat iv arahioi,^. 



8 GREEK ANTHOLOGY [sect, i 

XVI 

love's garland 

MELEAGER 

Il\e^(o XevKoiov TrXe^o) 8* aTraXrjv afia fjuvproi^ 
vapKcaaov, irXe^o) koI rh yeX&vra Kpiva, 

nXe^ft) Koi KpoKov TjSvv, eiTLirKiPto 8' vaKivdov 
7rop<f>vp€rfv, irXe^o) Kal fj^CKepaara poSa, 

'119 ai/ iirl /cpoTd<l>oi<; fivpo/Soo'Tpv'x^ov 'il\ioSd>pa<i 
evTrXoKa/iov ^a/riyi/ avdofioX^ aTi(f>avo^. 

XVII 

lover's fright 

MELEAGER 

^ Kpirao'TaL* tL^ Toaaov &v al'^^fidaac aypio^ elrj ; 

Tt9 TO<ro9 dvrapai Kal irpo^ "^ptora fidyrfv ; 
"Atttc rd'xp^ irevKa^' Kairoi /ctvtto^* 'HXioodpa^* 

^alv€ irdXiv aTipvoov ivTO^ ifM&v, xpaBirj. 

XVIII 

LOVE IN SPRING 
MELEAGER 

"HBt} XevKOLOp OdXXeo, OdXXei Be <l>lXofi^po<; 

vdpKiaao^t OdXXei 8' ovp€auf>oiTa Kpiva* 
"HSrf B* ff (fyiXepaaTO^, iv avOeaip &pifiov avOos, 

Zrjvo^lXa HeiOov^ '^Sv reOrfXe poSov. 
Aetfi&ve^y TL fidrata KOfiai^ ein <l>ai8pa yeXare ; 

d yap Traw Kpeaatov aZvirvowv aT€<f>dv{ov, 



16-22] LOVE 9 

XIX 

A FLOWER AMONG THE FLOWERS 

MELEAGER 

'O a-T€<f>apof; irepl xparl fiapaiverat 'HXioScopa^' 
avrrj 8' iKXdfiiret tov a-T€<f}dvov aTe<f>avof;, 

XX 

PARTING AT DAWN 
MELEAGER 

'Ho59 ayyeXe yatpe ^aea^ope KaX ra'xp^ ekOoi^ 
'^^(Tirepo^ rjv dira/yet^ \d6pio<i avdts aywv, 

XXI 

DEARER THAN DAY 
PAULUS SILENTIARIUS ' 

%<i)^€Oy aol fiiWojv iveTreiv, TraXLvopaov itofjv 

ayfr dvaaeipd^(o kol irdXiv dyyi fiivtOy 
^ffv yhp iyo) Sa(rir\7JTa Sida-racnv old re iriKprfv 

vvKTa KaTairTqaao) rrjv ^ A'^epovridSa* 
"H/AttTt yap aio (f>^yyo^ ofioilov dXKa ro fiiv irov 

a<l>0oyyov, av he fioi KaX to XdXrjfia ^epei^ 
Ketvo TO 2,€ipi]V(ov yXvK€p(OT€poVy (S eiri iraa-ai, 

elalv ifirj^ yjrvxrj^ iXiriSef; ifCKpe/iee^, 

XXII 

THE MORNING STAR 

MACEDONIUS 

^(aa^ope, fifj tov "EpcoTa ^vd^eo, firfSe BiSdaKov 
"Xpel yeiTovicDV vrjXee^; ^Top e%€4i/, 



lo GREEK ANTHOLOGY [sect, i 

*fl9 Be trdpo^ KXvfiivTj^ opotov ^aeOovra fieXdffptp 
ov Spofiov i>KVTr6h'qv €2%69 d/jr' avroXir}^, 

OuTG) fiOL irepl vvKTa fioyt^s iroOeovn (pavelaav 
€p')(eo SrjOvvcov, co? Trapd J^Lfifieploc^, 

XXIII 

AT COCKCROWING 

ANTIPATER OF THESSALONICA 

"Opdpo^ €^fj, ^pvaCKKa, Trdkai 8' ^c5o9 dXeKreop 
K7jpv(r(ra)v <\>0ovepr}v 'Upvyivetav ayer 

'OpvlOcov €ppoc<; <\>dovepd>TaTO^, 09 //.€ hicoKeL^ 
otKoOev eh TToWov^ rjWicov odpov^, 

TrjpdaKCi^ T^idwve' tl yap a-rjv evverLv 'Hw 
ouTO)? opOpihlrfv fjkaaas i/c Xe^^eo)!/ ; 

XXIV 

dawn's haste 

MELEAGER 

^OpOpe ri fiOL Svaipaare Taj(,if<; irepl koItov eTriarrj^ 
apTL 0t\a9 ^7jfjbov<; %/oft)Tl ')^XLai,vofieva) ; 

Wl6e irdXiv CTpiyjra^ ray^i'Vov Bpofiov'^^aTrepo^ 61179, 
& yXvKV (^0)9 fidWoyv eh ifie iriKpoTarov 

"HSi; yap Kal irpoadev eir 'A\Kfii]vi]v Ato9 ^X^e9 
avTLo^' ovK aSa^9 eaaX iraXcvSpo/jLli]^, 

XXV 

dawn's delay 

MELEAGER 

"OpBpe ri vvv Sv/repaa-re ^paSif<; irepl Koajwv eXiaarf, 
aX\o9 eirel Ar)fiov<; OdXireO^ viro j(XavLSt ; 

*AW* ore tclv pahivdv koXttoi^ c^ov q)kv^ eiria-Trf^i, 
609 iSdXXoDv eir' ifiol <^o)9 iiri'^^aipeKaKop, 



23-29] LOVE II 

XXVI 

WAITING 
PAULUS SILENTIARIUS 

Arj0vv€L K.\€0^dvTL<;' 6 Se rplro^ apyerai rjSrj 
Xu^j'o? VTTo/ckd^eiv fjica fiapaivo/j,€vo^' 

AiOe Se icaX KpaSirf^ irvpao^ avvaTrea-^ero Xvj^i/^, 
fiTjhe fi vir aypVTTVOi^ h'qpov eicaie iroOoi^. 

*A TToaa TTfv K.v0€p€cav iir^jMoaev eairepo^ fj^eiv* 
aW ovt' avOpoDTTtov ^eiSerai, ovre 0€&v. 

XXVII 

WAITING IN VAIN 
ASCLEPIADES 

'£lfio\6yr)a fj^eiv eh vvKTa fioi 17 'iri^orjTO^ 
Nt/cci, Kal acfivfjv Afjuxre @€a'fio4>6pov, 

Kouj^ YJK6I,, if>vKaKr} hk irapoiyerai* Sip* iiriopKeiv 
rfffeXe ; tov Xv^pov, Traloe^, aTToa^ea'aTe, 

XXVIII 

THE SCORNED LOVER 
ASCLEPIADES 

Nuf, ere yhp ovK SXKtiv fiaprvpo/juLV, old fi vl3pl^€C 
TlvOict^ 17 Nt^coO? ovaa c^tXefaTraTi;?, 

KXyOel*; ovk afcXrjro^; iXijfKvda' ravTct iraOovaa 
(ToX fie/jA^aLT eir ifioi^ arao'd ttotc 7rpo0vpoi<;, 

XXIX 

SLEEPLESS NIGHT 
AGATHIAS 

Uaaav iya> rrjv vvicra KLVvpofiac eSre 8' iireXOrf 
opdpo^ eKivvaai, ficxpa x^pc^ofMCvo^, 



12 GREEK ANTHOLOGY [sect, i 

' Afj^LTrepiTpv^ovai ^eXiSoi^e?, €9 Se fie haKpv 

^aXXovatv yXvxepbv fc&fia Trapcoadfievai, 
"Ofifiara S* olSdovra <j)v\d<ra'€Tai, 17 Se ^lPoSdv0rj^ 

aidc<; ifiot^ aripvoi^ (f>povTl^ dvaaTpe^erai, 
*X1 (fyOovepal Travaaade XakijTplSe^;^ ov yap eycoye 

rrjv ^ikofirjXelrjv yX&aaav drrreOpca-dfirjv 
'AW "ItvXov KKaLoire icar ovpea, koI yodoire 

€t9 hroTTo^ Kpavarjv avKiv i<\>€^6fi€vai, 
Ba^oi/ Xva KPcoaa-oi/nev ?<7G)9 Si ti^ fj^ei oveipo^ 

09 fie ^PoSavOeloi^ Trri'^eaiv dfi<f>i/3a\ei. 

XXX 

THE LOVE LETTER 
RUFINUS 

'Vov<f>lvo<; T§ ^fi^ yXvKepfOTdrrf 'FXttlSl iroWa 

yaipeiv, el jfa'Cpeiv %ft)pl9 ifiov Svvaaar 
Ov/C€TV ^aoTd^co, fid rd a ofifiara, rrjv ^CKepr)fiov 

Kol TTfv fiovvoXe'xrj aelo Sia^vyirjv, 
'AW alel SaKovoiai ire^vpfievo^ rf *7rc YLopTjaaov 

ep')(Ofiai rf fieydXrj^ vtjov €9 'ApTefivSo^' 
Avpcov dWd frdrprf fie SeSe^erat, €9 Se aov ofifia 

TTTTfaofiaiy ipp&aOai fivpia a evypfievo^. 



J 



XXXI 

LOVE AND REASON 
PHILODEMUS 



^^X^ /AOA irpoXeyec <f)€uyecv irodov 'H\&o8op/oa9, 
BdKpva Kol ^ijXov^ tov9 irplv eiriarafievrf' 

^Tfol fiev, dXkd <f>vyelv ov fioi adevo^, rj ydp dvaiZrfs 
avTTf Kol irpoXiyei koI irpoXeyovaa ^CKel, 



30-34] LOVE 13 

XXXII 

ODI ET AMO 
MELEAGER 

"Arf^eCKov rdBe^ Aopfcd^* IBov iraXt, hevrepov avTrj 
/cat TpiTOV ayy€L\ov, iiopKci^, oTravra' Tpe')(e* 
^rj/C€TL fiiWe' Trerov. ^S/oa^v /jloc jSpa^xy, AopKa^, 

£iop/cd<;, irol crTreuSet? irpiv ce ra irdvra fiaOelv ; 
npoa-de^ 8' 0I9 etprfxa irdkat — fiaXKov 8* OTi — XrjpS)* 

fir)8ev o\q)9 etirrj^ — dW' ore — irdvra Xiye* 
M^ (l>€^Sov ai) rd irdvra Xeyeiv. KdCroi rC <r€, 

Ao/>/ca9> 
iKirefiTTOD, (ritv aol Kavro^^ ISov, irpodr/oov ; 

XXXIII 

LOOKING AND LIKING 
PAULUS SILENTIARIUS 

'O^OaXfioi, rio fi^XP^'^ d^vaaere veicrap 'Eipcorcov 

KaWeo^ dKprjrov ^oDpoirorac dpaaee^ ; 
T^Xe SiaOpe^oDfiev oirrj adivo^, iv Se yaXrjvy 

VTj^dXia (nreiato ILvirpiii McaXa^m;. 
El S' apa irov Ka\ iceWi Karda"xero^ eaaofjiai otarpfp 

ylveaOe Kpvepol^ hdicpvai /MvSaXiot, 
''KvSlkov 6r\i]aovr€^ del ttovov ef v/jb€(ov ydp, 

<f>€v, rrvpo^; e? roaarfv fjXBofiev ipyaairfv, 

XXXIV 

FORGET-ME-NOT 

AGATHIAS 

^H pdye Kol av, ^iXivva, (fyepet^ irodov^ fj pa KaX avrf) 
Kd/jLV€i^ avaXioi^ ofipMori njKo/ievrj ; 



14 GREEK ANTHOLOGY [SECT, i 

*H <ru /J^ virvov e%€t9 y\vKepa>TaTOv, "^fieriprf^ Se 
(f>povTlSo^ ovT€ \6709 yiverai out' dpiOfio^ ; 

^vpi^acL^ Tct ofiota, reifv S\ d/jbiyaprey irap€irfv 
d6pri<r(o dafiivoL^ Bdxpvat reyyo/jbevrjv 

KvTTpi? ydp rd fiev aWa iraXiyKOTO^, ^v Se Tt Kokov 
€\\ax€Vy ixOaipeiv Td<: ao^apevofieva*;, 

XXXV 

AMANTIUM IRAE 
PAULUS SILENTIARIUS 

At#c\tSa9 dfKperiva^ev ifioh TaXdreia 7rpoaco7roi<; 

eairepo^, v^pio-T7)v fivdov iirev^afievT}. 
''T/8/549 epwTa^ eXvae* fidvqv oSe fivOo^ dXdrar 

vj3pt^ ifjbffv ipidei fidXKov ip(o/jLavir)V' 
"Silioaa yap XvKa^avra pAveiv airdvevdev eKeivTj^y 

& TTOTTOC, dW' LK€T7)^ TTpCOio^ €V0if<; €^rjV. 

XXXVI 

INCONSTANCY 
MACEDONIUS 

Ilapfi€pl<; ovK epytp* to fiev ovvofjba koKov dKovaa^ 
&ladp/qv aif Si fiov TTLKporiprj Oavdrov 

Kal <l>€vy€i^ (f>i\€OVTa xal ov <f>iKiovTa Si(o/cei^ 
6<j>pa irdXtv Kelvov koX (piXeovra <f)vyrj^' 

XXXVII 

time's revenge 

CALLIMACHUS 

OvTco? V7rpa>aai^, KtovfOTrtov, c&9 ifie Trotel^ 

KOifiaadac yfrvxpoU roiaSe irapd irpoOvpoi^* 



3S-40] LOVE IS 

OuTco? VTTvaxrai^i ahucwTarrf, &^ top ipaarrijv 
KOL/jbl^et^' iXiov S' ovS* ovap rjvriaaa^* 

TeiTove^; olKrelpovai, av S* ovh^ ovap* rj iroXit) Sk 
avTiK avafivrjaei ravrd ae iravra Kop/q, 

XXXVIII 

FLOWN LOVE 
MARCUS ARGENTARIUS 

Mi^vr) jfpva-OKepco^ Bep/ej) raSe koI irvpCkap/irel^ 
aar€pe<; ou9 koXttoc*; *D.K€av6^ Seyerai, 

''ft? /i€ pivov TTpoXiTTOvaa p^vpoTTvoo^ ^X^ 'Apiarrjy 
kicTai'qv h* evpelv rrjv pM^ov ov Svvapiar 

'Aw' epbirr}^ avTrjv t^Tjrrjaop^ev' fj p* iinirepAlta) 
KuTT/otSo? l^vcvTCt^ dpyvpiov^ aKvXaica^, 

XXXIX 

MOONLIGHT 
PHILODEMUS 

^VKTepLvrfy hiK€p(o<;, (f>iXo7rdvvv'x^6 <f>alv€ X€Xi]P7), 
<l>a2v€, St €VTprjT(ov TraXXop^vf) OvpiBcov' 

Atjya^e 'xpva-erjv KaXXiariov 69 rd (fyiXevvrcov 
epya Karoirreveiv ov <f)06vo^ dOavdrrj, 

*OX^l^€i^ Kol TT]vS€ Kol f)psa<;, olSa, %€Xi]vi], 
Kol yap ar)v '>^v')(7}v €<f>Xeyev 'Ej/Si;/liig)i/. 

XL 
ROSE 

AUTHOR UNKNOWN 

E?de poSov yevop/qv v7ro7r6p<f)vpop, 6^ pa p>€ ')(epa\v 
dpaapiivr) X^P^^V <^''"^^€<7t 'x^toveot^. 



i6 GREEK ANTHOLOGY [sect, i 

XLI 

LILY 
THEOPHANES 

E?^6 Kpivov yevofjLTjv dpyevvdov, 6<f>pa fie 'xepalv 
apaafievrj fidWov 07)9 j(^poTi7]<; Kopearj^, 

XLII 

LOVE AND SLEEP 
MELEAGER 

Eivhei^ Zi]vo<l>lXa, rpvcjyepov Oakov eW €7rt aol vvv 
ainepo^ elaijeiv virvo^ iirX ^\€(f)dpoL<;, 

'ft? 67ri (Tol fi'qB' o5to9, 6 kol Aao? ofifjuara OeXyoDPy 
(fyoLT'^cai, Karc'x^ov 8* avro^ iyco ae fiovo^. 

XLIII 

SLAYER AND HEALER 
MACEDONIUS 

"EX«09 e')((o TOP epcora, piec Se fiot, eXfceo^ ^X^P 
SaKpvov d)T€i\rj<; oviroTe Tepa-Ofiivrj*;' 

Etftt yap i/c KaKOTTjTO^ dfjL7]'x^avo<;, ovBe Ma;)^aa)i/ 
7]7rid /jbOL irdaaeL <f>dpfiaKa Sevo/jbivtp, 

TiyXe^o? el/jLL, Koprjy aif he yiveo irLaro^i *A;^a\X€V9* 
KoXKel atS nrava-ov rov iroOov co? l/SaXe^. 

XLIV 

PERFUME ON THE VIOLET 
AUTHOR UNKNOWN 

HejMTro) aoL fivpov 'qhv'yjMvpfp irapex^cov 'x^dpiv, ov aor 
avrif yap fivpiaai Kal to fivpop Bvpoaai, 



41-48] LOVE 17 

XLV 

J LOVE THE GAMBLER 

MELEAGER 

MaT/509 €T iv KoXiroiaiv 6 vqino^ opdpLvh irai^wv 
aarpar/aXoL^ rovfwv irvevp! iKVJSevcev *'E/9co9. 

XLVI 
DRIFTING 

MELEAGER 

Kv/jLa TO TTLKpov "E/owTo? aKoifj/qroL re irveovre^ 
ZtrfKoi Kal KcofjLODV yeipAptov Trikayo^^ 

Tlol (pipofiat ; irdvTff Se <t>p€v&v olaKe^ a<j>€lvTar 
fj iraXc rrfv rpv^eprfv XfcvWav iiroylro/jbeOa ; 

XLVII 

LOVE'S RELAPSES 
MELEAGER 

^^X^ SvaSaKovTC, rl aot to TreiravOev "^EpcoTO^ 
Tpavfia otct airXdyyvayv aiOi^ avaxjyXiyeTac ; 

M97, fjLf) irpo^ ae At69, fii] 7rpo9 Ato9, & <f>iXd/3ovX€, 
Kivrjari^ Te<f>pri irvp vTroXafiirofievov 

AifTixa yap, XrjOapye Kax&v, irdXiv et ae (f^vyovaav 
Xrj^^eT* *'E/)a>9, €vpa>v SpairiTiv aiKiaeTav, 

XLVIII 

LOVE THE BALL-PLAYER 
MELEAGER 

X<t>aipiaTav tov ''ISipcaTa Tpiifxo^ aol 8\ 'HXioSdpa^ 
fidXXei Tav iv ipm iraXKopAvav KpaSiav, 

B 



t8 GREEK ANTHOLOGY [sect, i 

'AW a^e <TV/JLTraiKTav Si^ai TloOov* el S' airo aev fie 
plyftai^, ovK olao) rav aTrdXaicTpov v^piv, 

XLIX • 

love's arrows 

MELEAGER 

O^ TrXoKUfiov ^r)fiov<i, ov advSaXov'HXioScopa^, 
ov TO fivpoppavTov TifiapLov irpodvpovy 

Ov Tpv<f>epov fielBff/jui ^owttiBo^ ^AvTiKXeia^y 
ov T0U9 dpTLffaXei^ AaopoOea^ aTe<f)dvov^ 

OvKerc aol (f>ap€Tp7j iriKpov^ inepoevTa^ oi*<rTov9 
fcpwrrei, ''E/3G)9* ev ifiol irdpra ydp iari ^eXr), 

L 

love's excess 

AUTHOR UNKNOWN 

'OwXi^ev^ KvTTpc, Tofa, Kal et? o-kottov tj&vxo^; iXde 
dXXov iyo) yap e%Q) rpavfiaro^ ovhe roirov, 

LI 

MOTH AND CANDLE 

MELEAGER 

T^i^ Trepivffxofievrjv yjrvxtfv &v TroXXdKi fcairj^ 

(jyev^er, *'Epo)9' Kavrrjy cxerXt, e%et irrepvya^, 

LII 

LOVE AT AUCTION 
MELEAGER 

TlwXeia6(a kcu fiarpo^ er ev koXttokti KaOevhmv, 
irtoXelo'OfO' ri Se jjloi to Opaav tovto Tp€<j>€ip ; 



49-54] LOVE 19 

Kal 7^/0 a-i/Mov e^v teal vTroirrepov^ axpa S* ovv^iv 

Kvi^ei, Kal KKalov iroKKa fiera^v yeXd* 
IIpo? S' €Ti XoLirbv aTpeiTTov, aeiXaXov^ o^v BeSop/co^;, 

arfpvov ovB' avry p/qrpl <\>tXrj ndaaov, 
Udvra ripa^* Toiyap ireirpdaeraL' el Tt9 diroirXov^ 

e/Miropo^ iovelaOai iralha OiXei irpoairw. 
Kalroi XicacT* IBoif BeSaKovfiivo^* ov a-' en ttcdXA* 

Odpaef Zr}vo(f>CXa avvrpo^o^ &Se fieve. 



LIII 

INTER MINORA SIDERA 

MARCUS ARGENTARIUS 

"EiYj^e^ AvaiSifcrff; Kvddov^ Sexa, vfj^ Se TroOetvrj^ 
^v^pdvTf)^ eva fioi^ Xdrpiy SiSov KvaOov. 

^rjaei^ AvavSlKr^v fie <f>iXelv irXeov ov fid rov 'qBvv 
IRdx^ov, ov iv ravrrj XaPpoiroT& kvXikl' 

'AXXa fioi ^v(f}pdvTr) fila 7rpo9 Bixa* Kal yap 
direipovf; 
daripa^ ev firiV7f<; ^67709 vireprideTai, 

LIV 

ROSA TRIPLEX 

MELEAGER 

"^y^ei, Ta9 TleiOov^ Kal JLvwpiSof; 'HXioSwpa^; 

Kal irdXc Ta9 avra^ dSvXoyov 'Kdpcrof;' 
Avrd ydp fii' ifiol ypd(l>eTai 0e6^, d^ to iroOeivov 

ovvofi* iv aKprfTtp avyKepdaa^ iriofiac. 



20 GREEK ANTHOLOGY [sect, i 

LV 

LOVE IN ABSENCE 
MELEAGER 

ISiy^ei Koi ttoXlv elire, iroKiv iroKiv, 'H\toSco/9a99 
elirky avv aKprjrtp to yKvKv fxiay* Svofiay 

Kai fjLoi Tov /8/06^^ez/Ta fivpoc^ xal 'xdi^ov iovra 
fivafioavvov Kslva^ dfi(f>iTld€i aTe<\>avov. 

^aKpvei ^iKepcuTTOV iSoif poBov^ ovvexa Keivav 
aXKoOi, Kov KokiroL^ '^fieripoi^ iaopa, 

LVI 

THE SEA'S WOOING 
MELEAGER 

A 0^\€pa)9 ')(apoiroi^ 'AaKXtjinct^ ota TaXrjvTf^ 
ofi/jbaai avp/ireiOei iravra^ iptoroTrXoelv, 

LVII 

THE TENTH MUSE 
AUTHOR UNKNOWN 

Tiaaape^ al Xap^re?, Tlaif>Lai, Svo koX Bixa Movaar 
AepKvXU iv irdaaL^y M oOcra, l^api<;, Ua^ii], 

LVIII 

THE LIGHT OF TROY 
DIOSCORIDES 

"linrov ^A0i]VLOv ^aev i/Mol Kaxop* iv irvpl iraaa 
"iXvo^i fjv, KarfOi Keivrj a/M e<f>\€f^6fiav, 

Ov ieiaa^ Aava&v SeKerr) ttovov* iv S' €vl <f>€yy€L 
r^ t6t€ koX Tpa>€9 Kwyi> diroDXafieda. 



55-6i] LOVE 21 

LIX 

LOVE AND MUSIC 

MELEAGER 

'ASu /LteXo? vaX Ilava rov ^ApxdSa irrjKrLii, /juikTrei^, 
Zr)vo(l}iXaj Xlav aSv Kpifcei^ tl fieXo^* 

Tlol ae (bvya> ; iravrr) fie irepLarelyovo'LV *'E/oa)T69, 
ov o oaov dfiTTveva-ai fiaiov e&ai 'x^povov 

*H yap fioi fjLop<f)d ^aXXet iroOov rj 7rd\t fJLOvca 
fj x^P^^ ^ — '^^ XeyoD ; irdvra' irvpX ^Xeyo/iai, 

LX 

HONEY AND STING 

MELEAGER 

^AvOoSiaire fiiTuaaa, ri fioi XP^^^ '}i\ioS(opa<; 

ilrau€49 iKTrpoXtirovar* elapivd^ KoXvKa^ ; 
*H (TV ye fir)vvei^ on xal yXvKv Kal to hvaoiarov 

TTLKpov del KpaSia Kevrpov ''Epwro? e;^6fc ; 
Nal SoKeo), tout* elTra?" to) <f>Ckepaare iraXLiMirov^ 

(TTeix^' irdXai rtfv affv otSafiev arf^eXir}v, 

LXI 

love's messenger 

MELEAGER 

Tlraiq^i fJLOi Kmvayyit Taxif^ ayyeXo<i, ova<ri 8' a/cpoi^ 
Zi]vo<f>i\a^ ylravaa^ irpoa^^Mpil^e rdSe* 

"Arfpyirvo^ filfipec ae, art 8' & Xrjdapye <f>CKovvr(i}v 
evSet^' ela, Trerev, vol (jyiXofiovae irerev 

' H<n;;^a he ^Bey^ai, fii} koX avyKoirov eyeipa^ 
KLvrf&rj^ iir* ifiol ^r}\oTV7rov<i oSvva^* 



22 GREEK ANTHOLOGY [sect, i 

Kcovcoyjr, koI Sdam X^^P^ (f>€p€LV poircCKov, 



LXII 

LOVE THE SLAYER 

MELEAGER 

KiaaofM, *'Epft)9, tov aypvTrvov ifiol nroOov 'HXioSfti- 
pa^ 

Koifitaov alSeaOeU M oSo-ai/ ifir)v Ik€ti,v' 
Nat yap St) ra aa ro^a, ra p/q SeBcScuyp^eva fiaXXevv 

aWov, ael S* iir^ ifiol irrrfvct xj^ovra ^iXrj^ 
Et /cal p,€ KTcivai^ Xel^frco (jxovfjv irpoiema 

ypdp^p^ar' "E/jcoto? opa, ^elve, /jLLat^ovlrjv, 

LXIII 

FORSAKEN 

MAECIUS 

Tt (TTvyvri ; ri he ravra ko/j/tj^ elKoiay ^CKaivl, 
CTKvKp^aTay kol vorep&v avyxyat^ op^p^arUov ; 

Miy TOV ipaa-TTjv eZSe? e^pvO* viroKoXinov aWr}v ; 
eiirov ip^oi* XvTny? ^dpp,aK iTriardp^da. 

^aicpvei^, ov (fcj)? Be* p^drrjv dpvelaO* iiri^dWy 
6<f>da\pio\ yXdxrarj^ d^LOTnaTorepot, 

LXIV 

THE SLEEPLESS LOVER 

MELEAGER 

^Axpi^, ipL&v dirdrrfp^ iroOcov, irapap^vdiov vttvov, 
aKpl^y dpovpaifj Movo'a Xiyvirripvye, 



62-66] LOVE 23 

AvTO<l>v€^ fil/MTffia \vpa^, Kpexe /jlol tl iroOetvov, 
iyxpovovaa (f>lXoi^ Troaal XaXou9 'rrripvya^, 

"Di^ fjL€ irovoav pvaaio fravarfpiirvoio jj^pifivq^f 
cLKpi^ fiiTdoaa/Mepr^ (j}06yyov ipwTOirXdvov 

A&pa Be a 01 yrjrevov aeidaXe^ opuptva Sa>a(o 

Koi Spoaepa^ a-rofiaat a'x^t^ofMeva^ yjraKciSaf;, 



LXV 

REST AT NOON 
MELEAGER 

'Aj^?7et9 T€TTtf Bpoaepac^ aTayoveaat fiedvaOel^ 

aypovofiav fiiXirei^ fiovaav ipi]fio\aXoVj 
''Axpa o' i(f>€^6fJL€vo^ TTCTaXoL^ irpLovwieaL k(o\oi^ 

aiOioTTL KKa^€L^ X/^I^tI fieXcafia Xvpa^' 
'AW^ (f>iXo^ (f>0€yyov ti veov SepSpcoSeaL Ni;/i<^at9 

iraLyviov, avrtphov TlavX KpeKtov /ceXaBov, 
'*0<f>pa f\>vyo>v TOP "Etpoara fiearj/ifiptvov virvov 
dyp€v<r(o 

ivddB* viro (T/ccep^ K€/cXifi€vo^ irXardvip. 



LXVI 

THE BURDEN OF YOUTH 
ASCLEPIADES 

OvK elfi ovB* irewv Bvo KetKoct, koX kottiA ^&v' 

6SpQ)T69, TL KaKOV TOVTO ; tI /jl€ (pXeycTC ; 
*Hj/ yap eyd) tl irdOwy tl TroLrjacTe; SrjXov, "Epcore?, 
a>9 TO irdpo^ irai^eaO' a^pove^ doTpar/aXoif^, 



24 GREEK ANTHOLOGY [sect, i 

LXVII 

BROKEN VOWS 
MELEAGER 

Nuf lepi) fcal \v;^i/6, <rvvi<rTopa<; ovriva^ aWov^ 
opKot^, aW vfiea^ elXofieO* afi^orepov^ 

Xft) piv ip,€ (TTep^eiv, Kelvov S* iyob ou irore Xelyfreiv 
oifioaafiev, Kotvfjv S' et^ere p,apTvpi7jv' 

Nvi; S o fjL€V opKia <f>'qa'lv iv vSari xelva ^epeaOav, 
Xxf^fve, ai) S* iv koXttoi,^ avrov opa^ cTepav, 

LXVIII 

DOUBTFUL DAWN 
MELEAGER 

*fl vv^, & ^iXcuypviTvo^ ep,ol irodo^ *H\i,oh(opa^^ 

Kol (TKoXi&v opdptov KviapxLTa SaKpvxaprj, 
^Apa pAvei aropyfj^ i/na Xeiy^ava, koI to ^CKr)fia 

fivfjfioavvov ^v^a OaXirer iv etKaaia ; 
*Apa 7' e'x^ei avyKoira ra haKpva^ Kafiov oveipov 

^^vxairarqv arepvoi^ afKJyi^aKovo'a <f>ikeL ; 
*H 1/609 aXXo9 epa)9, via iralyvia ; firjirore Xvyye 

ravT ialSrf^f elrf^ B* ^9 irapiBcoKa (fyvXa^, 

LXIX 

THE DEW OF TEARS 
ASCLEPIADES 

AifTOV fiot (TTiSavot iraph BlkKi<ti ralahe KpefutaTol 
fjuifivere fir) irpo'ireT&^ ^vXKa rivaaaofievot, 

009 haKpvoi^ /carifipe^a {KaTo/jb/Spa yap 6fifMvr 
ipfovrmv)' 
aXX* OT* avoiyofjL€V7f(; avrov tSrfre 0vpr)^ 



67-72] LOVE 25 

^rd^ad^ virep K€<f>a\rj<; ifiov veroVy &<; av cifieivov 
r) ^avOri ye KOfir) raficL irirj SaKpva, 



LXX 

love's grave 

MELEAGER 

"Hi/ Ti 7rdd(o^ KXeojSovXe (rt yap itKAov ; iv irvpl 
TralScov 

^a\X6fi€vo<: Kctfiat Xei^fravov iv o-ttoSa^), 
Aiaaofiai^ d/cp'^T<p fiedvaov^ irpiv vtto ')(06va Oeadai 

KoKiTLV, iTrLypdyjra^' A&pov "Ep©? ^AtSrj, 

LXXI 

love's MASTERDOM 
meleager 

A6£i/09 "Epo)?, Beivo^' Tt Se to irKeov, rjv irdXiv etTro) 
Kol iraktv, olfico^(t)v iroWdfcc, Seivb^ *'EpG)9 ; 

*H yap 6 iraL<; TovToiai yeXa, Kal irvKva Ka/ciadel^ 
TJBerat, rjv S' efTr© Xoihopa^ Ka\ Tpi<f>€Tar 

%avfia Si fioc, *irw apa Sia yXavKolo (fyaveia-a 
KVfiaro^, ef vypov, Kutt/oa, av irvp riroKa^, 

LXXII 

LOVE THE CONQUEROR 

MELEAGER 

Ketfiai* \a^ iiri^aLve Kar' avx^^o^» aypte Saifiov 
olBd ae, val fict Oeov^, xal fiapifv ovra (fyipeiv 



26 GREEK ANTHOLOGY [sect, i 

078a Kol e/nirvpa ro^w j3a\a>v S* iir ififjv ^piva 
TTVpaov^ 
ov (l>\€^€i<: ijSrf' iraaa yap iari Ti<f>prf. 

LXXIII 

love's prisoner 

MELEAGER 

Oi; aot TovT^ ifiocov, y^V'^f^, vol K.V7rpcv, aXaxrei, 
& Svaepwf;, l^^ irvKva irpocLinafievrj ; 

Ovic ifiocov ; elKiv ae irdyrf tl fidrrjv ivl Sea/ioZ^ 
aTralpev^ ; avTo<i ''Epco? ra irrepa aov SiSe/cev 

Kat a iwl irvp ea-Trjae jivpoL^ h* eppave XLiroirvovv 
8&/C6 Se hiy^foari Sdfcpva depfih irtelv. 

LXXIV 

FROST AND FIRE 
MELEAGER 

*A y^vxv ^cLpv^io'xjSe, av S' apn fiev ix irvpb^ atdtf 

apri 8* avay^irxei^ TrvevjjJ avaXe^apAvrj* 
Ti KXaUi^ ; Tov arerfKTov or iv koXttolo'lv ''Epcora 

erpe^e?, ovk /Se^? co? iirl aol rpe^eTO ; 
OvK yhei^ ; vvv yv&0L kclK&v aWdyfia rpo<f)€icov 

irvp afia xal yjrvyphv Se^afiivrj y^LOva, 
AvTff ravO* etkov (fyipe tov irovov a^ca Trda'')(€i^ 

&v ISpa^f OTTT^ Kacofiivrj pAXiri,, 

LXXV 

THE SCULPTOR OF SOULS 
MELEAGER 

'Ei/TO? ifirj^ KpaBiff^ rrjv €v\a\ov 'HXioSdpav 



73-76] LOVE 27 



LXXVI 

love's immortality 

STRATO 



Tt9 BvvaraL yv&vac tov ipdfievov ei Trapa/cfid^ec, 
iravra avvo>v avrm /j/rjS* airciXenrofievo^ ; 

Tt9 hvvar ovk apiaai Tr)v ai]fi€pov, ej^^e? apicKcav ; 
el h* apeo'CL, ri Tradojv avpiov ovk apiaei ; 



II 



PRAYERS AND DEDICATIONS 

I 

TO ZEUS OF SCHERIA 
JULIUS POLYAENUS 

Et Kai <r€V 7ro\v<f>(ovo^ ael TrifiifK/qo'Lv aKOva^ 
fj (f)6fio^ evyofievcov ^ %apt9 eif^afiivmv, 

Zev ^yepiq^ e<f>eTr(ov lepov TriooVy aXxA xal '^fiicDV 
kXvBl Kol dylrevBel vevaov v7roa"x€ai7j 

"HSrj fiot ^€virf<; elvai iripa^, iv Bi fie Trdrpr) 
^(oebv Ta>v SoXi'X^Syv iravadfievov xafidrcov. 

II 

TO THE GOD OF THE SEA 
CRINAGORAS 

^pffv iepr) jjLcydXov ^Kvoai'x^Sovo^, €a<ro Kal aWoi^ 
'^irlrj Alyalrfv ot SiiirovaLV aXa' 

K77/iOt 7^^ ^pTjlKt BcQ)KOfJL€Vq> UTT* dlJTr) 

&pe^a^ Trprjel^ dairaaltp Xtfiiva^. 

Ill 

TO THE GOD OF HARBOUR AND HEADLAND 

ANTIPHILUS 

^Ap)(i\€(o^, Xifievlra, av /juev fidxap rynrltp avprj 
Trifiire Karh aradepri^ oi')(p^v'qv odovrjv 

28 



1-6] PRAYERS AND DEDICATIONS 29 

^Afxpi^ iirX Tpircova' aif h* r oj/09 aKpa Xe\(yy')(iu>^ 

rrjv iirX JlvOeiov pveo vavaroXirfv 
KeWev S\ ei ^oil3<p fiCfieXijfieda iravre^ aoiSoi, 

TrXevaofiat evael OapaaXeo)^ Ze^t/pci). 

IV 

TO POSEIDON OF AEGAE 
ALPHEUS 

iirj&v dyKVTTopcDv 09 ex6A9 fcpdro^, XiriTLe Bal/iov, 
KoX fieyav ^v^oir}^ a/M<l)ifcp€fir] aKOTrekov, 

Oiptov ev'XpiiAvoia'i hiiov irXoov "Apeo^ «Y/^*9 
e9 iroXiv CK Xvpit)^ ireiafiara Xvaa/ievov^. 

V 

TO THE LORD OF SEA AND LAND 

MACEDONIUS 

Nrja (Toi, & TTovrov ^aaiXev xal Koipave yairf^, 
avridefiai ^pdvra^ firfKen reyyofiivfjv, 

Nrja iroXvirXavicDV avi/juov irrepov, ^9 eiri heChJo^ 
iroXXcLKL^i oDLadfirjv eiaeXdav 'AifSi;* 

Udvra S' aTrenrdfievo^, <f>6^ov, iXiriSa, irovrov, 
diXXa^, 
irtarov virep yahj^ t')(viov '^Spaa'd/iir]v. 

VI 
TO THE GODS OF SEA AND WEATHER 

PHILODEMUS 

*Ivov<; & M.€XiK€pTa a-v re yXavKt) fieSiovaa 
AevKoderj ttovtov, Saifiov aXe^lKaKe, 



30 GREEK ANTHOLOGY [sect. 2 

Nrfp^Sojv T€ yppoi, KoX KvjuiTay Koi (TV Tioa-eiSov 
Kol ^prjl^ apcficov irprfVTare Ze^vpe, 

'^TkaoL /A€ ^ipotre Sect irXarif KVfia (fyirfovra 
(70)01/ 67rl yXvKepav rjova TleLpaeo)^, 



VII 

TO POSEIDON, BY A FISHERMAN 
MACEDONIUS 

i^iKTVov a/cpofi6\il3Sov ''AfivvTt'Xp^ a/M<l)l Tptalvy 

Srjae yiptop aXicov iravadfievo^ Kafidrfov, 
'E9 Se Jlo<r€LSd(t)va Koi d\fivp6v otSfia OaXdaarj^ 

eLTrev diroairevitdv SdKpvov ix ^Xe^dpcov* 
Olada, fidxap^ KCKfirfKa* Kaxov 8' iirl yrfpao^ rjpZv 

SXKvTo^ 7i^daK€L yvtora/CT}^ irevirf 
%peyjrov €Tt airalpov to yepovriov, aXX' diro yairj^, 

d><i idiXei^ fieBecov kol '^ffovl koI ireTuiyet, 

VIII 

TO PALAEMON AND INO 
ANTIPATER OF SIDON 

Aeiyjravov dfiifylfcXaaTOv d\i7r\av€0<; (r/coXoirivSpa^ 

TOVTO Kar^ evy^afidOov Kelfievov fjlovo^ 
AKTcdKi T€Tp6pyvvoVy diTav 7r€if>opvyfiivov d^p€S, 

iroWa uaXaaaaLri ^avOev vnro (nriXdSt 
'Eipfuova^ iicl'xavev, ore ypiirrji'St rexvy 

cIKkc rov €K ireXdrfOv^ i')(dv6€VTa ^6\op, 
FiVpoov 8* rjeprrjae UaXaLfiovi iraiSi Kal ^Ivol, 

Salfioaiv elvaXioi^ Boif^ repa^ eivdXiov. 



7-II] PRAYERS AND DEDICATIONS 31 

IX 

TO ARTEMIS OF THE FISHING-NETS 

APOLLONIDES 

TplyXav air avOpUKirj^ xal <f>viciha aoi, Xifievlrc 
"ApTCfiv, Scopevfiac Mrjvi^ 6 StKTvl36Xo<;y 

Kal ^(opbv Kepdaa^ laox^tXea, Koi Tpv(f>o<; aprov 
avov iirtdpavaa^, ttjv ireviypffv dvarlrjv 

*Av0' fj^ fwt irXrjaOevTa SiBov urjpdfiaaiv alkv 
SiKTva* aol SeBorac iravra, /judxatpa, Xiva, 

X 

TO PRIAPUS OF THE SHORE 
MAECIUS 

AlyiaXlra IIptTyTre, a-ajrjvevrijpe^ €07fKav 

Scjpa Trap* a/cralrf^ aol rdB* iiraxfyeXirj^, 
&VVVCOV €VKXd)(rT0LO Xivov fivcra-oo/jLaa't pofi^ov 

<l)pd^avT€<; yXavKai^ iv irapohoi^ TreXdyev^;' 
^Tfyiveov KprjTrjpay xal avTovpyrjrov ipeiKfj^ 

/3d0pov, IS' vaXirjv oivohoKov KvXiKa, 
'il? OLV inr opxv^M'^v XeXvyia-fievov eyKoirov tyyo^; 

dfnraxxrrj^ ^VpV^ Slylrav iXavv6/JL€V0<;. 

XI 

TO APOLLO OF LEUCAS 
PHILIPPUS 

AevKdSo^ ahrxfv exo>v vavrai^ rrjXeaKOTrov 6j(0ov, 
^ot/Sc, Tov *IovL€p Xov6fjb€vop TTeXdyeiy 

Ae^av irXonrripcov fid^rf^ 'X€pi<l>vp€a Saira 
KOI airovhr^v oXiyrj Kf,pvafjbiv7fv kvXiki 

Kal 0pa')(y<l>€yylTov Xv^vov aeXa^ ix fiio^vBov<; 
oXttt}^ rjfitfjisOel nrivofievov oto/uiti. 



32 GREEK ANTHOLOGY [sect. 2 

^Avff &v IXrfKOL^ iir\ B' iarla Trefiyfrov arjrrjv 
ovpcov ^ KKTiaKOv<; avvBpofwv eh \t/jbiva^» 

XII 

TO ARTEMIS OF THE WAYS 
ANTIPHILUS 

FtlvoSirj, <rol rovSe (jyiXrj^ aveOrjicaTo Koparj^ 
iriKov oBoLiropli]^ avfifioXov 'Ai/rt^^Xo?* 

*H<r^a yap evytoK^i KarrfKoo^, fjaOa KeKev6ot<i 
ilXao9* ov iroXKi) B* 17 %a/0fc9, aW oairf, 

M^ Be Tt9 fifierepov fidpy^ X^P*' H'^pyo^ oBLrrj^; 
avOifiaro^' avT^v a<r^aX€9 ovB* oXlr/a, 

XIII 

TO THE TWIN BRETHREN 
CALLIMACHUS 

^Tfoiv o fie (TTrja'a^ ^valvero^ {ov yetp eyayye 

yiyv(o<rKa)) vlicri^ avri fie t^9 IBirj^ 
*A.yKela6aL ')(aKKeLov aXexropa HvvBapLBrfatP' 

TTioTeva) ^alBpov iracBl ^iXo^eviBeo). 

XIV 

TO ARTEMIS THE HEALER 
PHILIPPUS 

Zfjvo^ KoX AffTOv^ OrfpoaKoire ro^ori Kovprj, 
^Kprefii^ ^ OaXdfiov^ tov^ opecop €7ui)(^e<;, 

Novarov rifv oTvyeprjv aifdrjfiepov ix fiaa-LXrjo^ 
ea-OXoraTov irefi'^ai^ a'xpc<; 'Tirepfiopeayv 

'^ol yhp virep ^(Ofi&v drfiov Xi^dvoio ^iXimro^ 
pe^et, kclKXlOvt&v Kairpov opeiovofiov. 



12-17] PRAYERS AND DEDICATIONS 33 

XV 

TO ASCLEPIUS 
THEOCRITUS 

*H\^6 KoX €9 M/XaTOi/ Tov Tlat,riovo<; vlo^ 

IrjTrjpt, voacov dvSpl avvoiaofievo^ 
NiKLa, 09 fJLiv iir ajjup aeX dveeaaiv iKvelrai, 

KoX ToS' air* evcoBov^ r/Kin^ar^ ayaXfia Kehpov, 
^HeTLODvt ydpLv y\a<f>vpd<; %6/}09 aKpov virotniL^ 

fiiadcru' 6 S* €49 epyov iracav d<f>r]K€ ri'^vav. 

XVI 

TO THE WATER NYMPHS 
HERMOCREON 

^Vfi^ai i^vBpiaBe^f TaZ9 'EpfioKpeayv rdSe B&pa 
€i<raTo, KaWcvdov iriBaKO^ avTirvycov, 

^alpere, teal arei^otr eparol^ iroaXv voaroevra 
TovBe BofjLOV, KaOapov ininrXdfievai TrofiaTo^. 

XVII 

TO PAN PAEAN 
AUTHOR UNKNOWN 

Sol Ta8e, avpiKTa vfivrjiroke fiecXix^ Baifiov, 
dyvk \o€Tpo)(^6(t)v Koipave l:ialdB(0Vy 

^&pov 'Tyelvo^ erev^ev, ov dpyaXerj^ dirb vovaov 
avTO^, ava^, vyirj OrjKao irpoairekda'av 

Ylaat yap iv reKeeaaLV ifio2<; dva(f)avBov iireaTrj^ 
ovK ovap, dWa fieaov^ fniaTo^ dfif^X Bpofiov*;. 

C 



34 GREEK ANTHOLOGY [sect. 2 

XVIII 

TO HERACLES OF OETA 

DIONYSIUS 

'Hpa/c\€e9 Tpfj'XLva TroXvWidov 09 re xal OiTrjv 
Kol Padvv evievipov irp&va irarei^ 4>oXoi;9, 

ToSto <rot ayporiprj^ Aiovv(rio<; avTo^ iXairf<; 

'XXoopbv airo BpeTrdvm 0rJK€ rafiayv poiraXov. 

XIX 

TO APOLLO AND THE MUSES 

THEOCRITUS 

Ta poha rh Spoaoevra xal d KardirvKvo^ cKciva 
epTTvWo^ Kclrai ral^ '^XiKcovtdaiv, 

Tal Se fi€\dfi(f)vXKot Sd(f)vaL riv, TlvOte Haidv, 
AeX^l^ iirel irerpa tovto tol d/yXdiaev 

BcDfjbov B* alfid^€C K€pabf; rpdr/o^ o5to9 o /iaXo9 
T€pfilv0ov TpdyyoDv ea'xuTov dxpefiova, 

XX 
TO APHRODITE OF THE GOLDEN HOUSE 

MOERO 

KelaaL S^ 'xpvaiav virb iraardha rdv ^A<f>poStTa<;, 
^orpv, Aitavvaov irXTjOofievo^ arayovt, 

OvB* €Ti TOt fidrrjp iparov irepX KXrjfia fiaXovaa 
ff)va€t virep Kparo^ ve/crdpeov ireraXov. 

XXI 

TO APHRODITE, BY CALLISTION 

POSIDIPPUS 

'^A Kvirpov a re l^vOrfpa koX a MvXrfTOV €7roij(y€i^ 
Kot TO KaXov '%vpirj(; LTTTroKporov BdireBov, 



18-24] PRAYERS AND DEDICATIONS 35 

ovSi TTOT oIk€1(ov &a€v airo Trpodvpoov, 

XXII 

TO APHRODITE, BY LAIS 

PLATO 

'H ao^apov yeXdaaaa Ka6' 'EWaSo9, rj rov ipaa- 

T&P 

eafiov ivl irpoOvpoi^; Aai'9 e'X^ovaa vitov, 

TiJ TladyLT) to Karoinpov iireX toIt) /jlcv opaaOai, 

ovK €C/€Aft), oti; o riv irapo^ ov ovvafiai, 

XXIII 

TO APHRODITE, WITH A TALISMAN 

AUTHOR UNKNOWN 

"luY^ 1} TSli/cov^, 17 Kol Siairovriov ekKeiv 

avBpa Kal iic OaXd/ncov TralSa^; iiriaTafievrjy 

li.pv<r£ TTOiKiXdelira, SLavy€o<; ef afieOvarov 

r/Kvirrrj, aoX xeiTai, IS^inrpi^ <f>i\ov Kriavov, 

Ilop<f>vpi7)^ afivov fmkaKTJ rptjfl fieaaa SeOeiaa, 
T^9 Aaptaaaif]*; ^eivia (f)apfiaKiSo<;, 

XXIV 

TO THE MOTHER OF THE GODS 
LEONIDAS OF TARENTUM 

^ivSvfia Kal ^pvyirj^ irvpiKaeo^ dfi^LiroXeva-a 
7rp&pa<; ttjv fUKprfV, firjrep, ^ApiaroSiKrjp 

Kovprjv ^eiX'^vT)^, irafiirorvcaj /cet? vfiivaiov 
Kel^ ydfiov dBpvvai^, ireipara Kovpoavva^* 



36 GREEK ANTHOLOGY [sect. 2 

^Av6' S)v ao\ Kara iroXka irpovijta kol irapa fioDfi^ 
irapdeviKrjv iriva^ evda teal evda Ko/irjv, 



XXV 

TO APHRODITE EUPLOIA 
GAETULICUS 

'A^j^taXou fyrjyfuvof; iirUrKoire, aoX rdhe irefinro) 

Avpiov *1opIov yctp iirl irXarv Kv/xa ireprjaoi 
airevZtov rj/jL€T€prf<i koXttov €9 ^IBoOerf^' 

Ovpiof; aW eTrlXafiyfrov ifitS koI epayrt xal /(ttcS, 
BeairoTL koI daXdfuov J^virpi teal ^lovav. 

XXVI 

TO THE GOD OF CANOPUS 
CALLIMACHUS 

Tft) fie Kai/G)7rtTa K.aWio'Tiov eiKoaL fiv^ai^ 

ifKovaiOV Tf KplTLOV XV'XyOV €07) K€ dcO), 

Fiv^afieva irepl 7ratSo9 'ATreWtSo?* €9 B* i/xa (fyiyyrj 
ddpTjaa^ (f>^<r€i<i' ''Eairepe, ttw? eireae^, 

XXVII 

TO ISIS, WITH A TRESS OF HAIR 

PALLADAS 

'AvTt )9oo9 'X^pvaeov r* avaOrfpMTo^ "ItTiBt rovaSe 
drjKaro tou9 Xtirapov^ UafKfyCKiov TrKoKcifiov^' 

'H Se ^€09 TOVTOif: ydvvrai irXeov rjirep ^AiroWayp 
^/Dt/cro) OP etc AvS&p K^polao^i eirefi'y^e Bern, 



25-30] PRAYERS AND DEDICATIONS 37 

XXVIII 

TO HERACLES, WITH A SHIELD 
HEGESIPPUS 

Ae^ai fi* ^HpaxXei^ 'Apj(€(rTpdTOV iepov oirKov, 
6<f>pa TTorl ^earav iraaTaSa K€K\i/Ji€va 

TijpaXia rekeOoLfjLL Yop&v atovaa /cal vfivtov 
dp/ceiro) arvyepa Brjpt^ *TSiVvaXiov, 

XXIX 

TO THE MILESIAN ARTEMIS 
NICIAS 

M.i\\ov apa arv^ephv Kayto irore SrjpLV ''A/W709 
€K7rpoXi7rovaa xop&v TrapOevieov dteiv 

^AprefiiBo^ irepl vaop, 'ETrtfevo? €v0a p! eOrfKCV 
XevKOP eVel xeivov yrjpa^ ercvpe p,ek7). 

XXX 

TO ATHENE ERGANE 
ANTIPATER OF SIDON 

K.€p/clSa rav opOpivd 'x^€\iBovlB(ov afia (fxova 

p^Kirop^vav, lar&v TlaWdSo^ d\Kv6va, 
Top re fcaprj^apeovra 7ro\vppolfiBi]Tov drpaKTov 

Kkcoarripa arpeirra^ evopop^v dpireSova^, 
Kal 7ri]va^f koI rovSe <f>i\rj\dKaTov KoXaOiaKov 

ardp^ovo^ daKriTov koI roXuTra? <f>v\aH:a, 
Hai^ dyaffov TeXeatWa AcoKXio^ d ^cXoepyo^ 

elpoKopxov K.ovpa OrjicaTo SeairoTcSi, 



38 GREEK ANTHOLOGY [sect. 2 



XXXI 

TO THE ORCHARD GOD 
ZONAS 



KpTL')(avri poidv re KaX aprLyyovv ToSe firjXov 
Kai pvTiSotfyXoLOV avKOV i7rofJL<f>aKcov 

Tlop(f)vp€ov T€ Porpvv fieOvirlBaKa irvKPoppaya 
KaX Kapvov X^copTJ^ dpriSopov X€7rt8o9 

AypotooTTf ToSSe fiovo<rT6p0vyyL Tlpt^qTrtp 

Orjicev Kap7ro(f>v\a^, S€vSptaKr)v dvairfv. 



XXXII 

TO DEMETER AND THE SEASONS 

ZONAS 

A?;o6 Xiicfialri koX ivav\aKo^OLTia'Lv"flpaL<; 

'Hpcova^ irevLXPV^ ^? oXiyrfpoa-li]^ 
M.olpav dXaytra ard'xyo'; TrdvaTrepfid re ravra 

oairpC iirl irXafclvov tovS* eOero Tpiiroho^, 
'E/c fiLKp&v oXiyia-Ta' ireTraro yap ov fieya tovto 

KXrjpiov iv Xvirprj rfjBe yetoXo^irj. 

XXXIII 

TO THE CORN GODDESS 
PHILIPPUS 

^pdyfiard cot ')(wpov fiiKpavXafCo^, & (f>cX67rvp€ 
A770?, Scacrt/cXeiy? drj/cev dpovpoirovo^; 

lEiVO'Ta'xyv dfi7}aa<; rov vvv (nropov dXXa kgX avri^ 
eK fcaXafi7)T0fiLr)^ d/ifiXif <f)€poc Bpeirapov. 



31-37] PRAYERS AND DEDICATIONS 39 

XXXIV 

TO THE GODS OF THE FARM 
AUTHOR UNKNOWN 

Kal ^rjol H0ovL7f ^vvov €0rjKa yepa^, 
AlriofiaL B* avTov<; KoXk irmea kol kclKov olvov 
KoX KoXov afiTJaai Kapirov air' a(rra')(y(ov. 

XXXV 

TO THE WEST WIND 
BACCHYLIDES 

TStvSrjfiof; Tov vrjov iir dypov t6v8* aveOrjKev 
Tc5 iravTCOv avificov irLordrtp Zte<f>vp(p' 

ISiv^afieptp yap ol fjkde ^oadoo^, S(f)pa Taxto-ra 
XiKfjufjari ireirovmv Kapirov air* oaTaxyoav. 

XXXVI 

TO PAN OF THE FOUNTAIN 
AUTHOR UNKNOWN 

Kprj/xvolSaTav Blxeprov ^Vfi(f)&v rfyrjTopa Tlava 
a^6fjb€0\ &9 irerpuvov rovSe Xekoyx^ Sofiov, 

^'tXaov cfifievat cififitv oaoi Xi^a rrfvie fioXovres 
aevdov irofiaro^ Slyjrav diraxrdfieOa, 

XXXVII 

TO PAN AND THE NYMPHS 
ANYTE 

^pL^oKOfia ToSe Tlavl Kal avXidaiv 0€to Nvfi<f>ai^ 
S&pov VTTO aKoirta^ ©eiJSoTo? olovofio^f 



40 GREEK ANTHOLOGY [sect. 2 

iravaav, ope^aaai ^epcrl fieXi'x^pov vScop, 

XXXVIII 

TO THE SHEPHERD GOD 

THEOCRITUS 

Ad<f>pi^ 6 \evKoxp<»>^9 fcaXy avpcyyt jieXiahtov 
^ovkoXlkov^ v/mvov<; avOero Yiavl rdSe, 

Tou9 rprjTOv^ 86vaKa<;, to Xar/ay^oXov, o^vv uKOvra, 
ve^piBa, TCLV irrjpav a ttot ifia\o<f>6p€L 

XXXIX 

TO PAN, BY A HUNTER, A FOWLER, 
AND A FISHER 

ARCH IAS 

Sol TuBe, liav (TfcoTTLrfTa, iravaioka S&pa avvaifioi 
Tpi^vye^ ifc rpiaarj^; devTo Xtvoa-Taa-lrj^* 

At/CTfa fiev Aafic^ 6rfpS>v, Jliyprj^ Be Trerrjv&v 
XaifioireBa^, KXelrayp B* €lva\i<f)otTa Xiva* 

*fti/ TOP fiev Kal iaavOi^i iv rjipi, rbv B* €ti deirj^ 
evaTO'x^ov iv irovTq), tov Be xaTa Bpvo^ov^. 

XL 

TO ARTEMIS OF THE OAKWOOD 

MNASALCAS 

ToifTO (Tolf "KprefJii Sia, KXecoi^u/xo? elaaT opfdkfia, 
TOVTO' (TV S' €v6i]pov TovB* v'rr€pia"X€ Bpiou, 

*HtT€ KaT elvoa'L(f)vWov opo^ iroal iroTvia ^cUvei^ 
Beivov funfuoaat^ iyKoveovaa Kvaiv. 



38-43] PRAYERS AND DEDICATIONS 41 

XLI 

TO THE GODS OF THE CHASE 
CRINAGORAS 

XirijXvyye^ Nv/a^Si/ €U7rtSa/c€9, al roaov vh(op 
ei^ovaai (tkoXlov rovBe Kara irpeovo^, 

Tffv UTTO lAaa'aaLT]^ iroaaX \e\oy)(e weTprjf;, 
lepd T dypevralo't yepavSpvov dptcevBoLO 

irpcfiva, XiOrfKoyee^ 0' ^Epfieo) ISpvace^, 
Avrai 6* iXrjKoire koX €v0i]poco Ze'^eaOe 

^axrdvSpov Taj^ti/?}? (rfcvX eKxn^oaaotrj^, 

XUI 

TO ARCADIAN ARTEMIS 
ANTI PATER OF SIDON 

Taj/ eKa^ov AdBcova koI d^<f> ^Eipv/idvOiov vScop 
v&rd T€ Orjpovofiov (f)€p0o/j,€vav 4>o\oa9 

Ilat? o (deapiSeo) Kaaioivto^ etKe Av/c6pfia<; 
irX'q^a^ pofificoTw Bovparo^ ovpid-x^tpy 

Aepfia Be koI BiKCpaiop dirb aropdvyya /jberdTrcov 
(nraao'dfievo^, Kovpa 0rjK€ trap* dypoTLBi. 

XLIII 

TO APOLLO, WITH A HUNTER'S BOW 
PAULUS SILENTIARIUS 

''AvBpoKKo^f oiiroWoVf ToBe aoi xepa^y cS cttl irovKvv 
0rjpa ^aXoDv aypa<; evaKoirov eZj^e Tvyrjv 

OvTTOTe yap irXayKTo^ yvpa^ i^dXro Kepaia^ 
io^ iir ^Xe/Lcaro) ^€vpb<; e/crj^6\ia. 



42 GREEK ANTHOLOGY [sect. 2 

'OaaaKi yap toxoid irai/aypiri^ ^^X^ vevpcL 
Toa-acLKL^ fjv a/ypeif^ ^€009 rj ^vXaypv 

*Av0* &v aol ToSe, ^olfie^ to Av/ctiov oirXov aytvel 
XpvceLac^ irXi^a^ fieiXiov aful>i8€ai^. 

XLIV 

TO PAN OF THE SHEPHERDS 
AUTHOR UNKNOWN 

*X2 ndv, <f}€p^ofjL€vai,^ iepav (f)dTCV airve irolfivai^ 
KvpTov virep j^puo-eoii/ yeZKo^ Ul^ Sovd/ccov, 

*'0^p' ai fiev Xevfcoio iSe/SpiuoTa S&pa ydXaxTO^ 
ovdaaiv €9 KXt;/i€j/oi; irvKva <l>eptoat SofioVf 

Xol Se Ka\&<; /Scofioia-c irapiaTd^ievo^ iroai^ aly&v 
fpoiviov iK Xaaiov aTi]0€O^ at/j/ ipvyrj. 

XLV 

TO THE GOD OF ARCADY 
AGATHIAS 

"AcxTTopa, Ilctv \o<f>C7]Ta, raSe XrpaToviKo^ dporpev^ 
dvr €V€py€arlrj<; avOero aoi refiivr)* 

li6<TK€ S\ €(f}r}y 'x^aipayv ra act irolfivia Koi aeo x^PV^ 
SepKCO rrjv ^aX/ccS /irjKeTt re/MVo/Jbivrjv 

AXfTLov €up'q<T€i^ TO iiTavXiov evOdhe ydp aoi 
'H^^o) repirofievri Kal ydfwv ifcrekeaei. 



Ill 

EPITAPHS 



ON THE ATHENIAN DEAD AT PLATAEA 

SIMONIDES 

Et TO Ka\&<; OvTjaKeiv aperij^ fiipo^ ia-rl fieyiarov 
rjfilv CK iravTODV tovt' airivetfie Tv^t;' 

'EWaSt yap (TTreuhovre^ eKevdepiav irepiOeivai 
fC€Lfi€0* ayrjpdi/Ttp %pcoyLt€i/ot evKoyiy. 

II 

ON THE LACEDAEMONIAN DEAD AT PLATAEA 

SIMONIDES 

"* Aa^earov ac\€09 oiBe (f)L\rj irepX irarpLSi 0evT€<; 

Kvdveov Oavdrov d/jL<f>€fid\ovTO v€<bo^' 
Ov Be reOvaai Oavovre^y iireu a<f> dpeTtj KaOvirepOev 

Kvhaivova dvdyet SdfiaTo^ ef 'Affieo). 

Ill 

ON THE SPARTANS AT THERMOPYLAE 

PARMENIO 

Toi/ yavq^ Ka\ iromov dfi€i^0€L(rai(ri KcXevOoi^ 
vairrqv rjireipoVf Tre^oiropov ireT^Ayov^, 

43 



44 GREEK ANTHOLOGY [sect. 3 

'El/ Tpiaaal^ Sopdrcov ktcaTOvrdaiv eareyev aprj^ 
ZiwdpTr)^' aia")(VV€a6* ovpea koI irekarfq. 



IV 

ON THE SAME 

SIMONIDES 

*fl ^elv\ ar/yeiXop AaKeSaifiovioL^ otv rrjBe 
Kelfieda toI<; Keivoov pij/xaai 7r€L06fi€poL, 



ON THE DEAD IN AN UNKNOWN BATTLE 

MNASALCAS 

OiSe irdrpaVy iroXvhaKpvv eir av')(evL heajiov expv- 
aavy 

pvofievoc Svo(f)epav dfjL(f>€^d\ovTo kovlv, 
^ KpvvvTai S* dpeTci^ alvov pAyav. aXKa ta9 daT&v 

rovarh* iatSoDv OpdcKeiv rXarft) virkp irarpiho^. 

VI 

ON THE DEFENDERS OF TEGEA 

SIMONIDES 

TS)vhe Sl dvOpdircov dperav ov^ 'ifcero Kairvos 
aWepa Saiop^evr^^ eipv^opov Teyea^;, 

Ot iSovXovTO ttoXlv fi€V iXevOepia redaXvlav 

Traial Xiirelv, avToX S' iv irpofid-^fptai, Oavelv. 



4-IO] EPITAPHS 45 

VII 

ON THE DEAD IN A BATTLE IN BOEOTIA 

AUTHOR UNKNOWN 

ajyeko^ rj fieri ptov iraat, yevov TraOitov, 
'fl? Upav <r(o^€LV TreipwfievoL 'EWaSa x^PV^ 
BotwTwi; k\€IVoI<; OvqcKOfiev iv hairehov^, 

VIII 

ON A SLAIN WARRIOR 
ANACREON 

"Kaprepo^ iv irdkefiov^ TcfioKpcTo^ ov roSe acifia* 
"Ap?/? S' ov/c dya6&v (^eiheraiy oKKa /caK&v. 

IX 

ON THE SLAIN IN A BATTLE IN THESSALY 

AESCHYLUS 

Kvavirj /cat TovaSe fieviyx^a^ AXeaev avhpa^ 
yiolpa iroKvpprjvov irarpiha pvofi€vov<;\ 

Zmov Se (jyOifiivayv TreXerat Ac\eo9, ol irore yvlois 
rXrifiove^; ^Oaaaiav d/i<f>UaavTO koviv, 

X 

ON THE ATHENIAN DEAD AT THE 

BATTLE OF CHALCIS 

SIMONIDES 

ilipipvo^ eofii]urj/j,€v viro Trru^f arjfia o €<p rjuiv 
iyyvOev ^ipiirov Srffjboaia Ke^vrai, 



46 GREEK ANTHOLOGY [sect. 3 

OvK aS//ca)9* iparr)v yap aTrtoXea'afiev veoTqra 
rprf-x^clrjv irokefwv Se^dfievoc V6<f>€\7)v. 

XI 

ON THE ERETRIAN EXILES IN PERSIA 

PLATO 

OtSe TTOT* klyaioio l3apv^po/j^p olSfia Xnr6vT€<; 

^^/c^ardvayv TreSto) /celfieOa fieaaaTltp* 
Haipe k\vti] irore Trarpt? ^Eperpca, j^atper* ^AOijvai 

yeiTOve^ Eu^ot?/?, X<3tZ/oe BaKaa-aa <f}l\rj, 

XII 

ON THE SAME 
PLATO 

Eu^o/179 761/09 ia-fiev 'KperpiKov, ciy)(i he Xovatop 
/celfieOa* <f>€v yairj^ oaaov dif> '^fiereprjf;, 

XIII 

ON AESCHYLUS 
AESCHYLUS 

Xtaj(y\ov ^v(f>opia)vo<; 'A0r)vacov ToSe KevOei 
fivrjfia KaTa<f>difi€vov 7rvpo<f>6poio r€Xa9' 

*A\Kf)V S* evBoKifiop M.apa6a}viov aXao^ av eiTToi 
Kal ^a6v')(aiTri€i<; M^So9 eirt^ardfievo^^ 

XIV 

ON AN EMPTY TOMB IN TRACHIS 
EUPHORION 

Oi T/3?7^t9 CG \l0€IO<; iir oaria XevKct KoXinrrev 
ovS' 17 Kvdveov ypdfifia Xw^pvira Trirpi], 



ii-i;] EPITAPHS 47 

'AWa ra fiev Ao\l'xi]<; re Koi alTretvrjf; ApaKcivoio 
'Ixapiov prfaau fcvfia irepX KpoKaXai^* 

'Ai/tI S' €70) ^€virj<: TloXvfiTjBeo^ r] Kcveff '^Ocdv 
a>yK(i0r)v ApvoiroDv Siyfrdaiv iv ^ordvai^. 

XV 

ON A GRAVE AT MERGE 
AUTHOR UNKNOWN 

EtV ''AtSrjv iOeta KaTrfKuaL^ etr' dir 'AOtjv&v 
<n€i')(pL^ €LTe vifcv^ viaaeai ck Mepoi]^* 

M^ (re y avidrw Trdrpi]^ diro rrjXe OavovTa* 
irdvToOev el? <f>€pa)v eh 'AtSrfv avefio^, 

XVI 

ON A GRAVE AT CYZICUS 
ERYCIUS 

'AtOI^ eyd* KeivT) yctp ifiij 7ro\t9* eK Si fi* *A6r)vS)v 
\0t709 "Ap^? ^IrciX&v irpiv iror* eXTfta-aro, 

Kal Oero 'Vto/iaitav TroXnjTioa* vvv he Oavovarjf; 
6(nea vrjaalrj K.v^iko^ rjfi^iaaev^ 

^aipoi^ Tj Opeyfraa-a, Kal rj /MereireLTa Xa^ovaa 
'XPoDV fie, ical r) KoKiroi^; varara Se^afievrj. 

XVII 

ON A SHIPWRECKED SAILOR 

PLATO 

^avrjyov rd^fyof; elfiL* 6 S' dvriov earl yeaypyov* 
0)9 d\l KoX yalrj ^vvo^ virear *AtSrf<;. 



48 GREEK ANTHOLOGY [sect. 3 

XVIII 

ON THE SAME 

PLATO 

HXcorrjpe^ ad^oiaOe Kol elv aXX koX Kara ^alaVj 
tare Se vavr)yov aijfia 7rapep^6fi€Poi, 

XIX 

ON THE SAME 
THEODORIDES 

^avrjyov Ta^09 elfit' av he irXee' koX yap off* ffp^ei^ 
a)\ofi€d\ at Xotiral vrje^ iirovroiropovv, 

XX 

ON THE SAME 
LEONIDAS OF TARENTUM 

Eti; irovTOiroptp ttXoo? ovpio^' fjv S' ap* arfTq^^ 
o)? e/i€, ToZ? 'AiSSeft) irpoairekdai^ Xifiiaip, 

M.€p>(f>€a0(o fit) \alTfia KaKo^epov, a\\* €o roXfiap 
ocTTt? a(f} ffp^repov irelafiar* ekvae Td<f)ov. 

XXI 

ON THE SAME 
AUTHOR UNKNOWN 

NavTL\€y fiTj irevOov ripo^ ipffdSe rvfi^o^ oS' et/u, 
d\\* auT09 TTOPTov Tvyxape j^aroripov. 



18-24] EPITAPHS 49 



XXII 

ON THE SAME 
CALLIMACHUS 



Tt9 ^€1/09, w vavrjyi; AeovTcxo^ ivOdSe ve/cpov 
eipev iir atycaXov^, ')(jS)ae Se r^Se rd^tp 

^aKpvaa^ im/crjpov eov fiiov ovSe yap auT09 
fjavxo^i aiOvuTf 8' laa OdKacaoiropei, 



XXIII 

ON THE EMPTY TOMB OF ONE LOST AT SEA 

GLAUCUS 

Ov KovL^ ov8^ oXiyov irerprj^ ^dpo^, aXS! ^KpaaiTrirov 
fjv iaopa^ avrrj iraaa OdXaaaa TaAf>o^* 

"QXero yhp avv vrjt' ra S' oarea irov iror' ixelvov 
TTvOeraif aiOviai^ yvoKrrcb fioveu^ iverreiv, 

XXIV 

ON THE SAME 
SIMONIDES 

^HepLr] Tepdveia, kukov X€7ra9, c5^€\€9 "larpov 
rrjKe koX €9 %icvde(ov /jbaxpov opav Tdvaii/ 

"M-rjSe 7r6\a9 vaieiv ^KetpoDvuKov olSfia OcCkdatn}^ 
arficea vi<f>ofihfa^ dp^X ^ekovpidho^* 

Nui/ S' 6 piv iv irdvTfp Kpvepo^ veicw oi Be fiapelav 
vavTiXirjv xeveol rySe ^oSxtl rd^oL, 

D 



50 GREEK ANTHOLOGY [sect. 3 

XXV 

ON THE SAME 
DAMAGETUS 

Kat TTOTC ^VfjuoSrj^y ret irap^ ikiriSa KrjSea K\ai(OVy 
iraihX AvK<p K€V€dv rovrov e^eue Td<f>ov. 

OvSe yap oOveL'qv eKa'^ev kovlv, aXKa Tt? cuKTr] 
®vvid^, fi vri(T(ov novTidScov Tt9 e%€t, 

"Evd^ o ye irov irdvrtov xrepecov arep oarea <f>aLV€t 
yvfivo^ eir d^eivov Keifjuevo^ atyiaXov, 

XXVI 

ON THE SAME 
LEONIDAS OF TARENTUM 

Et/pou fie Tprj'x^ela /cat alirrjeaaa fcaraiyl^ 

KOi vv^ Koi Bvo(f>eprj<; KVfiara iravSvairj^ 

"E^ayfr* ^Qipl(ovo^' dwdXiaOop Se ^ioio 

KaWa6o-^po9 Ai^v/cov fieaaa detov ireXdyev^* 

Ka7a) p^v irovTt^ hivevp,evo^ i')(jSva'i Kvpp^a 

6)(\evp^L' y^evarrf^ S' oifTO<; eireari XiOo^, 

XXVII 

ON A SAILOR DROWNED IN HARBOUR 
ANTIPATER OF SIDON 

Uatra 0d\aa<ra OdXaaaa* tl K.VK\dBa<; fj arevov 

Kvp,a KoX '0^6ta? TjXea p^p,if>6p»e6a ; 
''A\Xg)9 Tovvop! €y(pv(nv eirel ri p>e rov 7rpo<f}vy6vTa 

Kelva %Kap<f>aL€v^ dp,(f)€Kd\vyjr€ Xipnrfv ; 
NocTTt/Aov evirXotrjv dpcSro ri^' co? rd ye irovrov 

irovTos, rvp^^evuels oihev *Apiaray6pi]^. 



2S-30] EPITAPHS SI 

XXVIII 
ON ARISTON OF CYRENE, LOST AT SEA 

THEAETETUS 

NauTtXoA & 7r\ci)oi/T€9, 6 K-vprfvaio^; 'Apiarcov 
irdvra^ virep ^evLOv Tdaaerai vjifie A409 

^iirelv irarpl ^ivtopc, irap' 'lKdplaL<: on Trerpai^ 
xelraiy iv Alyaitp Bvfwv aif>€\^ ireXdyei. 

XXIX 

ON BITON OF AMPHIPOLIS, LOST AT SEA 

NICAENETUS 

'Hpiov elfii Ultcovo^, oBotirope* el Se Topdprjv 
'Keiircov eh avrijv €pj(^eac *Afi(f)i7ro\Lv, 

IStlirelv VfiKajopaf iraihtov on rov fiovop avrtS 
%Tpvfiovir)^ *^pi<f)ODV &\eae iravSvairi. 

XXX 

ON POLYANTHUS OF TORONE, LOST AT SEA 

PHAEDIMUS 

Ald^o) UoXvavOop, op evpin,^, & irapafieilSayp, 
pv/j^iop ip TVfiBq> 0rj/C€P ^Aptarayoprj 

Ae^afiiprj (tttoSitjp re koI oarea (top he ovaae^ 
&Keaep Alyaiov KVfia irepl Zxtadop) 

Ava-fiopop opBpiPol /MP eirel pexvp Ix^v^oXrje^, 
^ecpe, TiOp(opaioi)p et\/cvaap €9 Xifiepa. 



52 GREEK ANTHOLOGY [sect. 3 

XXXI 

ON A WAYSIDE TOMB 
NICIAS 

I feu VTT alyelpoiaiVf iirel Kcifief;, iv0dS\ oSlra, 
fcal irW aaaov mv irLhaKo^ afMerepa^^ 

^vaaai Se Kpdvav KaX airoirpoOuy hv iirl FtW^ 
Stfio^i diro<f>dLfiev(£i iraihl irapihpveTai, 

XXXII 

ON THE CHILDREN OF NICANDER AND LYSIDICE 

AUTHOR UNKNOWN 

EI9 oSe ^tKOLvhpov T€KV(ov Toxfyo^* €v <f>do<; dov<; 
avvae rav iepav AvaiBiKa^ yevedv, 

XXXIII 
ON A BABY 

AUTHOR UNKNOWN 

ApTL fi€ yevofievov fa>a9 /3pe(f>o^ ffpiraae Balfuov 

oifK olS* €?T dya0&v atrio^ etre KaK&v 
*A'irXi]p(OT ^AtSa, tl fi€ vqiriov ffpTraaa^ cyOpw; 
ri airevSei^; oi) aol irdyre^ 6if>€iX6fi€ua ; 

XXXIV 

ON A CHILD OF FIVE 
LUCIAN 

TlalBd fie irevraerrfpov aKrjSea Ovfiov ^ovra 
vr}\€ir}<; 'Aif&y? ffpiraae KaWifia'Xpv 

'AWtt /j,€ fiif kXovoi^' Kol yap /Svotolo /l^t€<7^oi/ 
iravpov, Kal Travptov t&v ^lotoio KaK&v, 



31-38] EPITAPHS 53 

XXXV 

ON A CHILD OF SEVEN 
AUTHOR UNKNOWN 

^Ayyeke ^€pa€<f>6vi]i; 'Ep/A^, riva rovSe ir poire fi7r€i<; 

eh Tov dfieiSffTov Tdprapov 'A^Seo) ; 
Molpd Ti9 alK€Kio<; tov ^Apiarayv* fipiraa' dir* avprjf; 

eTTTaeTrj, /Jbeaa-o^ S* eariv 6 Tral^; yever&v, 
AaKpv'yapr)^; H\ovTCi)v, ov irvevjiara irdvra ^poreia 

aol vifierai ; ri rpvya^ ofi<f>aKa<; rfKiKir}^ ; 

XXXVI 

ON A BOY OF TWELVE 
CALLIMACHUS 

^(oheKerrf tov TratSa iraTrjp dTreOrjKe ^iXiinro^ 
evOdZe, TTfv iroWfjv eX/TriSa, NikotcXtjv, 

XXXVIl 

ON CLEOETES 
AUTHOR UNKNOWN 

TlaiSo^ d'jro<f>0ifi€voio KXeoiTov tov ^ev€aaLj(jio 
p^vrjfi^ eaop&v oiKTeip'*, co? /ca\o9 iyv eOavev. 

XXXVIII 

ON A BEAUTIFUL BOY 
AUTHOR UNKNOWN 

Ov TO davelv dXyeivov, iirel to ye Traai TreirptoTat 
dXKci TTplv rjXiKLrj^ Kol yovetov irpOTepov. 

Oif ydfiov, ou^ vfievacov IBcov, ov vvfi<f>ia Xe/CTpa, 
Keifiat €p(o^ TToXX&v, ia'aofievo^i TrXeovcov. 



54 GREEK ANTHOLOGY [sect. 3 

XXXIX 

ON A BOY OF NINETEEN 
AUTHOR UNKNOWN 

^alp€LV TOP Kara ya<; efn-a?, ^€V€, Aiofyivr) fie 
^alv* iirl aav irpd^cv rvy^ave 0* &v iOiXeif;' 

^^vveaKaiZeKeTT)^ 'yap viro arvyepa^ iSafidaOrjv 
vovcov /cat Xeiiro) rbv yXvKvv aeXtov. 

XL 

ON A SON, BY HIS FATHER 
PHANIAS 

'Hptoi/ ov/c cttI iraTpl, TroKvKKavrov S* cttI 7ratSo9 
Avac^ a'x^cc Kcveijp ti]vS* ai/e^Gxre kovlv^ 

Ovi^Ofia rapyyaa^j iireX ou^ viro X^^P^ Toicrio>v 
fjXv0€ hvaTTjVOV Xeiy^ava M.avTi0eov, 

XLI 

ON A SON, BY HIS MOTHER 
DIOTIMUS 

Tt TrXiov eh iSti/a irovelv^ tL he reKva reKeaOai; 

fit) T€/cot ^ fieWei iraLBb^ bpav Bdvarov. 
'Hi'^eo) 7a/) ariiJM ^idvopt ')(evaro fujrrjp, 

eirpeire S* eK iraiho^ p/qrepa rovhe TV')(eiv, 

XLII 
ON A GIRL 

CALLIMACHUS 

l^p-qOCha Tr}v iroXvfivOov, iinaTafievrjv KciXa irai^eip, 
Si^rjvrai ^afiitov ttoXKclki, OvyaTepe^, 



39-45] EPITAPHS 55 

'JiSla-Trfp avvepiOoVy ael XaXoj/* 17 S* airo^pi^ei. 
ivOdBe TOP irdaai^ inrvov 6<l>€iX6fievov. 

XLIII 

ON A BETROTHED GIRL 
ERINNA 

Nt;/i^a9 lBav/ci8o<i ififiu' iroKvicKavTav he irapefnrfov 

(TTaXaVj Tc3 xaTa ya^ tovto Xiyoi^ *AtSa' 
Bao'/cai/o9 eaa 'AtSa* rdBe 6* oX xa adfiaO* op&vTi 

a)fiOTdTav IRavfcov^ dyyekeovri rv'x^aVy 
'ft? rav 7raiS\ 'T/jL€paco(; v<f>* J9 elarjyeTo irevKa^y 

rdpS' €7rc KaSeara^ €<f)\€y€ irvpKala^y 
Kal (TV flip, & 'Tfi€pai€, ydfitop /loKiralop doiSap 

€9 dprjPtop yoep&p <f)0€yfia fiedrjpfioaao. 

XLIV 

ON THE SAME 
ANTIPATER OF THESSALONICA 

AvaopLTj fi€ Kifiva-aap e^et k6pi<;, dyy^L he 'Peofii]^ 
xel/juit irapdepiKT) ryhe irapa yjrafidOa), 

'H hi fie OpeyfrafiipT) TlofiTrrjir) dpTt Ovyarpo^ 
KXavaafiipr^ TVfi^<p OrJKep eXevdepitp 

Jlvp erepop airevhovaa* to S' €(j>0aa'€P, ovhe xar 
€V)(rjp 
fffieripap ^yftep Xafiirdha Uepae^oprj, 

XLV 

ON A SINGING-GIRL 
AUTHOR UNKNOWN 

Tifp Kvap&TTCP Movcrai/, drjhopa ttjp fieXlyrfpvp, 
XiTO^ oh* e^airlprj^ rvfi^os apavhop e^eCy 



56 GREEK ANTHOLOGY [sect. 3 

Kal Keirai XiOo^ 0)9 17 7rdvo'o<l>o^j 17 irepi^toro^' 
MoScra koXtj^ xovffyrf col Kovt^ fjSe ireKoi. 



XLVI 

ON CLAUDIA HOMONOEA 
AUTHOR UNKNOWN 

'H TToKif %€tpi]va>v Xiyvpmrifyrjy fj irapct Ba/c^^o) 
Kol Oolvai^ au7779 ^pvaoriprj KvTrptSo?, 

'H XaXCr) ff>aihpri re ^^eXtSom, evO* *Ofi6voia 
KelfjMV, '^Ari/JL'qTq) SaKpva Xeiiro^evq 

TeS irekov acnraairi 0aL7J^ airo* Tr)v Se roaavTqv 
Saifitav airpolhr}^ iaxiSnaev <f}iXirfv, 

XLVII 

ON PAULA OF TARENTUM 
DIODORUS 

"IcTT© vvKTo^ ifir}^ a fie K€Kpv<f>€v olKia ravra 
\diva, J^toKVTOv t dfi<f>LyorfTOv vBmpf 

OuTi fjL dvrjp, o Xeyovaiy KareKravev €9 yd/ju)v aWr)^ 
iraTrraivtov* ri fidrrjv ovpofia ^Vov<I>lvio^ ; 

*AWd fi€ Krjpe^ ayovat fiefiop/jLipai' ov pia B'^ttov 
HavXa TapavrLvrf tcdrOavev i>KvpMpo<;, 

XLVIII 

ON A MOTHER, DEAD IN CHILDBIRTH 

DIODORUS 

AjXivov d)/cvfi6p(p p,€ Xc'X^iotBi TOVTO K€/c6<l>0at 
T^9 ^loSaypelov ypdp,fia Xeyet ao<f>iqfiy 



46-51] EPITAPHS 57 

Kovpov €7ret Tu/crovaa Karef^OiTO' iralSa Se MrfKovf; 

Aea^idSetraiv ayo^ xal ^Iriaovv irarpl Xiirovaav 
"^ApTCfit, aoc Se kvv&v 0rfpo<f>6p€ov cfieXep. 

XLIX 

ON A MOTHER OF EIGHTEEN, AND HER BABY 

AUTHOR UNKNOWN 

^Ap'X^eXed) fjue hafMapra UoXv^eiprjVj ©eoSe/croi/ 
iracSa teal aivoiradov^ evverre ArffiapirTjf;, 

^'Oaaov iir* dyhlacv koI fi'qrepa' iraiSa Be SaifioDv 
€<f>0aa€v ovS^ avT&v ecKoacv fieXioov* 

*OKTCi>Kat&€K€Ti^ S' avTTf Odvov, upTi TCKOVa'ay 
apri Be fcal vvfM(f>r], 7raPTo\i,yo'x^p6vio(;, 

L 

ON A YOUNG WIFE 
AUTHOR UNKNOWN 

T^j/ a€fip&^ ^Tjaaa'ap dfuofirjTop re avpevpop 
TlavXtpap <f>0ifi€Prjp ippeaKaiSifc^ ir&p 

*ApSp(i)piKO<; iTjTpo^ dp7)p fiprjfi7]la tlpodp 

Trjphe TrapvaraTLrjp aTrjaaro fiaprvpir^p, 

LI 

ON ATTHIS OF CNIDOS 
AUTHOR UNKNOWN 

"Ardif; ifiol ^tjaaaa koI eh ifie irpevfia XtTrovaay 
0)9 irdpo^ ev<f>po(rvpr)<i pvp SaKpvtop 7rp6<f>a(n, 

'Aypd, Trov\vy6rjr€y tl TrepOifiop vttpop lavei^ 
dpSpb^ dirb areppoDP ovTrore Oelaa xdpa. 



58 GREEK ANTHOLOGY [sect. 3 

&6LOV ifyqfuoaaaa top ovKerr aol yap i<;'^AtSav 
fjXOov ofiov ^a)a9 iXmSe^ dfierepa^. 



LII 

ON PREXO, WIFE OF THEOCRITUS OF SAMOS 

LEONIDAS OF TARENTUM 

Tt9 Tfcz/09 €vaa, yvvaiy Uapirjv virb Kiova Ketaat; 

TIp7)^a} Ka\\tT6\6U?. Kal Trohairri ; ^apir}. 
Tt9 he ae Koi KTepel^e; ^eoKpiTo^, cJ /xe 701/^69 

i^iSoaav. OvrjaKei^ S* eK rivo^; etc tokctov. 
Fivaa TToaayv iriayv; Svo KCCKoaiv, rj pd y drcKvo^; 

ovK, dWd Tpterri l^aXKureKrjv eKiTTOv. 
Za>oi aol fC€tv6<; ye /cal €9 ^adi) yrjpa^ lkolto, 

KoX aoiy ^elve, iropou irdvra Tv^i; ra KoKd, 

LIII 

ON AMAZONIA OF THESSALONICA 
AUTHOR UNKNOWN 

T/tttc p^drrjv yo6(ovTe<; €/lw5 irapap.ip^vere rvp^/So) ; 

ovSev e;^ft) Oprjvoav d^iov ev ^dipAvoL^, 
X?)ye yotov Kot irave Troai^, Kal TralSef; ifielo 

yaipere Kal /jLvi]pjjv ad^er ' Ap^a^ovirf^. 

LIV 

ON A LACEDAEMONIAN NURSE 
AUTHOR UNKNOWN 

*EvddBe yrj Kare'^ei rirO'qv iraihfov Aioyeirov 
€K Ile\o7ropvi]<TOV T'qvSe StKaioTarrfp, 



52-57] EPITAPHS 59 



LV 

ON A LYDIAN SLAVE 
DIOSCORIDES 



AuSo9 €7(0, val AvSo^y iXevOepitp Si fie tu/a^o), 
SecTTTora, TLfidvOr) top aov edev Tpo<j>€a' 

^vaioiv daivrj Telvov^ ^lov rjv S' vtto yqptof; 

TT/oo? fi€ fioXi^^y cro? iy(o, SiairoTa, ktiv 'AtBy. 



LVI 

ON A PERSIAN SLAVE 
AUTHOR UNKNOWN 

Soi Kol vvv VTTO yrjv, val Siairora, iriaTOf; v'n'dp')((o^ 

. <»9 TTapo^^ evvolr)<; ovk iiriXTjOop.evo^ 
''fl? /i€ TOT CK vovaov Tpt9 €7r' da<l>a\e<; rjyay€<; ?xvo9, 

Kal vvv dpKOVcrrf TyS* vTridov KoXvfirj, 
Mdv7)v dyy€i\a<;, Hipa-rjv yevov ei he fie pe^a^ 
efet9 ev XP^h hfi&a^ eToifiOTepov^. 

LVII 

ON A FAVOURITE DOG 
AUTHOR UNKNOWN 

^r}V Tpi^ov &9 irapdyei^, av 7ra)9 roSe arjfia vorjaji^; 

fit), Seofiai, yeXday^ el kvvo^ eaTt Ttt<^09* 
*^K\av<r0r)v' %6tp€9 he fcoviv (rvvedrjKav dvaKTO^ 

09 fiov Kai aTijXjf Tovh' e^dpa^e \6yov. 



50 GREEK ANTHOLOGY [sect. 3 

XXV 

ON THE SAME 
DAMAGETUS 

Kai 7roT€ ©iz/icoSiy?, ret irap^ iKiriha Krjhea KKai(0Vy 
iraihl AvKO) Keveov tovtov e)(eve rdt^ov. 

Ovhe yap 6dveir)v eXax^v kovlv, aWd tl<: cucrrj 
Qvpcd^, rj vi^acov tlovTidBcov t^9 c'xec, 

"Evd^ o ye ttov ttovtcov xrepeoDv drep oarea <f>aiv€i 
yvfivb^ eir d^eivov Keifjuevof; aiyidkov. 

XXVI 

ON THE SAME 
LEONIDAS OF TARENTUM 

EiJpof //.€ TpTj'^ela /cat al7r7]€<Taa Karaiyl^ 

KaX vv^ Kol hvo<f>€prj^ KVfiara TravSvairj^ 

*'Ej8\a'^' *ilpi(ovo<;' aTrcoXtadov Be fiioio 

}^dWaia")(po^ Ac^vkov fieaaa decov ireXdyev^* 

Ka7ft) piv TTovTfp Sivevp^evo^ I'^dvat Kvpp,a 

o)^Vfiar ylreva'TTjf; S' outo9 eireari, \L6os> 

XXVII 

ON A SAILOR DROWNED IN HARBOUR 
ANTIPATER OF SIDON 

Tidaa ddXaatra OdXaaaa' tl Ku/cXaSa? ^ arevov 
''E\\i79 

Kvp,a KoX 'Ofeta? rfKed p^p,(f>6fi€0a ; 
"AWw? Tovvop! €')(pv(Tiv* eireX ri p>e rov 7rpo<f)vy6vTa 

Kelva %Kap(f>at€v<; dp^^eKaXv^^e Xip^rjv ; 
^oarvpbov evirXotqv dptSro ti^' ax; rd ye ttovtov 

irovTo^, 6 Tvp^^evvels olBev 'ApvaTayoprjf;. 



25-30] EPITAPHS 5^ 

XXVIII 
ON ARISTON OF CYRENE, LOST AT SEA 

THEAETETUS 

^avTiXot & irXfoovre^, 6 K.vprjvalo^ 'Apia-rcov 
irdvras inrep ^€Plov Xiaaerai vfifie Aao? 

EtTreti/ irarpl IS/lepaypc, trap 'iKdpiat^ on irerpai*; 
Kclrai^ iv Alyaltp Ovfiov a<l>€l^ TreXdyei. 

XXIX 

ON BITON OF AMPHIPOLIS, LOST AT SEA 

NICAENETUS 

^Hpiov elfil BtTG)i/09, ohot/rrope* el Se Top(ovr]v 
XeiiroDV €19 avTTfv €pj(^eat ^Afi<l>i7ro\cv, 

E^TreZi/ NtKayopay iraiScdP on top fiopop avrm 
XrpVfioPLTjf; *Fipi<f>a)p AXeae TrapSva-Ly, 

XXX 

ON POLYANTHUS OF TORONE, LOST AT SEA 

PHAEDIMUS 

Ald^co HoXvapOop, hp evpin^, & irapafiei^topy 
pvixff>iop ip TVfiB^ OrjKep ^Apcarayoprj 

£i€^afi€p7f airohtrfp re xal oarea (top Se Svaae^ 
&\€a€P Alyaiov Kvfia irepl ^fciaOop) 

Avafiopop opOpipoL /UP iirel pckvp i'xjSv^oXrie^y 
^€iP€, Topcopaioip etXKvaap €9 Xtfiepa, 



62 GREEK ANTHOLOGY [sect. 3 

AUl fi;T^cra) ai* trif 8\ el 0efiL^ iv <f>0cfiipoLa'iv, 
Tov ArjOrjf; iir^ ijioX firj re Trltf^ vSaro^. 



LXV 

ON AN UNHAPPY MAN 
AUTHOR UNKNOWN 

* E^TfKovTovTrj^ Aiovvato^ ivOdhe Kelfiai 

Tapaev^, firj ^rjfiav alOe he fJLijB^ 6 irarrip. 

LXVI 

ON A CRETAN MERCHANT 

SIMONIDES 

K/3^9 yeveav Bpora^^o? Toprvpio^ evOdhe xelfiac 
ov Kara tovt i\0(ov, dWa Kar ifiTTOpiav, 

Lxvn 

ON SAON OF ACANTHUS 
CALLIMACHUS 

TySe ^axov 6 AitC€ovo^ 'AfcdvOio^ lepov virvov 
Koifmrar dvrja-Keiv fifj Xeye rov^ dyaOov^. 



IV 
LITERATURE AND ART 

I 

THE GROVE OF THE MUSES 
AUTHOR UNKNOWN 

"AXcro? fi€V Moi;crat9 Upbv Xeye tovt dvaKelaOac 

'H/x.a9 Se ^povpelv Krfv yvqaio^; ivddB* ipaaTq^ 
eXOrf, Tft) KiaaA tovtov dvaaTe<f>ofjLev, 

II 

THE VOICE OF THE WORLD 

ANTIPATER OF SIDON 

'H/9WG)i; KCLpvK^ dpera^ fiaxapcov &e 7rpo<f)i]Tap, 

'K\Xdv(Dv ^Lorfi SevTcpov diXvoVy 
Mov(tS)v (f>eyyo^ '^OfirjpoVf dyijpavTOV cnofia Koa/iov 

iravTo^y dXcppo0La, ^elpe, KCKevde /covi^. 

Ill 

THE TALE OF TROY 

ALPHEUS 

' AvSpofidj(ri<; en Oprjvov d/covofiev, elaerc Tpoirfv 
SepKOfieO* i/c ^dOpcov iraaav ipeiTrofiivrfv 

63 



64 GREEK ANTHOLOGY [sect. 4 

Kal fwOov AldvT€Lov, viro aTe^dvt) t€ ttoXtjo^ 

CkScTOV ef tTTTTG)!/ ''l&/CTOpa (TVpOflCVOV 

MaioviSea) Sict M oucrar, ov ov fila irarp\<; doiZov 
Koafieiraij yairj*; 8* dfi<f>OTeprf^ xXifiara, 



IV 
ORPHEUS 

ANTIPATER OF SIDON 

OvKeTc deXyofieva^y 'O/x^efi, Spva^, ovKert irerpa^ 

af €69, ov 0r)p&v avTovofiov^ dyeXa^;, 
OvK€Tc KOtfidaeL^ dvefifov fipofiov, oifxl 'xaXa^av, 

ov vL<f>eT&v (TVpfiov^;, ov Trarajeva-av a\a' 
*'Ii\eo ydp' <r€ Se ttoXXA KaT(oBvpavTO Ovyarpe^ 

M-vafwavva^, fidTfjp B* e^o'X^a KaXX^oTra. 
Ti <l)0Lfi€voL<; arovayevfiev i<f> vldtriv, dviK oKoKk^Iv 

T&v TraCBcdv ^Kwqv ovhe ^eot? hvvafiv^ ; 



SAPPHO 

POSIDIPPUS 

^fopi'^a, oa-rea fiev ad irdXai kovv^, ^S' diroheafw^ 

%atTi79 ff re fivptav cfiTrvoof; dfi7r€')(^6vij, 
*Ht irore tov yapLevra TrepcaTeWova-a l^dpa^ov 

(Tvyxpov^ opOpiv&v Tfyfrao Kiaav^icDv* 
%a'7r(f>&aL Se fievovai (l)u\rf<; ctc kol fieviovatv 

0)8779 ai Xeu/cal (f>d€yy6fi€vai treXiSe^ 
Ovvofia (TOV fiaKapiaTOv, o Navxpari^ wSe (})v\d^ei 

ecTT* av LKT) NefrXov vav^ e<f>a\o^ revd/yrj. 



4-9] LITERATURE AND ART 65 

VI 

ERINNA (l) 
AUTHOR UNKNOWN 

''A.pTi \o')(^6VOfi€V7)p ae fieXiaaoTOKfov cap vfivcov, 
apri Se KVKvel(p <f)0€yyofiivr}V arofiarL, 

"HXaaev et? 'A'x^epovra Sea irXarif tcvfjua Ka/JLOVTCJV 
Mofcpa XivoKXdxTTOv Seo-Trort? rjXafcdra^' 

2o9 B' iiremVy "Rptvvay KaX6<; irovo^ ov ae yeyeovel 
(f>dL(rdai^ €'X€iv Be 'xppov^ cififiiya Hieplaiv. 

VII 
ERINNA (2) 

LEONIDAS OF TARENTUM 

HapffeviKrjv veaoihov iv vfivoiroXoia't, fjbeXi(r(rav 
*'}ipivvav MovaAv avdea SpCTrrofievav 

^AiSa^ ek vfiivaiov avdpiraaev* ff pa roS* efi^ptov 
eiTT ervfiajf; a iraiv paaKavo^ eaa Aiba, 

VIII 

ANACREON'S GRAVE (l) 
AUTHOR UNKNOWN 

'XI fei^e, TovSe rd^ov top * hvaKpeiovro^ dfielficov 
a-irelaov fiot Trapiayv elfil yctp oivoiroTq^;, 

IX 

ANACREON'S GRAVE (2) 
ANTIPATER OF SIDON 

BetJ/e, Td(f>ov irapa Xltov ^ AvaKpeiovros dfieilSayv, 
€? tI tol ifc ^i^tov fjXdev ifji&v 3<^€\o9, 

E 



66 GREEK ANTHOLOGY [sect. 4 

^Treiaov ifirj aTroStrjy (nrelaov ydvo^y o^pa K€v olvtp 

oarea yrjO'^arf rafict voTC^ofievay 
'129 o Aicdvvaov fiefieXrjfiivo^; oivdai Koyfioi^f 

C09 ^CKaicprjTOV (rvvTpo<f>o<; apfiovirj^^ 
Mi;Se KaTa(f>0lfJL€vo^ ^aKypv hiya rovrov virolato 

Tov yevey fiepoiroDv %wpov o(f>€c\6fi€vov. 



PINDAR 

ANTIPATER OF SIDON 

^e/Spelcov oiroaov aaXiny^ vTrepia')(ev avK&v 
roaaov irrrep irdo'a^ ercpaye aeio '^iXv^, 

OvSk fidrrjv aTraXot? ^ovd6<; irepX yeLXeaLv kafio^ 
enrKaae KffpoBeToVy Il/j/Sape, a-eio fiiki* 

MdpTV<i 6 Maivd\Lo<; Kcpoei^i deo?, vfivov deiaa^ 
TOV aeOy KoX vofiltov \7jadfi€vo<; SovdKoov, 



XI 
THESPIS 

DIOSCORIDES 



%€<nrc^ oSe, rpayiKffv 09 dveTrXaa-a Trp&ro^ doiSrjv 
K&firjTai^ veapcL^ KaivoTOfi&v X'^P^'^^^y 

Ba«X09 0T€ rpvyiKov Kardr/oc xopoj/, ciJ rpdyo^ 
a&\iov 
XOiTTiKo^ ^v (TVKCdv dppiyo^ affXov err 

Oi Se fieraTrXdo'a'ova'c vioc rooe* fivplo^ alayv 
iroKKit irpocrevpriaei x^repa' rd/ih S* ifid. 



IO-I5] LITERATURE AND ART tj 

XII 

SOPHOCLES 
SIMMIAS 

*lip€fi virep TVfifioio Xo(f>o/c\€o^f rjpifia, KL<T(re^ 
ipirv^oi^ j^\o€/oou9 iKirpoyifov TrXoKci/jLov^, 

Kal irerdkov Trdvrr) OdWoc poSoVy tj re <f)i\oppo>^ 
a/A7reXo9 vypct Tripi^ xKijfiaTa 'xevap^evrj 

^XveKev eveTTLT)^ irivvro^povo^ ^v 6 fieXixpo^ 
fiaicrja^ ix ^ova&v a/ificya Kai ^apiroav, 

XIII 
EURIPIDES 

THUCYDIDES 

"i/lvrffia fiev 'EXXav airaa ^vpiTriSov oa-rea S' taj(€i 
yrj "MaKcSfov rj yap Si^aro ripfia ^lov 

Tlarpl^ B* 'EWaSo? 'EXXa9, 'AOrjvar irXeiara Se 
iAovaat^ 
ripyfraf; ix ttoW&v koI top eiraivov €j(€i. 

XIV 

ARISTOPHANES 
PLATO 

A/ Hdpire^ rifievo^ rt Xa^eiv oirep ovyl Trecrelrai 
^ffTOvaai yfrvxrjv eipov 'Api<TTO(f>dvov<;. 

XV 
RHINTHO 

NOSSIS 

Kal Kairvpov yekdaa^ irapafiel^eo koX <pi\ov eiTroiv 
fyq^ etr ifioc rivucov eifi o ZvpaKoaio^y 



68 GREEK ANTHOLOGY [sect. 4 

Moycrao)!/ oXiyrj Tt9 arfSovl^y aWa (f>\vdfca)v 
ifc TpcuyiK&v ISiov Kvaaov iSpesfrdfieda, 

XVI 

MELEAGER (l) 
MELEAGER 

'Arpefia^f & fei/e, ^alve' trap evae^ea-iv yap 6 
Trpia^v^ 

evSet Koifir)d€l<; vttvov o^eCkofievov 
^vKpdreco MeX€a7po9, 6 top ykvKvSaicpvv *'E/}ft)Ta 

Kol Movcra? tXapal^; avaroXiawi ^dpiaiv 
^Ov deoirai^ '^vSpeoae Tvpo^ TaSdpwv 0* Upa x^^^y 

Kc!>9 S' iparr) lAepoircDv Trpia^vv iy7jpoTp6<f>€V' 
*A\X* el fiev Sv/oo? iaai, adkdfiy el S* oiv av ye 

vathto^y el 8' '^EiWrjv, ;)^at/06, to S' avro ^pdaov, 

XVII 

MELEAGER (2) 
MELEAGER 

N aero 9 ifia dpewreipa Tvpo^iy irdrpa Se fie reKvoi 

*'At^49 €P 'AaavpioL^ vaiofieva TaSdpot^y 
^vKpdreo) S* e/SXaarov, 6 avp Movaacf: MeXear/pof; 

Trp&ra ^evLinreiai^ a-vvrpo'^da'a^ ^dpiaiv. 
Et Se 2vpo9, ri to davfia; fiiav, ^ive^ irarpiha 
fcoa/iiov 

vaiofiev ev OvaTov^ Trdvra^ eriKre Xao9. 
Tlov\v€Tf)^ B* i'^dpa^a rdS* ev BeXroiac irpo rvfifiov 

7^/}a)9 yctp 76tTa)i/ iyyvdev ^AtBeo), 
'AXXa fie rov \aXiov xal irpeafivrrfv av Trpoaeiiriiv 

j^alpeiv, eh yrfpa^ KavTO<; Xkolo XdXov, 



i6'2o] LITERATURE AND ART 69 

XVIII 

PYLADES THE HARP-PLAYER 
ALCAEUS OF MESSENE 

Tlaaa aol olj(^ofji€V<p, TLvKaBrff /ctoKverac '£\\a9, 

airXe/CTOv j(^aLTav iv XP^^ fccLpafiivay 
AvT09 B* aTfi7]TOio KOfJia^ airedrifcaTO Sd(f>va^ 

4>06)8o9 eov TLfi&v y Oifii^ vfivoiroXov^ 
yLovaai S* eKkavaavro, poov S' earriaev aKOV(ov 

*Aa'<D7rb<; yoep&v ^X^^ ^"^^ a-TOfidrayv, 
"'EWrj^ev Sk fiiXaOpa Ai(t)vv<TOLo ^ope/i;?, 

€VT€ aiSrjpeiTjv olfiov €^rj<; 'Ai'Beo), 

XIX 

THE DEATH OF MUSIC 
LEONTIUS 

*Op(f>eo^ olxofJiivov Taxa tl^ Tore Xelirero Moi)<ra, 
(T€v Se, YiXdrcov, <f>difjL€vov iravaaro Kal /ciOdprj* 

'Hi/ yap €Tc irporeptov fieXicov oXiyr) rt? diroppco^ 
iv aal^ (Tco^ofievr) fcal <^p€aX koI TraXdfiac^, 

XX 

APOLLO AND MARSYAS (l) 
ALCAEUS OF MESSENE 
OvK€T* dva ^pvyL7}V 7nTVOTp6<f)OV W9 7rOT6 /X€\l|ret9 

Kpovfia Sl' evTprjTOiv <f>0€yy6/jL€vo<; Sovd/ca)v 
OvB^ ivl <rat9 TraXdfiai^ TpcTaypiBo^ epyov *A0dva^ 
0)9 Trplv i7rav0r]<r€i, vvfi(f>oy€V€^ Xdrvpe* 



70 GREEK ANTHOLOGY [sect. 4 

Ai; fyap aKuKToirehai^ a'(f>iyyy ^e/oa? ovpexa ^oifitp 
Ovaro^ €0)1/ delay eh eptv rjvrLcbaa^f 

AwTot S* oi xXd^ovTc^ laov <f>6pficyyv fieXiypov 
mrcurav ef aOXtov ov a-T€if>o^ akX' *AWav. 

XXI 

APOLLO AND MARSYAS (2) 
ARCHIAS 

Altoprj Orjpeiov IfUKraofievo^i Se/jui^ avpav^, 
rX&fiov, aopTTjOel^ iic Xcurla^ ttitvo?, 

Ala>p^, ^oi/Sq) yap dpdpcnov eh epiv earrj^ 
TTp&va lS.€\aivLTr}v vaierdoDv Xdrvpc 

Xev Sk fioiiv avKoio fjueXi^pofiov ovkcti Nu/LU^at 
(i? irdpo^ ev ^pvyioc^ ovpeai irevaofieOa. 

XXII 

GLAPHYRUS THE FLUTE-PLAYER 
ANTIPATER OF THESSALONICA 

"Ip^pov avKrjaavTL iroXvTp'qTfov Sia XtOT&v 
elire Xcyv(f)06yy<p <!^ot$o^ iirl TXa<l>vp<p* 

Mapavrfy iyfteva-co rebv evpe/jui, tov9 yap "^AOi^vq^ 
aiXoif^ €K ^pvyirj^ o5to9 iXrjta-aro, 

Ftl Se av TOLovToc^ tot^ iviirpee^, ov/c &v '^Tayvt^ 
TTjv iirl M.aidvSp<p KXavcre hvaavXov epiv, 

XXIII 

VIOL AND FLUTE 
THEOCRITUS 

A^9 TTort T&v M-OLcav Si,SvfioL<; aiXoltrvv delaac 
dSv rt fJMi ; fCf)yoi> iraKrlZ^ detpa/juevo^ 



21-26] LITERATURE AND ART 71 

'^Ap^evfiai ri Kp€/c€iv 6 Se ^cdkoXo^ afifuya OeX^el 
Ad(f>vi^ KapoSirtp irvevfULTL fieXirofievo^* 

'E77V9 Se ardpre^ "Kcunavx^vo^ €vBo0€P avrpov 
Hava Tov alyi^jSdrav op^avUrtofie^ virvov, 

XXIV 

POPULAR SONGS 
LUCILIUS 

TiOvrjK* ^VTvyiSfj^ 6 fi€\oypd<f>o^' oi Kara yaXav 
<f)€vy€T'*' exjonv dik^ epyerav EvTvj^t&y?' 

Kal KiOdpa^ avr^ oierd^aro avyKaraKava-at 
BcoSe/ca, KoX KLora^ eiKoa-iirevre vofjutov. 

NOi/ vfiiv 6 X.dpoDV egreKrfKvOe* irol T69 aTreXOjf 
XoiTToVy CTrel X^^V^ Euru^iSiy? xarexet ; 

XXV 
CALAMUS 

AUTHOR UNKNOWN 

''Hfiijv dxp€lov /cdXafio^ <f)VT6v, ck yap ifieto 
oi avK^y oi) firjXov <f>v€Tat, ov (rra^vX^* 

*AWd p! dvffp ip^vrfa '^\vK(oviaf XctttA roprjaa^ 
yeCkea koI arecvov povv oxereva-dp^vo^y 

'E^ 0€ TOV eSre iriovp^t pAXav irorov^ evOeo^ ota 
TT&v e7ro9 d<^6eyKTtp rtSSe XaXA oTop^Ti. 

XXVI 

IN THE CLASSROOM 
CALLIMACHUS 

lStvpM0irfV 'preiTo SiSov^ ip^ '%Lp*o^ 6 yiiKKOv 

Toi^ M,ovaaL^' ai Se, TXavKo^ oKOD^iy eioaav 



72 GREEK ANTHOLOGY [sect. 4 

'Ai/T* oXiyov fieya Scjpov iyo) 8' dvcb rrjvhe xey^ijuox; 

/ceifjiai Tov XafjLiov BlttXoov 6 rpcuyiKo^ 
Tlavhapicov Ac6vva'0<; eVi/zcoo?* oi 8e XeyovcLV 

lepo^ irKoKafio^^ tov/jlov op€iap ifioL 



XXVII 

THE POOR SCHOLAR 
ARISTON 

*I1 /AU€9, el fiev eir aprov eKrfKvdar' €9 p^^X^^ aXkov 
o-TetveT* {iirel Xittjv olxeop^ev KaXvfirjv) 

Ov Kal iriova Tvpov aTroSpeyjreo'de /cat avrjv 

la'X^dBa KoX Beiirvov avxyoji airo a/cvfidXcov 

'Ell S^ iv ifia2<; /Sl^Xoktl ttoXcv KaraOrj^eT* oBovra, 
KXavaead^ ovk dyadov K&p,ov iTrep')(pp,evoL. 

XXVIII 

THE PHAEDO OF PLATO 
AUTHOR UNKNOWN 

Et /A6 n\aT6t)z/ OV ypdyjre Svoo iyevovTO UXdrcove' 
^(OKpariK&v odpayv dvOea Trdvra Sepeo* 

*AXXd vodov p! €T€X€a-<re JlavaiTLo<;^ 09 p* iriXeaae 
Kal yjrvxv^ Ovrirrfv^ KapJe vodov reXeaec, 

XXIX 

CLEOMBROTUS OF AMBRACIA 
CALLIMACHUS 

E?7ra9 'ijXc€ ycupe KXeopi^poTo^ a)p,/3pa/ci(OTrj^ 
7]XaT a(f>* wfnjXov rei'^^o^ €h 'AlfSai/, 



27-32] LITERATURE AND ART 73 

"A.^LOV ovBev lBa)p Oavdrov xaxov rj to TlXdrcDvo^ 
4v TO irepl yfrvxi]^ ypdfifi dvaXe^dfievo^, 



XXX 

THE DEAD SCHOLAR 
CALLIMACHUS 

EZTre TA9, 'H/>aic\€4T€, rebv fiopov, €9 Se fie Sdxpv 
ffyayep, ifivrjaOrfv h* oaad/ci^ dfi(f>6T€poc 

'^HXiov iv Xeaxo fcareBvaafiev dWa av fiev irov, 
^elv ' AXcKapvrja-ev, TerpdiraXac airohLrj^ 

At he real ^coovo'iv drjSove^ yaiv 6 irdvrtov 
dpTraKTrjp 'AtSrjf; ov/c iirl ^eZpa ^aXel, 

XXXI 

ALEXANDRIANISM 
CALLIMACHUS 

'Ft)(0aipa) TO irolfffia to kvkXlkov, ovBe /ceXevOtp 
yalpcOy Tt9 7roWoi'9 &he koX &he <l>€per 

M.ia& Kol 'n'epi<f>OLTOV ipcofjuevov, ovt diro Kprjvqf; 
irivo)' acK'X^aivco irdvTa tcl Br)fi6(ria, 

XXXII 

SPECIES AETERNITATIS 
PTOLEMAEUS 

OlS' OTL OvaTO^ eyo) fcal €(f>dfiepo^' dXX* OTav 
aaTp(ov 

fjuaaTevw TrvKivh^ d/jL<l>vSp6fiov^ eXiKa^ 
Ov/C€T eTnylravco yairj^ ttoo-lv, dXXd 'Trap' auTcS 

Zavl 0€OTp€<f>€O^ TTLfiTrXa/MaL d/jL^poa-iff^, 



74 GREEK ANTHOLOGY [sect. 4 

XXXIII 

THE PASTORAL POETS 
ARTEMIDORUS 

HoDKoXiKol iAourav airopaZe^ iroKci' vvv S' afia 
iratrai 
ivrl fiiu^ fidvSpa^, ivrl fiL&s wyeXa^. 

XXXIV 

ON THE PORTRAIT OF A GIRL 

ERINNA 

'Ef araXav yeip&v rdSe ypd/MfuiTa' \iSare Upo- 
fiaueVf 

€VTt KoX avdpoDiroi t\v oficCKoi a-o^Lav* 
Tavrav yovv irvfioo^ rav irapdevov otm^ eypay^ev 

al KavSav TroridrfK*, ^9 k *Aya0apj(l^ o\a. 

XXXV 

ON A RELIEF OF EROS AND ANTEROS 
AUTHOR UNKNOWN 

Tlravm irravov "Epwra /caravriov eirXaa "Epcart 
a Ne/i€o-t9, To^q) to^ov dfivvofieva, 

"fl? K€ irdOj) rd y epe^ev 6 Bk Opaam, 6 irplv 
drapfir)^ 
SaKpvei TTLKp&v yeuadfjLevo^ /SeXeoov 

'E9 8e iSaOvv rpU KoKirov dirkirrvo'ev i /leya 



33-39] LITERATURE AND ART 75 

XXXVI 

ON A LOVE BREAKING THE THUNDERBOLT 

AUTHOR UNKNOWN 

'O TTTavb^ Tov irravov tB* ©9 dyvvaL xepavvov, 
SeiKvif^ C09 /cpeiaa-ov irvp irvpo^ itrrtv, "Ep©?. 

XXXVII 

ON A LOVE PLOUGHING 
MOSCHUS 

AafiirdSa Oel^ xal ro^a, ^oTjXdriv etKcTo pdjSSov 
oS\o9 ''E/)(»9, irrfp^qv S' eZj^e feaTaffiaSirjv, 

Kal feuf a9 raXaepyov inro ^vybv aifyiva ravptov 
€(nr€cp€v Ai7ot)9 avkaKa irvpo^opov, 

ElTre 8' avoD /SXiyjra^ avrm Atlf* TfKrjO'ov apovpa^y 
fi'q <re tov TSivpmTrrf^ fiovv xrrr* aporpa ffaXay, 

XXXVIII 

ON A PAN PIPING 
ARABIUS 

^Hi' rdy^a avpl^ovro^ ivapyea Ilavo^ cLKOvecv, 
7rv€v/ia yap 6 *rr\doTrf^ iyKari/Mi^e TVinp, 

'AXV opotov <f>€vyova'av dfiri')(avo^ aararov *H;^ft) 
7rrfKTl8o^ rjpvijOri ^Ooyyov ai/ox^eXea. 

XXXIX 

ON A STATUE OF THE ARMED VENUS 
AUTHOR UNKNOWN 

naW^9 rav KvOepetav evoirXov ieiirev iSovtra, 
Kinrpi, OeXei^ ovtw^ €9 tepitrvv ip^op^Oa ; 



76 GREEK ANTHOLOGY [sect. 4 

* H 8* clttclKov ^eKaaaaa* tl fioi acLKo^ avriov alpetv ; 
ei yvfivf) vt/c&^ ttS? orav OTrXa Xd/So) ; 



XL 

ON THE CNIDIAN VENUS OF PRAXITELES 

AUTHOR UNKNOWN 

'A Ku7r/>i9 rkv Kvirpiv ivl Kz/tS© elTrev IBovaa* 
<f>€v, <l>€v, TTov yvfivifv elSi fie Upa^triXij^ ; 

XLI 

ON A SLEEPING ARIADNE 
AUTHOR UNKNOWN 

Sclvot, Xalvia^ fit) y^avere Ta9 'ApidSvafs 
fir) Koi avadpcoa-Kjf ^rfaka Bt^o/ievrj, 

XLII 

ON A NIOBE BY PRAXITELES 
AUTHOR UNKNOWN 

*Ek fa)779 fi€ Beol rev^av XiOov i/c Se XidoLo 
^ayTjv Tlpa^treXr}^ efiTraXiv elpydaaro, 

XLIII 

ON A PICTURE OF A FAUN 
AGATHIAS 

AifTOfidrco^j ^arvpio-Ke, Sova^ t€09 VX^^ laXXet^ 
tj Tl irapa/cXiva^ ova^ ayet^ KaXafKp ; 



40-46] LITERATURE AND ART 77 

'^O? Se ^eK&v (Ti^f)(Tev fccra>9 V av (fydiy^aro fivdov 

Ov yap KTjpo^ epvKev ckodv S' rjaTrd^eTO (riyrjv 
Ovfiov oKov Tpeyjra^; TrrfKriBo^ aa")(p\Lrj, 

XLIV 

ON THE HEIFER OF MYRON 
AUTHOR UNKNOWN 

^€V <rv ^vpcov 7r\a(r<ra9 ov/c €(f)0a(ra^, aXXa <re 
Trplv '^vj(r)v l3a\i€LV e^Oaae 7rr)yvvfM€vo^, 

XLV 

ON A SLEEPING SATYR 
PLATO 

Tbv Xdrvpov A^oStopo? iKoifitaev, ov/c iropevaev 
rjv vv^rj(;, iyepeh* apyvpo^ virvov e^et. 

XLVI 
ON THE TEMPLE OF THE EPHESIAN ARTEMIS 

ANTJPATER OF SIDON 

Kal Kpavaa<; ^al3v\&vo<; iiriSpofiov apfjuaai ret^^o? 

Kal TOP eTT *AX<f>ei<p Zdva KanjvyaadfjLrjv, 
KaTTWi/ T ai<i>pr)fjba, Kal 'HeX/oio KoXoao'ov, 

Kal fxeyav aiireivav irvpafiiScov Ka/jbaroVy 
M^vcifjud T€ M.avaQ}\oLo TreXcoptov d)OJ or iaelSov 

'A/3T€/xaSo9 v€(l>€a)v ay^pc Oeovra Bofiov 
Kelva fi€v rj/jbavpoDa oSe, Krjvihe v6<r<f>iv 'OXvfiirov 

''A\t09 ovBiv TTG) Tolov eiT'qvydcraTO, 



78 GREEK ANTHOLOGY [sect. 4 



XLVII 

THE LIMIT OF ART 
PARRHASIUS 



Et Kol airiara Kkvovac Xe^oa rdSe* (jyrjfu yap rjSrf 
T6')(vi]^ evprjaOai ripfiara rrjaSe aa^ 

^€Lp6^ v(f> '^fieriprf^' avvTripffXriro^ Se ireirTiyev 
oZpov dfuo/jirjTov S* ovBev eyevro /SpoTot?. 



V 
RELIGION 

t 

I 

WORSHIP IN SPRING (l) 
THEAETETUS SCHOLASTICUS 

"HSiy KOLKKiireTrfKov i'rr* evKapiroitn Xo^xeiai^ 

\r]iov ix poSiaov avOoif^opel KaXv/ctov, 
"HSiy iir* aKpe/jLOveaa-iv lao^vyecov KVirapiaaayv 

fiova-ofJiavf)<; rim^ deXyei afiaWoSerrfv, 
Kal (jyiXoiraL^ viro yelaa B6fjLov<: rev^aaa j^eXtScbi/ 

efcyova mfKo'xyToi^ ^ecvoSoKcl $a\(ifioL^, 
'TTTi/cie* Se OaKatra-a <f>c\o^€^vpoLO yaXrivq^ 

vr)o<f>6poi,<; vdroi^ evBia TrcTrrafievrj^, 
OvK iirl irpv/ivaloiat xaratyi^ovaa Kopvfi^oi^, 

ovK iirl prjyfiivcov a<f>pov ipevyo/juevrj* 
NavTiXe, irovTopAiovn koL opfioBorrjpi Ilpcrj*mp 

revOiSo^ fj rplyXrj^ avdefJLoeaa-av Irvv, 
*H cKapov av8i]€VTa irapal ^afwuri m'vpdxra^ 

arpofjbo^ ^lovlov ripfia OaXaaaoiropci. 

II 

WORSHIP IN SPRING (2) 
AGATHIAS 

EvSia fikv 7roi/T09 Tropif>vp€rai,* ov yap arjTTi^ 
/cvfuira XevKalvei (f)piKl x^'pao'aop^va, 

79 



8o GREEK ANTHOLOGY [sect, s 

OvKeTi Se (T'lriXdhea'aL irepiKXaaOelaa daXaaaa 

€/JL7ra\iv avrayTTO^ 7r/)09 0dOo^ eladryerar 
Oi ^€<f>vpoc irveLovavv, iirirpv^ei BeyeXiBcov 

Kapcjyea-L koXKtjtov Trrj^a/Jbevrj udXafiov. 
Qapaei vavrtXirj^ ifiTreipafie, k&v irapa Xvpriv 

Kav irapa XifceXiKrjv irovroiropfi^ KpoKaXrjv 
M.OVVOV ivopfiLTao wapal ^(Ofiolav tlpo'^Trov 

rj aKapov ff ^ct)Ka<; ^Xi^op ipev6ofievov<;, 

III 

ZEUS OF THE FAIR WIND 
AUTHOR UNKNOWN 

Ovpiov CK TTpvfivT}^ Tt9 oSrfyrjTtjpa KaXeirto 

Zrjva Kara irporovcov larlov eKTrerda-a^* 
E?T* eVfr Kuai'ea? hiva^ Sp6fjLo<;y evOa UoaeLB&v 

fcdfiTTvXov eiKi(Tcrei KVfia irapa yfrafiddoc^, 
E?T6 tear Alyairjv irovTov irXdfca voaTOv ipevva, 

veitrOo) TcSSe ^a\a>v yfraiara irapa ^odvq)' 
^flSe Tov evdvTqrov del 0€ov ^AvTcirdrpov irah 

aTrjae ^lXodv dyaOrj^ avfiQoXov evirXotq^;, 

IV 

THE HOLY CITY 

MACEDONIUS 

T/ta)\a) xnr dvBejxoevTi porjv irdpa M.aiovo<:'^FipfjLOv 
ZtdpBc€<; 17 AvB&v 6^05^69 elfjbi iroXi^, 

Mdprv^ iyo) irpdrrj y€v6fjbr)v A469, ov yap iXey^eiv 
Xddpiov via 'Pe^y? rjOeXov '^ fieri p7j<;' 

AvTTj Kal ^pofiifp yevofjLfjv rpotfyo^, iv Be xepavpo) 
eBpaicov evpvTepw (fxarl i^a^Lvofievov 



3-7] RELIGION 8i 

Upayrai^ S* '^fieriprjo'tv iv opydaiv oivaS oirtoprfv 
ovOaro^ ix 0OTpva>v ^avdb^ afiek^e Oeo^. 

Tlavra fie KoajjufjaavTo, iroXv^ he fie TroWdxi^ aiiov 
aoTeaiv oK^iaroi^ eipe fjbeyaipofievrfv. 



HERMES OF THE WAYS 
AUTHOR UNKNOWN 

1^0 viro rrfv apKevuov lt ap/rravovre^, obi/raiy 

yvia irap '^pfieia tr/uKpov oSov <f>v\aKC, 
tArj (fyvpSav, oaaoL he ^apel 701/1; xd/ivere p^0(p 

KOI hlyjra ho\ij(av olfiov dvvao'ap^voL* 
Ili/ot^ r^ap Koi 0&KO<; ivaKio^, a 0' irrro irerpa 

iriha^ evvqaet yviofiaprj ted/JuiTov, 
^lEivhiov hk ^vyovre^ oTrcopivov kvvo^ SiaOjia, 

0)9 0ep,i^, 'TStpp^eirjv elvohiop riere, 

VI 

SACRED NURSERIES OF YOUTH 

NICIAS 

lEilpoa'i<f>vWov opo^ JLvWi^piov alirv XeKoy^fia^; 

TTJS larrfK eparov yvp^vatriov fiehetov 
'ISipfii]^, ^ eiri iralhe^ dpApaKov rj^ vd/civ0ov 

TToWdxi,, teal 0<iKepo\f^ 0rJKav itov are^dvov^* 

VII 

PAN OF THE SEA-CLIFF 
ARCHIAS 

Tlavd fie rovh* Uprf^ hrl XuradJho^, alyidkirrfv 
Hava, TOP evopfioDP rfjh' l(f>opop Xcfieptop, 

F 



82 GREEK ANTHOLOGY [sect. 5 

Ot yptirrje^ eOevro* fiiXoD S* iyo) aWore Kvproi^ 
aXKore 8' alyiaXov roOSe aa/yqvo^oKoL^' 

'AWA irapdirXei, f €ti/e, aeOev 8* eyo) ovvexa ravrt)^ 
evTrotr}^ Trifiyfrco irpr^bv oinaOe vorov. 

VIII 

THE SPIRIT OF THE SEA 
ARCHIAS 

Ba609 ihelv o Ilplr)7ro<i iiraLyiaXlTiSa vaito 

X^ikriv, 3idvva^ vdaov ivavTiirepa^, 
<I>ofo9, airov^, otov Kev ipr)fjia{rj<riv iir afcral^ 

^iaaeiav fioyep&v vl€€<:;l:x^9vfioXa>v 
'AW ijv Tt9 ypLirev^ fie /3o7)06ov fj KoXafievrrj^; 

<\>(ovri(Trfy irvoLTj^ Ufiai o^vrepo^' 
Aeva-a-o) kol ra deovra fca0* vSaro^* ^ yap air' epyaov 

haifjiOve^, ov fiop<f>a^ yvaxrrov e'X^ovcn rvirov. 

IX 

THE GUARDIAN OF THE CHASE 

SATYRUS 

E?Te (TV y 6pve6<f>obTov virep KaXafitha iraXvva^ 
tfflS 6p€i0aT€€t^, eire XayoKToveeL^^ 

Tlava KoXer kvvI Tlav \aalov 7roSo9 ^^i^m <f)aLv€v, 
(rvvOeo-iv axXivioDv Jlav avdr/€i KoXdfJuov. 

X 

THE HUNTER GOD 
LEONIDAS OF TARENTUM 

^vdyp€c Xayodfjp^y xal el irereeiva hio>K(ov 
l^evTtj^ ffK€i^ rovd* VTTO hiatrov 6po^j 



8-13] RELIGION 83 

Ka/16 Tov vXrjoypop diro Kprifivolo ^oaaov 

Hava' avvayp€V(D Kal KvaX /cal KoXdfioi^. 



XI 

FORTUNA PARVULORUM 
PERSES 

Ka/x.6 TOV iv (TfiiKpol^ oXlyov 0€ov fjv iirijSdxrrj^ 
ev/calpto^f rev^rj* fjurf fieydXtov Se y\i')(pv 

'flv a ye SrjfiorepoDP Svvarai Oeo^ dvSpl TreveaTr} 
hdnpelaOaiy tovtwv Kvpio^ elfii Tv^cov. 

XII 

THE PRAYERS OF THE SAINTS 
ADDAEUS 

*Hi/ irapirj^ fjptoa, ^iXoTTpTjy/MOv Se Kakeirai, 
irpoaOe TloriSairj^; /ceifjuevov iv rpioStp, 

^lirelv olov iir' epyov ar/€i<; iroSa^* €v0v^ eKelvo^ 
evprjaei <rvv <rol irp'q^io^ evKoXiTjv, 

XIII 

SAVED BY FAITH 
LEONIDAS OF TARENTUM 

T^i' fiLKpi^v fi€ Xiyovat, Kal ovk laa irovTOTropevaai^ 
vaval Su0vv€cv arpofjMV eifirXotrjv, 

Ovk dnroif^'qfiL 8' iyw" 0paxv /^€v aKdff>ov dXXd 
BaXdaarf 
nav icrov* ov fiirpcov 17 xpiac^ dXXa tv^V^' 



84 GREEK ANTHOLOGY [sect. 5 

*'EaT<» TTTjSaXiot^ ^reprf wXiov aWo yap aWt) 



XIV 

THE SERVICE OF GOD 
AUTHOR UNKNOWN 

Tr}v At09 afKl>L7roX6v fie XeXtSoi/a, rifv hrX fimfwh 
airevhetv aOavarcov yprjvv iirtarafjUvrfv, 

EiVTCfcvov, ao'TOvd'xrjTov, ^x^t Ta^09' ov yap dfiav 
pSy^ 
iaifwve^ rj/jb€Tepr}v elSXeirov evae^irjv. 



XV 

BEATI MUNDO CORDE 

AUTHOR UNKNOWN 



'A71/01/ xph I'^oZo dvioSeo^ ivTo^ iovra 

€fMfi€var ayvelff S* etrrt <\>povelv oaia. 



XVI 

THE WATER OF PURITY 
AUTHOR UNKNOWN 

'Ayva^ X^Z/aa? excDi; Kal vovv ical yX&rrav aXriOr] 

etaiOi fiff Xovrpol^ aWa v6q> KaOapo^* 
AoK€i yap o oauoL^ pavi^ voaro^^ avopa be ipavKov 



14-17] RELIGION 85 

XVII 

THE GREAT MYSTERIES 
CRINAGORAS 

Fil Kal aol iBpalo^ ael ^lo^, ovBe dakaaaav 
cttX®? ')(€paaias r ovfc eirdrrjaa^ oSov^, 

"E/ItTTt;? K€Kpo7rlr)<; i7n^7]fi€vav, 6<^p &v ixcLva^ 
i^rifiriTpo^ fieyaXa^ vvKTas thrf^ Up&v, 

T&v airo icqv ^wolaiv aKrjSia, fceir av iiC7)ai 
69 TrXeoj/ft)!/, 6^6*9 Ovoov iXxiifypoTepov. 



VI 

NATURE 

I 

THE GARDEN GOD 
AUTHOR UNKNOWN 

M?; /ie Tov i/c Ai/Sdvoio Xiye, ^€V€, top <f>L\oKa>fjbOi)v 
repirofievov i/uj^tot? rjWemv 6dpot<;' 

Ba£09 eyco i/u/t<^9;9 aTrb yeirovo^; dypoL(OTrj<i 
fiovvov iiroTpvvmv epya (f)VToaKa<f)lr)f;, 

Evdev air* evKapirov fie if>CKr)s eareyfrav dXoyrjf; 
reaaape^ ^ilpdcov ck iria-vpoiv areijyavoi. 

II 

pan's piping 

ALCAEUS OF MESSENE 

Ei/jLirvei Udv Xapolatv opei^dra yeiXeai fiovaavt 
ep/irvei iroLfievitp repiropjevo^ oovaKt, 

EvKcXdStp avpiyyv '^k(ov fieXo^;, etc he avvcpSov 
xXd^e KaTvd\)V(ov prjfiaro^ dp/jL0VL7)v 

'A/jL{f>l Se (Toi, pvd/Moio /card Kporov, evOeov t'xyo^ 
prjaaiaOo) Nvp^ai^ raitrSe fiedyBptdaiv. 

Ill 

THE HIDDEN SPRING 
LEONIDAS OF TARENTUM 

M^ crv ye Troiovofioco ireplirXeov tXvo<; &>& 
TOVTO ')(apaZpai'q<; uep/Mov, oSlra, iri'p^. 



1-6] NATURE 87 

'AW A /MoXoav fMoXa rvrdov virep haiMCKrj^OTOV atcpav 
xelae ye irhp Keiva iroifievla ttItvl 

Ei/3^o'6t9 fceXapv^ov eufcprjvov hiii wirprf^ 
vafia 3op€iair)^ yftvxporepov vi<}>aBo^M 

IV 

THE MEADOW AT NOON 
AUTHOR UNKNOWN 

TaSe Karct 'xXoepolo pi^elf; \€ifi&vo<:, oSlra, 

a/jLirava'Ov fjuoyepov fiaXdaKa yvca kottov, 
*Htj^/ o-e Koi Z€<f>vpoco rtvaaaofievr) ttltv^ avpai^ 

Oek^ei,^ TeTTLyoyv elaatovra fiiXo*:, 
Xo) irocfirjv iv opeaai /Meaafi^ptvov ayyoOi Traya^ 

(Tvplo'Scov Xaala^ 0dfiva) vtto irXaTcivov 
KavfJuiT* OTTfopLvolo <l>vya>v kvvo^ aXiro^ afielyfret^ 

avpcov ei roBe (toI Tlavl Xeyovrc iridov, 

V 

BENEATH THE PINE 
PLATO 

'TylriKOfiov irapa rdvSe xadi^eo (fxamjeaaav 

if>piaaovaav irevKrjv fc\&va^ virb Z€(l>vpOL(:, 

Kat aoL Ka')(KaXovaiv i/jLOi<; irapa vdfiaai avpcy^ 
OeXr/ofiivoDv a^ei K&fia Kara ^eif>dpo>v, 

VI 

WOOD-MUSIC 
AUTHOR UNKNOWN 

"E/^^eo KoX Kar ipAv tfeu irirxn/, h to fieki')(pov 
irpo^ fiaXaKoifs VX^^ /ccKXtfieva Z€<f>vpov^' 



88 GREEK ANTHOLOGY [sect. 6 

^HviSe Koi fcpovvKTfJM fjueXiorraye^, evda fiekiaStov 
'^Si>v ipr)fiaioL<i virvov ay to Ka\d/Moi^, 

VII 

THE PLANE-TREE ON HYMETTUS 
HERMOCREON 

"I feu viro axtepav TrXdravov, fej/e, rdvBe irapepircov 
i? diraX^ Z€<l>vpo^ Trvev/Marl <l>vWa Sovei, 

"Ei'^a fi€ ^CKivyopa^ kXvtov eXaaro 'iAaiaZo^ '^pfmv 
aypov KapTTOTOKov pvropa xal KredvtDV, 



VIII 

THE GARDEN OF PAN 
PLATO 

XcydTO) Xdaiov ApvdScop \e7ra9, ot r aTTo irirpa^ 
Kpovvolj Kol ^XvXV 'JTOvXvfiLyff^ roKoZtov, 

PiVTO^ iirel avpi/yyt fiekiaherai €VK€\dZ(p Wav 
vypov UX^ ^evKT&v j^etXo? virep KaXdfuov, 

At Se irepc^ 0a\€ polar l X^P^^ Trotrlv icrrrjaavTO 
"TBptdSe^ ^vfjjf>ai, Nu/i^at ^ AfjuaBpvdSe*:, 

IX 

THE FOUNTAIN OF LOVE 

MARIANUS 

TaS' VTTO Ta9 wXardvov^ airaX^ rerpvpAvo^ vTrvcp 
evBev "E/OG)?, Nu/^^at? \a/jL7rd8a irapOkfieifo^' 

Nv/L^at S' aK\rj\riai' ri fieXXofiev ; al0€ Be rovrtp 
a'l3i(raafi€v, elirov, ofjuov irvp KpaBir}^ p^poiraav, 

Aafiira^ S' cb? €<f>X€^€ Kal vBara, Oepfiov iK€i0€v 
Hvp^ai 'FiptoTLoBe^ Xovrpoxoeva-tv vBwp, 



7-12] NATURE 89 



ON THE LAWN 
COMETAS 



*Hj^a) yap Sijei*: rolai* ivl 0€i\o7ri8oi<;, 



XI 

THE SINGING STONE 
AUTHOR UNKNOWN 

T6v fie \L6ov /JL€/JLvrjao top rjyrievTa Trapip'rroDV 
^Kralrjv ore yetp rvpaiv ireiyphofiei, 

'A\/cd0oo<;, Tore 4>o 1/809 iirtofiahov ffpe Bofialov 
Xaa, AvKcopelrjv ivdep^vo^ KiOdprjv, 

*'Ev0€v iya> XvpdoiSo^* viroiepovaas oe fie XeTrrrj 
)(€pfidSt, Tov KOfiirov fiapTvpiqv KOfiiaai, 

XII 

THE WOODLAND WELL 
AUTHOR UNKNOWN 

'Aevaop KaOapijv lie irapepxofiivoiaiv oSirai^ 
Trrfyrjv afifiXv^ei, yeiroveovaa vdirrf, 

TldvTrf S* ei irXardvoiav Kal rffiepodaXXeo't id<j>vaL^ 
iarefifiaif a-Kiepffv '^xr)(pfievq KXtaLrfV 

TovveKa fitf fie depev^ irapafiel^eo* Siy^av dXaXtccov 
afiTTavtrov irap ifiol xal kottov 'qcv^irf. 



90 GREEK ANTHOLOGY [sect. 6 

XIII 

ASLEEP IN THE WOOD 
THEOCRITUS 

EuSet? (fyvWoarp&Tt ireB^, ^d<f>vi,, ar&fia K€KfiaKO^ 
afxirav(ov* (rrdXiKe^ S* apTiirafyet^ dv* opr)* 

*Ayp€V€C Se TV Tldv xal 6 tov xpoKoevra Tlpirjiro^ 
KKTtrov e^* Ifiepro) Kparl KaOairrofievo^ 

^Avrpov eaco a'rel')(pvT€^ ofioppoOor dWd tv <j>€vy€, 
<f>evy€, fiedeX^ virvov K&/jLa Karet^ofievov. 

XIV 

THE ORCHARD-CORNER 
ANYTE 

'E/o/Lta? TaB* earaica irap opyarov i^vefioevra 
iv Tpi6hoL(;y TToXia^ iyyvdev dlovo^, 

*AvSpd(Tc K€Kfir)&a'LV e')((dv dfiiravatv oiolo* 
yfrvxpov 8' dyf^pae^; xpdva vSayp irpo')(€6L. 

XV 

PASTORAL SOLITUDE 
SATYRUS 

Tloifieviav dyX(0(ra'o<; dv opydSa fieXireTai ^A^iu) 
dvridpovv irravol^ varepoffxovov oira, 

XVI 

TO A BLACKBIRD SINGING 
MARCUS ARGENTARIUS 

Mi/icert vifv fiivvpi^e irapd Spvt, /jbrj/ceTi, <f>a>v€i 

kXg}vo^ iir dKpordrov^ Koaavifie, KCKXifievo^' 



13-19] NATURE 91 

*^')(j9p6v cot ToBe BivSpov iirelyeo S' a/j/ireko^ evOa 
avreSXeL yXav/c&v avaicio^ ck ireToXcov 

TS^eivris rapaov ipeiaov iirl xXaSov afi^i t' ifceivrf 
fxiKire, \tyvv irpoyeoav ix (rrofidrayv KeXaBov 

A/oO? yap iir opviOea-ai (\>€p€t rov avapaiov l^ov, 
a Se fioTpw* arepyei o vfivoiroXov^ ^pofito^, 

XVII 

UNDER THE OAK 
ANTIPHILUS 

KX(Mi/69 airrjopLOL ravarjsi' Spv6<;, evaKiov u'^o? 

avhpdatv aKprjrov xavfia ^vXaaaofievot^y 
EvTreraXofc, Kepdficov aTeyavdyrepoc, oiKia (fyarr&v, 

olKia TerriTfODV^ ivSvot uKpifiove^, 
K^/Lte Tov u/ierepataiv VTroKXivdevra /cofiaKriv 

pvaaad' aKTivtov r}€Kiov <j>vydSa, 

XVIII 

THE RELEASE OF THE OX 
ADDAEUS 

AvKaKi Kol yqpa rerpvfiivov ipyarivrjv jSovv 
"AXKfov ov <l>ovlr)v ijyaye tt/oo? /coirlBa, 

AiBeaOel^ epyaov 6 Se irov ^aOirf ivl iroiri 
flVKTjdflol^ dpoTpov TepTTCT i\€V0€plr), 

XIX 

THE SWALLOW AND THE GRASSHOPPER 

EUENUS 

'At01 Kopa fieXlOpeirre, XoKo^; XdXov dpird^acra 
rerriy dirrrjatv BaiTa <f>ep€(,^ reiceaiv 



92 GREEK ANTHOLOGY [sect. 6 

Toi; XaXov a XaXoeaaay rov evirrepov a irrepoeaaa, 
Tov Pivov a ^elva, rov depivov depivd, 

Kou^t ra'^fp^ pi^ei^ ; ov yap difii^ ovSe SUaiov 
SWva0* vfivoTToKov^ vfivoiroXoi^ oTOfiaaiv, 

XX 

THE COMPLAINT OF THE CICALA 
AUTHOR UNKNOWN 

Tlwre fie rov (l>iXipr)/JLOv avaiSii iroipAve^ ^PV 

Terrvya Spoaep&v €Xk€t air aKpefiovcoVy 
Tr}V Nv/M^€(ov irapohiTiv arjSova K^fiarc fjLe(r<r<p 

ovpeo't KaX afctepal^ ^ovOa XaXevvra vdirai^ ; 
'HviSe Kol KL'xXrjv koX K6aavif)OVy rjvi^e roaaov^ 

yfrdpa^, dpovpalrf^ apiraya^ eviropirf^' 
KapwAv Srj\r)T7Jpa<; ekeiv difii^' oWvt ixeivow 

<f)vWci)v teal x^oeprj^ t/? ^06vo^ earl Spoaov ; 

XXI 

THE LAMENT OF THE SWALLOW 

PAMPHILUS 

TtTTTe iravTffiepio^, TIavSiovl tcdfifiope tcovpa, 
fivpofieva fC€\aSei<: rpavXd Bid arofidrcov ; 

*H TOL irapOevia^ irodo^ txero rdv toi, dirrjvpa 
QprjtKiOf; Trjpeu^ alvd fiinjo'd/Ji^evo^ ; 

XXII 

THE SHEPHERD OF THE NYMPHS 

MYRINUS 

Svpac^ 6 KtofjLTjrrj^, 6 rd vvfKf>tfed /irjXa vofievaop, 
Svpa-i^ 6 avpi^cop Hapo^ ttrov Sovaxi 



2025] NATURE 93 

<f)povp€l 8* avTOf; eXcbv woifivia fidxTpov "'Epco?. 



XXIII 

THE SHRINE BY THE SEA (l) 

MNASALCAS 

Xr&iiev aXippdvTOio iraph yjSafioKav 'xj^ova irovTov 
SepKOfievoi T6/L161/09 KvTrptSo? ElvaXia^ 

Kpdvav T alyeipoKri teardaKiov, 2? airo va/Mi 
^ovOal dif>vaaovrai ^^etXeo'ti; aXKvove^, 

XXIV 

THE SHRINE BY THE SEA (2) 

ANYTE 

Ku7rptSo9 o5to9 Ywpo9, iireX ihCkov eirXero rnva 
at€V air rjireipov Kap/rrpov optfv TreXcuyo^ 

^Oi^pa <^i\ov vavrffai reXy irXoov* dfufn Se irovro^ 
Secp^ivei,, Xftrapov Bep/cofievo^ ^oavov, 

XXV 

THE LIGHTHOUSE 
AUTHOR UNKNOWN 

MffKeri BetfialvovTC^ d<l>€yy€a vv/erb^ ofilxXrjv 
€49 ip^€ OapaaXew^ irKmere nrovroiropoi, 

Uaaiv dXayofiivoi,^ rrfXavyia BaXov dvdimo, 
T&v 'AaKXrfTTiaB&v fjunjfju)avvr}v xa/idrtov. 



94 GREEK ANTHOLOGY [sect. 6 

XXVI 

SPRING ON THE COAST (l) 

LEONIDAS OF TARENTUM 

'O 7r\6o9 a>pa609* koI yap XaXayevaa ^eXtSo)!/ 

rjSf) /jLefifi\a>K€v ')(& yapUi^ Z€<f>vpOf;, 
Keifi&ve^ S* dvOevai, a-eaiyrjfcev Se BaKao'aa 

KVfUKTL KoX rprjyei TTvev/JUiTt ^paaaofjuivrj, 
'AyKvpa^ dveXoLO Kac ixXva'aLo yvata, 

vavriKe, xal wXcool^; iraaav i<f>€l<; odovqv 
Tav0* 6 HpirjTTo^ iymv emreXkofiai 6 Xifievira^, 

&vdpa><\>\ 0)9 TrXcoot? iraaav iir ifjuTropirjv, 

XXVII 

SPRING ON THE COAST (2) 
ANTIPATER OF SIDON 

'AKfjualo^ po0irf vr)i 8p6/jL0^, ovSe daXaaaa 

Trop<f>vp€i Tpofiepy (ppLKL 'x^apaaaofievrj, 
"HSr) Se irXdaaei /m€v vir(iipoif>a yvpcL j^eXtSo)!/ 

ol/cia, XetfKoveov S* a$pd yeXa ireraXa' 
TovvcKa firfpv<raa0€ Scd^po)(^a Treia-fiara, pavTav, 

iXK€Te B' dyKvpa^ (fxoXdBa^ i/c Xi/jbivayVf 
Kaiif>ea S' €vv<f>€a irporovL^ere' ravO* 6 nplffiro^ 

vfi/Miv ivop/iira^ iral^ evenrto 3pofuov. 

XXVIII 

GREEN SUMMER 
NICAENETUS 

OifK iOiXo), ^LX60rjp€, Kard irroXtVy dXK* iir dpovprj^ 
Baivvaffai, Z€<f>vpov Trvevfjuari T€p7r6fi€Po^' 



26-29] NATURE 95 

'ApKct flOL KOITT) fl€V VTTO 7r\€Vp7J<TL yafjL€vva, 

ey7i;9 yap irpofioKov Bifiviov ivoairl/q^, 
Kal XV709 dp^alov ILap&v arecjyo^* aXKa <f>€p€a'0(ii) 

0I1/09 fcal Mouceo)!/ rj jf^apUarrra Xvprj, 
%vfiripe^ TrLvovre^ oirco^ A to? eixXea vvfi<j>r}v 

fiiXTrcofiev^ vrjO'ov heairoriv fffierepr}^, 

XXIX 

PALACE GARDENS 
ARABIUS 

'^TSaai Kol KrjiroLaL koL aXaeai Kal ^lovvatp 
Kal TTOVTOV irK/qOto yeirovo^ €v<f>poa'vvrfj 

Tepirva Si fioi yairjf; re Kal ef ako^ aWoOev aWo? 
Kal ypLirevs opeyei h&pa Kal aypovofw^y 

Tou9 S* ev ifiol /julfivovra^ fj opvLOcav Tt9 aeihfov 
fj yXvKv TTopd fxritov <f>d€yfMa Traprjyopiet, 



VII 
THE FAMILY 



THE HOUSE OF THE RIGHTEOUS 
MACEDONIUS 

Etvae^Lrj to fieXaOpov d'rro TrpcoTOto OefxeliXov 

dxpt' /cal vy^rjkoif^ i^yayev eh opo^ov^, 
Ov yap air oKKoTpmv KT€av<ov XTjicTOpt 'XoXk^ 

oKpov aoWtffl)!/ reOfe Ma/c7;S6i/«)9i 
Ovie Xiirepvi^Tr)^ KCveS xal a/cepBei fi6')(0^ 

tcKavae SiKaiordrov fiiadov dT€/M06fi€vo^* 
'il^ Be irovoDv ap/iravfia <f)vXda'a€Tat avSpl iiteaUpt 

&ie Kol evaefieiov epya pivot, p^poirtov, 

n 

THE girl's cup 

PAULUS SILENTIARIUS 

X€t\o9 'Avifc^qreia to 'xpvaeov ei^ ifie reyyer 
aWd TrapaajfplpfTjv xal tto/ui vvpj^iBiov. 

Ill 

THE FLOWER UNBLOWN 
PHILODEMUS 

Oinrfo (Toi KaXvKODv yvp/vov Oepo^^ ovSe p^Xaivei 
^orpv^ 6 irapdevLov^ irpwToPoX&v X'^'P^'^^^* 

90 



1-6] THE FAMILY 97 

'Aw' TjSi] 60a To^a vioL Orjfyovaiv "E/^wre?, 

AvatBcKT)^ Kol TTVp TV(f>€Tai iyKpv<f>Lov, 

^evyiOfiev Svaipfore^, Hm? ^i\o^ ovk iirl vevp^* 
fidvTi^ iyob /JueyoKi]^ avriKa TTvpKairj^. 

IV 

A ROSE IN WINTER 
CRINAGORAS 

Ei!apo9 7]v0€c pJev to irpXv poha^ vvv 8* ivl p,iaa(p 
')(€ljjLaTi Trop(\>vpea^ ia'x^da'afiev KoKvKa^ 

%fj iircfieLS'^a'avTa yeveffKij) a<r/jL€va rjjSe 
rjoi, vvfi<l>iBla)v aaaordrri XevecDV 

KaW/cTT^? arT€<l)0rjvac iirl Kpord^oio'c yvvaiKo^ 
\a>iov fj filfivetv fjpivov tiekiov, 

V 

GOODBYE TO CHILDHOOD 
AUTHOR UNKNOWN 

Tifxapera irpb yafwio ret rvfiirava rrjv r' ipareivr^v 
a'<f>alpav, rov re ko/jm^ pvropa K€/cpv<f>aXov, 

Ta9 re Kopa^, Aifivdrc, Kopa xopa, 0)9 iirieiKi^, 
av0€To, KoX rA Kopav ivBv/Mar* 'AprefiiSi. 

AaToia, TV Se iraiSb^ xnrep yepa Tifiaperela^: 
OrfKapAva fTtofyi^ rav oalav o<r/o>9. 

VI 

THE SCHOOLBOY 
EUPHORION 

Tlp(OTa^ oinroT eire^e xaXaf; Et;So^o9 iOelpa^ 
^ol^fp iraiSeirjv &iraa€v dyXatqv* 

G 



98 GREEK ANTHOLOGY [sect. 7 

'AvtI Se oi irXoKafuSof;, 'E^iy/SoXe, koXo^ iTrelrj 

VII 

THE WIFE'S PRAYER 
ANTIPATER OF THESSALONICA 

Bi0vvU KvOifyrf fi€ rerj^ dveOrfKaro^ TLvirpi, 
fiop(i>7J<; etSojXov XvyBcvov ev^afievq* 

'AKKcL <rv rfi fii/cK^ fieyaXrjv X^P^^ avTifiepi^ov, 
C&9 6^09' apKelrav S* dpBpo^ 6fio(f>poavva, 

VIII 

BRIDEGROOM AND BRIDE 

JOANNES BARBUCALLUS 

Il€i0ol Kal Ila<l>la iraKrav kclL Kffpla alfi^tov 
ra^ /ca\vKoaT€<f>dvov vvfJL<l>lo<: Kvpvvofia^ 

'Fip/jL0<l)L\a9 dviOrj/cev 6 jBcoKoXof;' aXXd he)(€a6e 
dvT* avTa<; TraKrdv, dvT^ ifiidev to fieXi, 

IX 

THE bride's vigil 
AGATHIAS 

M7]7roT€ Xv^ve fivKrjra (f>€poi^ firfS' ofi^pov iyelpoi^ 
fit) Tov ifiov iravaj)^ vvfi^iov ipyofievov 

Alel av <f>0ove€i^ rrj KvirpiSr Kal yap 50* 'H/>ft> 

Tjpfioae AecdvSptp — uvfii, to Xoiwov ea. 
H^aiarov t€X€0€i^, Kal 'rr€i0ofiai otti ^aXeTrrwi; 
KvirpiSa 0w7r€V€v^ SeairoTiKijv ohvvqv. 



7-I2J THE FAMILY 99 



HEAVEN ON EARTH 
THEOCRITUS 

'A K.inrpi^ ov 7rdvSafio<;* iXdcKeo rav ffeov, eliriav 
Ovpavlav, ayvd<: avdefia ^ipvaoyova^ 

Olkco iv 'AfKJyiKXeovf;, dS Kal rifcva Koi fiiov eaye 
JQVVOv* ael be aipiv Tixotov €49 ero^ "qv 

'E/c creOev apxofJiivoif;, & iroTvca' tcrjSofievoi yap 
adavdrtov avrol ttXcZoi/ C'x^ovai /SpoToL 

XI 

WEARY PARTING 
MELEAGER 

Ev<f>opTOi va€<: TreTuLyiriBef;, cu iropov ''EXXiy? 

irXelre /caXov fcoXirot^ he^dfievai ^opirfv, 
"Hv irov iir* tjIovodv Kwav Kara vaaov tBrjre 

^aviov €69 ;^apo7roi/ hepKOfiivav iriKayo^, 
TovT eiro^ dyyeiXaiTe, xaXal j/e€9, 0)9 fi€ KOfii^ei 

ifjL€po<; ov vainav iroaal Be ire^oiropov. 
Eii yap TOVT* eXiroiT evdyyeXoi, avTiKa Kal Z€U9 

ovpio<; vfieTcpa^ irvevaeTat €t9 oOova^. 

XII 

MOTHERHOOD 
CALLIMACHUS 

Kal irdXiv, Et\?;^i;ta, AvxaiviSo^ eXffe /cdkevo'rj^ 

ei;\o^09, iahivfov &he avv evTVXirf 
*H9 Tohe vvv fiev, dvaaaa^ Kopt)^ virep* uvtI Be 
iracBof; 

vaTepov evdSrff; aXXo tl ptjo^ e^^o*- 



lOO GREEK ANTHOLOGY [sect. 7 



XIII 

PAST PERIL 
CALLIMACHUS 



To 'X^peo^ ft)9 diri'xei^, 'Atr/cX^Trte, to irpo yvvaiKb(; 

ArjfioBiKr]^ ^AKeacDv &(f>€\€v €v^dfjb€vo<s, 
Tiyi/dxTKci^* fjv 8' dpa \d6rj xal fiiadov diraiTy<:, 

if>7)aX irape^eadai fiapTvpirjv 6 iriva^. 



XIV 

FATHER AND MOTHER 
PHAEDIMUS 

ApTCfic, col ra ireBiXa ^L')(ifjaiov eXaaro vlo^, 
Kol TreirXav oXlyov irrvyfia ^e^LaroZiKrj 

OvpCKa oi irprjeta Xejf^ol Bcaad^ virepeaye^ 
'XjEipa^;, arep ro^ov^ iroTvia, viaao/jLevi]' 
*'A/3T€/xt, VTjiria'x^ov Se xal elaen iralSa Aeovrc 
vevaov Ihelv Kovpov yvV iirae^ofiepop. 



XV 

HOUSEHOLD HAPPINESS 
AGATHIAS 

T^ Ua(f)L7) aT€(f>dvov<;t rfj IlaWdSt rrjp ifKoKafilha, 
'Apre/jLiSi ^(ovrjv dvdero KaWiporj* 

EivpCTO yap /jLmfarrjpa top r/OeXe, kol Xd')(€v rj/Sffv 
a(o^popa, Kol T€K€a>p dpaep €Tlkt€ 761/09. 



I3-I8] THE FAMILY loi 

XVI 

GRACIOUS CHILDREN 
THEAETETUS 

''OXfiia T€Kva yevocaffe' rivo^i y€Vo<; eare, rl S' vfilv 
wSe Ka\oL<; 'xjapiev Keifievov ear ovo/jui ; 

NtKcivayp iyco elfii, irarrfp B* €/jloI Khn6pr)To<iy 
firjTqp 8' ^HyrjacOy tcelfiX yevo<i MafceSwv, 

Kal fiev eyo) 4>t\a el/juiy Kai iari fwc ovto^ aBe\(f>6<;y 
eK S* €v)(rj^ TOKecov earafie^ afK^orepoi. 

XVII 

THE UNBROKEN HOME 
AUTHOR UNKNOWN 

AvtS Kal TeKeeaai yvvacKt re tv/jl^ov eheifxev 
'AvSporlayv ovirao S* ovSevo^ elfxi rdtpo^, 

Ot/TO) Koi fJLelvaLfiL irokifv %/36i/oi/' el 8* apa Kal Set, 
Se^aifirjv iv ifiol tov^ irporipov^ irporepov^, 

XVIII 

THE BROKEN HOME 
BIANOR 

06£oi/6i79 eKXaiov ifirj^ fiopov, aW' €7rt iracBb^ 
ikiriaL Kov<f>OT€pa^ ea-revov eh oBvva^* 

Nvi; Be fie Kal iraiBo^ (f>9ovepi] ti<; €v6<r(f>t<re Motpa* 
(fyev Ppe<f>o<i, iyfrevaOijv Kal ae to Xeiirofievov, 

n€p<Te<f)6v7ff ToBe irarpo^ eirl dprjvoKrtv aKOvaov, 
06^ Ppe^^ €9 KoKirov^ fir]Tp6<; airoi'xpfiivi]^. 



102 GREEK ANTHOLOGY [sect. 7 



XIX 

SUNDERING 
ANTIPATER OF SIDON 

*H irov ae ')(j9ovia^y 'ApeTrjfud^, ef aKaroio 

}S.a>KVTOv 0€fi€vav t'xyo^ iir alow 
Ol'xpfievov l3pi(l>o^ apTi vi^ Sopiovaav a/^oar^ 

^KT€ipav uaXepaX Aa)p^069 eiv 'AjfSa, 
Tlevdofievab reo /crjpa* av oe ^aivovaa irapeia^ 

BaKpvaiv ayy€t\a<; Kelv aviapov eiro^* 
AiirXoov wSivaxra, ^i\ai, T€K0^, aWo fiev avSpl 

^vtfypovt KaXKiTTOfJuav, aXXo 8* aya (l>6tfiepoi^. 



XX 

NUNC DIMITTIS 
JOANNES BARIJUCALLUS 

'E9 iroaiv aOprjaaa'a trap ecr^artiy? Xiva fMoipr)^ 
yveaa icaX 'x^oviov^, ^veaa koI ^vyiov^f 

Tov^ fiep, oTi fft)oi/ Xlttov avepa, tou9 B* oti toiov 
aXXct irarffp fiifivoL iraialv i<f>* fj/JLeripoi^. 

XXI 

LEFT ALONE 
AUTHOR UNKNOWN 

NiKOTToKiv M.apd0a}VL<; idriKaro ryB' ivl ireTptj 
dfi^pi]aa^ Ba/cpvoc<: XdpvaKa fiapfJbaperjVf 

'AW ovo€v irXeov €a")(^6* tl yap irXeov dvepi, KriBev^ 
fiovv^ virep yat^9, olxofiivr)^ aX6')(pv ; 



19-22] THE FAMILY 103 

XXII 

earth's felicity 

CARPHYLLIDES 

M^ fiefiyjrrj irapioDv rh fivijfiaTd fiov, TrapoBlra, 

ovBev ej^o) dpijpcov a^iov ovSk Oavdv' 
Te/cvtav rcKva XeKoiTra* ficrj^ aTrekava-a yvvaiKOf; 

(Tvyyijpov' rpiaaol^ Traialv ehaiaa ydfiov^, 
'£^ &v TToXKoLKt iratSa<: ifiotf; iveKolfiKra koKitol^ 

ovBevo^ ol/jb(i>^a<; ov v6<top, ov Odvarov 
OX fi€ fcaTcuTTreia-avTef: dirrifiovay top y\vfcvp vttpop 

KotfiaaOai x^PV^ 7r€/*ijfrai/ iir* evae^etop. 



VIII 
BEAUTY 



SUMMER NOON 
MELEAGER 

mvoSiov areixpVTa ^leaafi^pivov elhov ^AXe^tv 

apTi KOfiav icapir&v K€ipofievov depeo^, 
^i/ifKal S' cLKTivi^ fi€ KaT€<l>\€yov, ai fiev ''EpaoTo^ 

7ratSo9 air' 6^0a\fi&v, ai Be Trap' rjeXlov 
'AX\! a? fiev vif^ avOi^ ixoifiiaev, a? S' iv oveipot^ 

€tSa)\ov fJLop^rj<; fmWop dve(f>7i^yca€v' 
Avahrovo^ S* iripoi^; iir' ifiol irovov virvo^ erev^ev, 

efiTTvovv irvp '^vx5 xdWo^ direc/coviaa^;. 



II 

IN THE FIELD-PATH 
RHIANUS 

'H pd vv rot, KXeovcKC, S*' drpairtTolo /clovrc 
areivrj^ fivrrfaavd' ai \iirapa\ ^dptre^ 

Kai ae ttotI poSiyaiv €7riy%i;j'arT0 yepeaacv, 
Kovpe, TreTToirjaai S* rfklKo^ iaai %ap*9. 



t-S] BEAUTY los 

V 

TrfKoOi fiOL fJLoXa ')(aZpe* 7rvpb<; 8* ovk aa'<f>a\€^ 
aaaov 
epireiv avrjprjv, a (fylXo^, avOipixa. 



Ill 

THE NEW LOVE 
MELEAGER 



^ApvecTat Tov ^'Ftpeora reKeiv 97 K.v7rpL<; IBovaa 
aXXov iv rjldeoi^; '^I/juepov * AvtIoxov 

*AXKd, V€OC, <TT€pyOLT€ V€OV UoOoP' Yj ryctp 6 KOVpO<; 

evpfjrac Kpelaatav ovro^ ''E/3ft)T09 ''E/3ft)9. 



IV 

CONTRA MUNDUM 
CALLIMACHUS 



Keivov T&v Up&v aiaOdveraL Kvdffeov 
KaXo9 6 iral^, 'Aj^eXcSe, Xirjv /ca\o9' €t Se Tt9 ov-xji, 
(fyrjauv, iTrca-TaCfirjv fwvvo'; iyo) ra KoXd. 



THE KISS 

PLATO 



rjXde yap rj rXrifKov c!>9 Sta^rjaofiepi], 



io6 GREEK ANTHOLOGY [sect. 8 

VI 

THE FLOWER OF COS 
MELEAGER 

^LKOva fjL€v Ilaplrjv ^oooykv(f>o^ avva ''Epwro^ 

TJ pa^tT€Kr)<;, KuTrptSo? irdlSa rvTrtoadfjievo^, 
Nvi/ B* 6 Be&v KaXKLCTO^ ''E/oo)? cfiyfrv^ov SrfdKfia 

avTov aireLKOvia-a^ errkaae tlpa^criKrjv, 
*'0<^/5* fiev iv ffparoh, 6 S' iv aWepc ^tXrpa /Spa^evrj^ 

yrjf; 6' afia xal fiaKapcov (rKrjirrpo^op&ai HoOoc. 
'OX^Larrj Mepoirayp iepa iroki^, h ffeoiracBa 

Katvov ^^ptora viaov dpey^ev v<l>ay€fi6va, 

VII 

THE STAR-GAZER 
PLATO 

"^Aa-Tcpa^ eiaaOpel^ 'Aarffp ifio^* eWe yevoifirjv 

VIII 

THE SUN OF TYRE 
MELEAGER 

'Afipov^, pal Tov "EpioTa, Tpe(f)€i Tvpo^' aX\A 
Mi;i<r/co9 
€<rfi€a€V ixKcifiy^a^ darepa^ ^6\t09. 

IX 

THE LODESTAR 
MELEAGER 

*Ei/ (Tol rdfid, M.vt(rK€f ^Lov irpyfivqaC dvijirrar 
iv aol Kal yjrv^r]^ irvevfia to \€i(f>0€v err 



6-12] BEAUTY 107 

Nat 7a/o Brj ra ad, Kovpe, ra kov K(0(f>oiai XdKevvra 
Ofifiara, vol fih to aov ^aiZpov eTria/cvvLov, 

"Hi; fioc a'vvv€(f>€^ ofi/jLa ^aXrj^i irori^ %€^M^ SiSopxa, 
ffv 8' tkapov /8\ei^279, fjov reOrfKev cap, 

X 

LAUREL AND HYACINTH 
MELEAGER 

AliroXiKal avpiyye^ iv ovpeai p/qKen Adtfyviv 
(jxoveiT, alyt^dTT) Tlavl 'xapL^ofievai, 

M^ySe (TV TOP aT€(f>6evTay Xvprj ^ol/Soto 7rpo<f)r]Tt, 
8d<l>V7) irapOeviri pAX^* 'Tdfctvdov err 

*Hi/ yap OT fjv Ad(f>vi,<; p^v *Op€td(riy aol S' 'TdKtvOof; 
repirvov vvv Se iroffeov a-KrJTTTpa Ala)v €%€Tft). 

XI 

THE QUEST OF PAN 
GLAUCUS 

^vp»<^aiy 7r€v0op€V<p <f>pdaaT drpeKe^, el irapoBevtov 
Aa<^i/(9 ra? Xevfca<; wS' dveirava* ipl<f)ov^, 

Nat i/at, Tlav avpucrd, KaX eh aiyeipov eKeivav 
aoi TL KarcL <f>Xoiov ypdp,p! eKoXa'^e Xeyeiv 

Udv, Hdv, 7rpo9 MaXeav, irpo^ 6po<; "^a^iBiov epx^v* 
i^ovp^ac. ^vp,<f>at, j^at/oer', eyia 8* vtrdyo), 

XII 

THE AUTUMN BOWER 

MNASALCAS 

"KpLireXe, p^rjirore (f}vXXa ')(ap,aX airevhovaa ^aXeadac 
BeiBca^; eairepvov HXeidBa Bvop^evav ; 



io8 GREEK ANTHOLOGY [sect. 8 

Meli'oi' eTr' 'AvriKeovri ireaelv vtro t\v yXvKvv virvov, 
€9 t6t€ Tot9 tcaXoh irdvra X'^tpt^ofiiva, 

XIII 

AN ASH IN THE FIRE 
MELEAGER 

"HSfj fiev yXvKv^ opdpo^* 6 B* iv irpoOvpoiaLv avirvo^ 
Adfic^ airoy^v^ei irvevfia to X€i<f)0€V en 

X'XerXio^ 'UpaKXecTov lS<ov' earrj yap vir air/a^ 
6<f>0aK/jLa)v ^XrjOel^ Krjpb<; e? avOpaKhjv, 

'AWa fMOL eypeo Aufic, Svadfifiope* KavTo<; *'E/5a)T09 
eX/co9 €')(a)v iirl aoi<; idKpvai haKpvxem, 

XIV 

FAREWELL 
MELEAGER 

OvKeO* ofiov 'X^Lfidpoiaiv eyecv ffiov, ovkctc vaUip 
6 rpar/oTTOv^ opecov Uav ideko) Kopvff>d<;. 

Tt yXvKv fiot, ri iroOeivov iv ovpeatv ; &\eTo Aa<^i/i9, 
Ad<f)VL<; 09 rjfieTepri irvp erexe /cpaSirj, 

"AcTTu ToB^ dlfci]<TO}' urjp&v Be Tt9 aXXo9 eV ayprjv 
areWeaOa)' ra TrdpoiO* ovKirc Havl ^l\a. 



IX 
FATE AND CHANGE ' 

I 

THE FLOWER OF YOUTH 
MARCUS ARGENTARIUS 

'laia^ fjhvirvevo'Te, koX el BeKaxt^ fivpov evSei^, 
eypeo xal Bi^ai x^P^^^ <j>iXac^ are^avoy 

^""Ov vvv fi€P OdXKovTa, fiapaivofievov Se irpo^ rj& 
oyfteat, vfiereprf^ avjJL^oXov rfKiKii)^. 

II 

THE MAIDEN'S POSY 
RUFINUS 

Ile/i-Tra) aoi, ^VohoKXeia, roSe are^o^, avdeai KaXoi<; 

auT09 v(f> 'qfierepai^ 7rX€^dfievo<i TraXdfiaif;' 
"Ftart KpLvov poBerj re koXv^ voreprj r apefi(ovrf 

Kol vapKiaao^i vypo^ xal Kvavavy€<; lov 
Tavra aTeyjrafievi] Xrj^ov fieydXavxp^ iovaa' 

dvOel^ KoX Xrfr^ei,^ Koi av KaX 6 aTe<\>avo^, 

III 

WITHERED BLOSSOMS 
STRATO 

Et KdXXei icav')(0'i ^iyvfoo")^ ore kol poSov dvdel, 
dXXa fiapavOev d^vo) crvv fcoirpioi^ ipi^T)* 

109 



no GREEK ANTHOLOGY [sect. 9 

"Avffo^ yap kol koXKo^; Xaov 'xpovov ia-rl ^ayovra^ 
ravra 8* ofirj <^0ov€(ov i^efidpave 'xpovo'i. 



IV 
« 

ROSE AND THORN 

AUTHOR UNKNOWN 

To poSov cLKfid^ei ^aiop ypovov fjv Se irapiXOr) 
^TfT&v evpi^aei^ ov poBov aWa ^drov. 



THE BIRD OF TIME 
THYMOCLES 



M.ifivrj TTOV, fii/jLvj) ore tol eiro*; lepov elirov* 
aypr) KaWiarov, X^PV €\a(f)p6TaT0V' 

''Slpr^v oifh' 6 Td')(to'TO<; iv aWepi 'jrap<f>0da€L opvi^, 
vvv the irdvT iirl yrj<; dvOea aev Ke^yraL 



VI 

THE END OF DESIRE 
SECUNDUS 



'H TO irdXat, A.at^ irdvTcov ^eXo?, ov/ciri AaU 
a\V ireayv ^avepi) iraaiv iyo) Ne/iecr/?. 

Ov fid Kvirpiv (ri Se Kv7rpi<: ifiol irXeov rj oaov 
opKO^;) 
yva>pifiov ovB* avrf) AatSi Aai'9 en. 



4-IO] FATE AND CHANGE in 

VII 

HOARDED BEAUTY 

STRATO 

El fjukv yrjpda/cei. to kclKqv^ fieraZo^ irplv aireKdri' 
el Se fiivei, ri <l>o/3^ tov6* o fievei BiSovai ; 

VIII 

DUST AND A3HES 
ASCLEPIADES 

^elBj) Trap6eviq<;, kol tL ttKAov ; ov yap €9 '^AiBrjv 
ikffova evprjirei^ tov <\>i\eovTa, Koprj* 

'Ej/ ^(oolo'c ra TepirvcL ra K.v7rpiBo^' iv 8' 'A'^epovri 
oaria fcal <nroSii], irapOive, Keiaofieda, 

IX 

TO-MORROW 
MACEDONIUS 

Avpiov aOprjCfo ae* to B* oii ttotc yivcTai fjfilv 

flOdBo^ afi^oXlrj<; alev de^ofiivff^' 
TavTa fioi IfieipopTL 'xcupl^eai,, aXKa B* 69 aXKov^ 

Batpa <\>epeL^, ifieuev ttiotlv aireiirafievrj. 
^OyjtofiaL kairepirj <re. rt S' eairepo^ iaTi yvpaiK&v ; 

yrjpa^ dfieTprjT^p ir\,7}06fi€vov pVTiBi, 

X 

THE CASKET OF PANDORA 
MACEDONIUS 

TLavBcoprjf; opocov yeXoo) irldov, ovBe yvvaiKa 

fie fjL^o flat, akX* avT&v Tct iTTepa t&v ^Ayad&v 



112 GREEK ANTHOLOGY [sect. 9 

fl9 7^/0 iir* OvKv/Miroco fiera ')(j9ovo^ fjOea Trda-rj^ 
ircoT&vraL, iriirreLV KaX Karh yrjv 6<l>e'\jov. 

H he yvvi) fiera ir&fia Karto'x^pria'aaa 7rap€La<i 
(aXeaev a/yXatr^v &v e^epev yaplrwv, 

' Afi(l>oTepci)v S' rjfiaprev 6 vvv /8t09, ottl KaX avrrjv 
yrjpdaKova-av €)^€i, KaX iriOo^ oviev €')(€!>, 



XI 

COMING WINTER 
ANTIPATER OF SIDON 



*'HS^ TOL ^Bcvoiraypov, 'ETrtVXee?, ck Se Bowtou 
^d>v7j<; 'ApKTOvpov Xa/iTrpov opcope creXa?, 

^'HSt) KaX (TTa^uXat Speiravr)^ iTTLfiifjivrjaKOVTai 
Kai T49 xeLiJL€pLvr)v afi<^epe<^eL KaXv^rfv' 

Soi 8' ovre 'x\aiv7]<; OeppJq KpoKv<; ovre yiT&vo^ 
evBov diroaKXrjari 8' darepa fiefi^o/xevo^. 



XII 

NEMESIS 
MELEAGER 

*E(f>0€y^a), vaX J^virptv, a firj ^609, & fieya roXfiav 
0vfi€ fiaOoav %rip(ov aoX KaXo^ ovk i(^dv7)* 

Sol KaXo^ OVK i^dvf) &i]pa)v* dXX* avTo^ virea-Ti]^;' 
ovBe A 409 irrrj^ei^ irvp to KepavpojSoXov, 

Toiyap ISov, TOP irpoade XdXov 7rpov0r)K€v iieaOai 
Sely/ia OpaavaTOfiirj^i rj ^apv<f>p(ov ^efieai^. 



II-I5] FATE AND CHANGE 113 

XIII 

THE BLOODY WELL 
APOLLONIDES 

'H KaOapi) (Svfi^ac yap iirtovvfjiov €^oj(^ov oXKodv 
/cpi]V7) iraadav B&Kav ifiol Xi^dBoov) 

ArjurTr)^ ot€ fioc irapaKkivropa^ efcravev avSpa^ 
Koi <f>oviriv iepol^ vSaat Xovae X^P^> 

Keii/oj/ dvaaTpiyjraaa yXvKvv poov ovKeO* oBlrai^ 
jSXufltt)* Tt9 yap ipel ttjv J^a^apr^v en fie ; 

XIV 

A STORY OF THE SEA 
ANTIPATER OF THESSALONICA 

KXa^ffeiat}^ irore 1/9709 iv vBarc, Srjpiv eOevro 
Biaaol vTrep fiovvrj^ fiapvdfievoL aaviSo^, 

Tu-^e fiev 'Avra/yoprj^ Heiaiarparov ov vcfieaijTov, 
ffv yhp virep ijfri/^^?' dW* ifieKr^ae Ai/cij, 

^VX^^* fiev, TOP S' eJXe kvwv aXo9* ff iravdkdartop 
/cr)p&v ovS' vyptp iraveraf, iv TreXdryei, 

XV 

EMPTY HANDS 
CALLIMACHUS 

OlS* OTL fJLOL irXovTov Kcvcoi x^P^^* dWd^ MeviTTire, 
fir) Xeye, 7r/)o9 l^apirtov, Tovfiov oveipov ifioi* 

*AXyi(o fjv Ztk 7rai/T09 €7ro9 ToZe iriKpov aKovm* 

vai, ^Cke, T&v irapct aov tovt dvepa^roraTov. 

H 



114 GREEK ANTHOLOGY [sect. 9 

XVI 

LIGHT LOVE 
MARCUS ARGENTARIUS 

'Hpda-Orj^ ttKovt&v, XtoaLKpare^* aXXA irevq^ &v 
ovK€T ipa* \ifio<i <l>dpfia/cov olov €%€f 

'H Se irdpo^ ae KoXevaa fivpov Kot repTrvov^AheovLv 
M.rjvo(f>i\a, vvv aov rovvofia Trvvddverai. 

Tt9 iroOev eZ? dvSp&p ; ttoOl tol iroKi,^ ; ^ fioXt^ 
eyj/G)9 
TOUT eiro^, o)9 oiSel? ovSev eypvTi ^1X09. 

XVII 

fortune's plaything 

AUTHOR UNKNOWN 

OvK iOiXovaa Tuj^t; ere '7rpoi]yay€v, dW' Xva Setfi; 
0)9 OTL fi^'xpu^ aov irdvTa iroLclv Bvvarai, 

XVIII 

TIME THE CONQUEROR 
PLATO 

Ala}V irdvra <f)€p€r iSo\6j^o9 x/36i'09 olSev dfiei^eiv 
ovpofia Kal /Mop<f>7jv KaX ^vaiv TJSk Tvyrjv. 

XIX 

MEMNON AND ACHILLES 
ASCLEPIODOTUS 

Z<o€LV, eivaXi'q ^iri, Mifivova KaX fieya (fxovelv 

* fidv6av€, /iV'^ptjOTf Xafxirdhi daXirofiepov, 
AiyvTTTOv AtfivK^acv vir 6<l>pvacv, evB* dirordfivei 
KoKKiirvKov ^ij/Srfv N€tX.09 iXavvofievo^, 



16-22] FATE AND CHANGE 115 

Top Se fidxv^ atcoprfrov 'A^tWea ^rfr ivl TpdoDv 

XX 

CORINTH 
ANTIPATER OF SIDON 

Ilov TO TrepifiXeirrov koXXo^ aio, Aaypl T^opivOe ; 

TTov aret^dvaL irvpycov, irov ra iraXai KTeava 
Hod prjol fia/cdpcov, irov Bcofiaray irov Be BdfiapTe^ 

XL<Tv<f)iaL Xa&v 6* al irore fivpidSe^ ; 
OvSk yap ovB* X')(yo*;, iroXvKdfifiope, aelo XeXeLirrabi 

irdvTa he avpLfidp^a^ €^€<f)ayev iroXefio^. 
MovvaL d*rr6p0i]TOL ^rjpTfiSe^ 'ilKeavolo 

Kovpat a&v dj(€0)v fiifivofiev aXxvove^, 

XXI 
DELOS 

ANTIPATER OF THESSALONICA 

FiWe /jb€ iravToLoiaLV Src irXd^eaOai drfraif; 

fj AffTol arrival fiaiav dXonopAvri* 
OvK &v j(riToavv'qv roaov earevov, ot ifie BetX'qv, 

oaaai^i 'EW?;z/g)Z' vrjval irapaTrXeofiai 
A^\o9 epijfiaiij, to irdXai aelSa^' oyfre fioi '^Hprj 

ArjT0V9> dXX* oiKTpijv rrjvh* iireOfj/ce hLicqv, 

XXII 
TROY 

AGATHIAS 

Et piv diro XirdpTTj^i rc^ e<^V9, ^eve, p,ri p,e yeXdaa-rff;, 
ov yap ifiol p^ovvrj ravra reXeaae Tv^V' 



Ii6 GREEK ANTHOLOGY [sect. 9 

Et Se Tt9 ef 'Aa-irj^, fiij irevdee, ^apSaviKoh ycbp 

afCTjirrpoL*; Alveah&v iraaa vipevKe ttoX*?' 
Et Se ^€011/ T€fi€vi] Kol reiyea xal vaerfjpa^ 

YilpX ttoXlv fiaalXeta' av 8' & tsko^, arpofie ^Va>fi7j, 



XXIII 

MYCENAE (l) 
ALPHEUS 

'Hpaxov oXiyat /Jb€P iv ofifiaaiv, ai B' eTi XolttoX 
TrarplSe^ ov ttoWm y alirvrepai ireSicov 

OiTjv Kal ai, raXaiva, irapepxofievo^ ye Mir/ciyi/iyi/ 
€ypa)Vy aiiroXlov 'jrapro^; iprjfjboTeprjp, 

AliroXcKOp fiijpvfia' yeptop he rt?, 17 TroXirxpvao^, 
elirep, K-VKXcoirfop rfjB* eTreKecro iroXi^, 



XXIV 

MYCENAE (2) 
POMPEIUS 



Et Kal eprjfiaiT) xexvp^i' kopc^ ep0a Mvki]P7i, 
el KOI afiavporeprf iraPTO^ IBeip aKoireXov, 

"iXov Tt9 KadopStP KXeLptjp ttoXip t}? eTrdTrja-a 
rei'xea, kclI Uptdfiov irdpr* eKepcoaa Bop^p, 

rpcoaerac epOep oaop 7rdpo<: eaOepop* el Be pe yrjpa^ 
vfipva-ep, dpKovp^ai, pAprvpi MatopiBjf. 



23-28] FATE AND CHANGE 117 

XXV 

AMPHIPOLIS 
ANTIPATER OF THESSALONICA 

XTpvfiovi Koi fi€yd\<p ireiroXiafievov 'EtWrjairovTO) 
TjOLov 'HSo)!'^? 4>vWtSo9, * Afi(f>i7ro\i, 

Aoiira TOL AlOoirirjf; ^pavptoplBo^ Lj(via vrjov 
filfipei fcal TTorafiov Tafi^LfidyTjrov vhtop, 

T^j/ he iroT AlyeiSai^ fieyaXriv epiv w? dXi,av0€<i 
Tp0^o9 iir* dfi<l)OT€paL^ BepKOfieO* fjioaiv, 

XXVI 

SPARTA 
AUTHOR UNKNOWN 

'A irdpo<; ciBfiTfTO^ /cat dv€fi/3aT0^, & Aa/ceSaifiop, 
Kairvov iir^ ^vpcora BepKcai 'O^Xiviop 

"AaKvo^* ompol Be Kara ')(0opo<; olxla 0€pt€^ 
fivpoprat, fii]\(op S* ovK dtovai \vkoi, 

XXVII 
BERYTUS 

AUTHOR UNKNOWN 

Tijp ttoXlp ol pcKve^ irporepop ^Sxrap KareXeiylrap, 
7)11^1^ he ^&PT€<; Trjp iroKiv eKf\>epo[iep, 

XXVIII 

SED TERRAE GRAVIORA 
LEONIDAS OF TARENTUM 

'OXicdha TTvp p! €<l>Xe^€ ToatfP aXa p^erp'^aaaap 
ip j^Oopl rff irevKa^ eh ep^ KeipapApji^ 



ii8 GREEK ANTHOLOGY [sect. 9 

* Hi/ ireKa^o^ hteatoaev eir rjova* aXKa 0a\daa7j^ 
rffv ifie ycLvafievrfv evpov airiaroTep'qv. 

XXIX 

YOUTH AND RICHES 
AUTHOR UNKNOWN 

Hv veo^ aWa irevr}^, vvv yr)p&v ir\ovac6<; elfit, 
w fi6vo<i eK TrdvTfov olKTpo<; iv afi<f>orepoL^y 
'^O? T0T6 fiev 'X^pYJaOat Bvpdfj/rjv oiror ovBe ev el'xpv, 
vvv B* OTTore 'x^prjaOac fifj Svvafiai tot €')((o, 

XXX 

THE vine's revenge 
EUENUS 

TSJrjv fie (pd'yri^ iirl pi^av o/x©? €ti Kap'iro<f>oprj(TCo 
oaaov iTnaireiaai aoi, Tpdye, dvofiev(p, 

XXXI 

reversal 

to 

PLATO 

l^pvaov dvrjp evpoov eKiirev ^poyov avTcup o "X^pvabv 
ov Xiirev oi^ evpoDv fjyirev ov evpe ^poy^ov. 

XXXII 

TENANTS AT WILL 
AUTHOR UNKNOWN 

'Ayp6(; ^ K.')(aLfievihov yevofirjv ttotc, vvv Se Meviirirov, 
Kol irdXiv i^ €T€pov ^ijaofiat el^ cTcpov 

Kal yap iKelvo<; €')(eLv fie ttot wcto, koI irdXiv ovto^ 
oieTur el/il S* o\a)9 ovSevo^, aXKct Tu^iy?. 



29-35] FATE AND CHANGE 119 



XXXIII 

PARTING COMPANY 
AUTHOR UNKNOWN 



'E\7ri9 Kal cif Tvyv f^yct vatpeTe' top \ifiev' evpov* 
ovoev €fiOL X vf^^v* Tratfiere rov^ fier e/Lte. 

XXXIV 

fortune's master 

PALLADAS 

'E\7rtSo9 oifSe TLtf^rj^: eri fioi fiiXei, ovB* pXeyi^o) 
XoLirov T^9 aTTOTT;?' rfKvOov eU Xifieva. 

Eiifu irevrjf; avOpayiro^, iXevOepirj Se avvoiK&v 
v^pLarrjp Trevir}<; ttXovtov aTroaTpe<f>0[iau 

XXXV 

BREAK OF DAY 
JULIUS POLYAENUS 

'EXttI? ae\ PioTOv KXeiTTet 'xpovov 17 TrvfiaTr) Be 
^0)9 Ta9 7roW^9 €<f)0a<r€v da')(p\la^. 



X 

THE HUMAN COMEDY 

I 

PROLOGUE 
STRATO 

M^ ^i]Tec BeXroca-LV i/ial<; Hpia/Jbov irapa fiaofioX^ 
fir}B€ Ta M.rj8eirj<; irevdea koI N^o^S^?, 

M778' "Itvv iv 6aXdfioL<; KaX arjBova^ iv ireToKoLa-tv 
ravra yap oi irporepoL irdvra %iJS^i/ eypa<f>ov* 

*AW IXapal^ ^aplreaai fiefiiyfiivov 'qSvv ^Etporra 

Kol ^pOflLOV T0UT0t9 S' 6<l>pV€^ OVtC eTTpeiTOV. 

II 

FLOWER O' THE ROSE 
DIONYSIUS 

'H ra poBa, poSoeaaav e)(€i^ X^P*'^' ^^^ rt 7rfi>X€t9j 
aavTfjv, fj rh poBa, rje avvafi^orepa ; 

III 

LOST DRINK 
NICARCHUS 

'Epfialoi,<; rjpXv 'A(f)poSlaiof: ef X^^^ oXvov 

alpcov, TTpoa-Koyjra^; irevdo^; €0rfK€ fiiya, 
OZi/09 /cat KivTavpov airtoKeaev 0)9 o^eXev Be 

XVH^^' ^^^ B* rffi€l<s TOVTOP airtokea'aixev. 

120 



1-6] THE HUMAN COMEDY 121 

IV 

THE VINTAGE-REVEL 
LEONIDAS OF TARENTUM 

TkevKoiroTai^ XarvpoLtn koX dfji,7r€\o(f)VTOpi Ba/^^o) 
'Hpdva^ Trp&ra Spar/fiaTa (f>VTa\i,rj^ 

Tpiaa&v oivoirehcov Tpicaov^ Upaxraro rovo'Se 
ifiir\'^<Ta^ otvov Trptoroyvroio koSov^, 

*£lv rifiel^ aireiaavTe^ oaov uifit,^ olvotti Ba/c^o) 
Koi XaTVpot<i, Xarvpcov ifKeiova iriofieOa, 

V 

SNOW IN SUMMER 
SIMONIDES 

T^ pd TTOT OvKvp/iroio irepl ir\€vpd(; iKaXvyfrev 
of U9 diro %pTJKri^ opvvfievo^ Bo/oea? 

*AvhpS)v 8' d'xXaipoDP eSaxe (fypeva^' airap iKpv<f)07) 
^torj, Hieplav yrjv iinearaafiivrf* 

"El/ TA9 efioiy* avrrj^ ;^6€t<» fiipo^' ov yap eoixe 
0€p/jLfjv ^aard^eiv dvSpl (f>tk<p irpoiroaiv, 

VI 
A JUG OF WINE 

AUTHOR UNKNOWN 

^TpoyyvXff, evTopvevre, /Movovare, fJbaKporpdj(rfK€, 
injtavyrfVf areivm SOeyyofiivrj a-ro/jbari, 

iRd/exov /cai Movaifov iKaprj Xdrpt koX Kvdepelr}^, 
rfBvyeXo)^, T€p7rvtj crvfi/SoXitc&v rafiirf, 

Tl<f>ff* oirorav vrj^to fi€0V€i<; av fioi, fjv he p^0v<r0& 
i/cvi](f>€i^ ; dSiKCi^ avfiiroTiKf)!/ if)i\irjv. 



122 GREEK ANTHOLOGY [SECT. lo 



VII 

THE EMPTY JAR 
ERATOSTHENES 



OlvoTTora^: '8i€vo<l>&v xeveov irlOov avOero, Ba^^^c 
h€')(yvao 8* €vfievea>v aXko yap ovBev €)(€t. 



VIII 

ANGELORUM CHORI 
MARCUS ARGENTARIUS 



Kco/id^a), 'XpvacLov e? eaireprnv xopoj/ aarprnv 
\evaa(ov, ovS* aWayv Xa^ i^dpuva %o/3ov9, 

XT€^fra^ B* dvOo^oXov Kparb^ rpi'^^a, rrjv KeKaBeivrjv 
irrjKTcSa fiovaoTrokoL^ ')(epa\v iTnjpiOia-a'^ 

Kat rdSe Bpeov evKocrfiov eyco ^lov ovhe yap auT09 
KoafjLo^ avevOe \vprf^ eirXero Kal are^dvov. 



IX 

SUMMER SAILING 
ANTIPHILUS 

K^i/ Trpvfivj) Xayirci) fii irore ari^dyi, aX 6* inrep 

aVTTJ^ 

^^eOo-at yjraKdBcov rvfifiarc BL<f>0€piS€^, 
Kal irvp ifc fivKdictav ^€^ir)fi€vov, fj r cttI tovtodv 

X^'^PVf f^oX K€V€o^ 7rofiif>o\vy(ov Oopv^o^, 
Kal Koe eirovT iaiSoLfii htrjicovov^ rjhe Tpdire^a 

ecTTft) fjLOL arpeoTr) vrjo^ virepOe aavis' 



7-12] THE HUMAN COMEDY 123 

A09 Xdfie, Kol y^LOvpiafia to vavriKov el'^e rv^V 

T49 

TTpayqv Toiavrrj tov <I)i\6koivov ifie. 



X 

l'allegro 

JULIANUS AEGYPTIUS 

'HBea iravra KekevOa Xdyev ^iov aarel fjL€<Taa) 

€i5j^09 eraipelaL, Kpvirra Sofioia-iv ayrf 
*Aypb^ ripyfnv ayei, xipSo^ ttXoo?, dWooairtf j(0a)v 

yvcoaiaf:* ix Sk ydficov 0Z/C09 6fio<l>pov€€i, 
Tol^; S' dydfjLOL^ a<f>povTC<; del ^io^' epKO^ erv'xjdr} 

irarpl T6ko^' <l>povBo<; toI<; dyovoiai ^ojSo^' 
'*livopir)v veorrf^, TroXifj (f>p€va<; olSev oTrdaaai, 

evdev 0dpao<; eyjoDv fSe, <f)VT€V6 y€vo<;» 

XI 

DUM VIVIMUS VIVAMUS 
AUTHOR UNKNOWN 

'^Ef &pai p,6')(j9oLfi iKavoararar ai he fier* avrd^ 
ypdfifia(TL 8ei/cvvfi€vac ^rjOi Xiyovai fiporol^, 

XII 

HOPE AND EXPERIENCE 
AUTHOR UNKNOWN 

Et TA9 aira^ yrjfia^ irdXi Sevrepa XeKrpa 8id}K€t 
vav7]y6<; TrXcoet 8I9 ^vdov dpyaXiov, 



124 GREEK ANTHOLOGY [sect, io 

XIII 

AN UNGROUNDED SCANDAL 

LUCILIUS 

Ta? rpixjoi^j & HUvWd, rive^ ^dirretv ae Xeyova-iv, 
a? av fieXaiPordra^ ef ayopa^ iirpico. 

XIV 

THE POPULAR SINGER 
NICARCHUS 

^VKTLKopa^ aSec Oavarrj^opov aXX' orav aarj 
Ar]fi6(f>iXo^, Ovrjo-KeL kuvtcx; 6 vvKTiKopa^. 



XV 

THE FAULTLESS DANCER 
PALI.ADAS 

<»9 ^vXtvo^ Ad<f>V7]v, CO? \l0ipo<: Niofirjp, 



XVI 

THE FORTUNATE PAINTER 
LUCILIUS 



oifh* diro T€JV reKPCDV oifSep op,OLOP e)(€i. 



13-19] THE HUMAN COMEDY 125 



XVII 

SLOW AND SURE 
NICARCHUS 

UevTc fjL€T^ aWeov ^dpfio^ iv 'Ap/caSia ho\i')(ev(ov^ 
Oavfia fiev, aXX ovto)^ e/SBofio^ i^cTreaev. 

*^E^ ovreav, rd')^ ipel^;, ttS? €0Bofio^ ; elv f^L\o<; 
avTov, 
Odpaei, ^dpfJLCf Xer^wv, ffXBev iv ifiarm' 

'^Fi^Sofio^ ovv ovTco iraparflveTat' el S' ctl irevre 
el')(€ (f)i\ov^j ffKO* ap, Zoitke, BtoBeKaro^;. 

XVIII 

MARCUS THE RUNNER 
LUCILIUS 

Nu/cra fiearjv iirolrjcre Tp€j(^cav irork Mdp/co(; ottKItt)^ 
&aT diroKXeiaOijvai irdvroOe to aTaSiov, 

Oi yap Srjfioaiot KelaOai riva irdvre^ eSo^av 
OTrXLTTjv TVfiYj^ eXvcKa T&v XL0iva)v 

Kal TL yap ; el^ &pa<: ^voiyero, Kal Tore MapKo^; 
ffKOe, irpoaeXKeLTTODv tc3 araSiq) orrdBiov. 



XIX 

HERMOGENES 
LUCILIUS 

' O ^paxv^ *Epfwyivrj^, orav iK^dXjf et? to x^H-^^ '''* 
ekKei irpos ra Kdrto tovto SopvSpeirdpo), 



126 GREEK ANTHOLOGY [sect, lo 

XX 

PHANTASMS OF THE LIVING 
LUCILIUS 

Tdio^ eKirvevaa^ to iravvararov e^^^e? o Xeirro^ 
6(9 rrjv ixKOfitSffv ovSev a<l)7JK€v o\a)9 

Kai irepa^; eh *Al&7fv Kara^a^ 0X09 0Z09 or' efi; 
T&v viro yrju axeXeTcov XeirTOTaro^ iriTarai* 

Trjv Se Kcvfjv kKlvtjv oi (f>pdTop€<; ffpav iir &fiG)v 
iyypdylravTe^ avo), Tdio^ iK(f}€p€Tai. 

XXI 

A LABOUR OF HERCULES 
LUCILIUS 

Tbv fjLLKpov ^dxpcova 0€pov<; Koifjxofievov evpwv 
€69 rpcoyXrjv fiLKpod tov ttoSo^ eiXxvae p,v^' 

*^09 8' ip Tfj TpayyXr/ -^4X09 tov fivv diroTrvL^a^, 
Zev irdTepy elirev, ej^€t9 Sevrepov 'HpaKXea. 

XXII 

EROTION 
LUCILIUS 

T^i' ficKprjv iral^ovaav 'Ep<oTiov rjpTrcure K<ovcoylr' 
rj Si, tI, (jyrjai, Sp&, Zev iraTCp, el fi ideXcL^ ; 

XXIII 

ARTEMIDORA 
LUCILIUS 

'pL7rl^a)V iv virvoi^ AnjfujTpio^; 'ApT€fjLiS<opav 
TTjv XeirT'qv, ifc tov S(l)fiaTo^ i^e/SaXev. 



20-26] THE HUMAN COMEDY 127 



XXIV 

THE ATOMIC THEORY 
LUCILIUS 

'Ef arofitov ^EiiTLKovpo^ oKov rov Koafiov eypa^lrev 

elvai, TovTO Bok&v, "AXKifjue, Xe'irTorarov 
Et Se TOT fjv A^o^ai/TO?, eypayjrev av ix Acotfyavrov 

TOV Kal T&V CLTOflCOV TTOVKv TL XCTTTOTepOVy 

H Ta fiev aW eypayfre avveaTavai i^ aTOficov av, 
i/c TovTov 8' avTa^, "AXKCfie, tcl^ arofiov^, 

XXV 

CHAEREMON 
LUCILIUS 

'ApOeX^ i^ avp7j<; \€7rT^9 eiroTciTo hi aWp7]<; 

X.aip7]fjL€ov d^vpov TToXXov iXa(f)p6T€po^ , 
Kal Tax' ^^ ippoi^rjTO Bl aiOepo^, el fir) dpdj(vr) 

T0U9 TToSa^ €fl7rX€J(0€l<; V'TTTIO^ iKpifiaTo, 

AvTOv Bt) vvfCTas re Kal rjfjuaTa TrivTe Kpefiaadel^ 
eKTolo^ KaTcfirj vrjfiaTi t^9 apd^vrj^;. 

XXVI 

GOD AND THE DOCTOR 
NICARCHUS 

Tov Xidivov Ato9 e^Oes o kXlviicos ijyfraTo Ma/j/co?* 
Kol Xl6o^ &Vy Kal Zev^y a-tjfiepov iKffyipeTai, 



128 GREEK ANTHOLOGY [sect, io 

XXVII 

THE PHYSICIAN AND THE ASTROLOGER 

NICARCHUS 

'Ep/jLoyevT) rov larpov 6 aarpoXoyo^ A^o^ai/ro? 

elire fiovov^ ^aorj^ ivvia fiijva^ e%€Ai/* 
KaKclvo^ ryeXdaa^, ri fiev 6 T^povo^ ivvea firjv&p, 

^i]aiy T€\€i, (TV voer rafia Se avvrofid aoi, 
EtTre, Kol CKTeiva^; fiovov rplraTOy koI Ai6(f>avT0^ 

aWov aTreXiri^ayvy avro^ aireaKcipiaev, 

XXVIII 

A DEADLY DREAM 

LUCILIUS 

'Epfioyivr) top larpov ISibv ^lo^avro^ iv virvoL^ 
ovKer' dvTjryepdffy Kal irepiafifia <f)€pa)v. 

XXIX 

SIMON THE OCULIST 
NICARCHUS 

'^Hv Tiv €')(rj^ ^X'^pop, Aiovva-C€f firj xaTapdarf 
TTjp ^laip TOUTft) fj/rjBe top ' ApTroKpdrijp, 
M178' el TA9 rv<l>\ov^ TTOLel Oeo^y dXKa Itificopa' 
KoX ypdar) rl 6eo^ Kal rl Xifi(OP Bvparav, 

XXX 

SCIENTIFIC SURGERY 

NICARCHUS 

'Kecpovpy&v ea(l>a^€P 'AKeoTOptBrjp ^AyeXao^' 
fwi; yap y^coXeveip, <f>'t]alp, efieXXe Ta\a9. 



27-34] THE HUMAN COMEDY 129 

XXXI 

THE WISE PROPHET 

LUCILIUS 

To) irarpi fiov tov oBeT^ov ol darpoXoyoi fiaxpo- 
yrjptov 

7rai/T€9 ifiavrevaapO' C09 atj)* ei/09 arofiaro^, 
'AW 'TStpfiOKXelSrj^ avrov fiovo^ eiTre Trpofioipov 

elire S*, or avrov eao) ve/cpbv eKoirrofieda. 

XXXII 

SOOTHSAYING 
NICARCHUS 

Et9 *Vohov el TrT^^vaei ta9 "^OXv/jlttikov fjkdev ipmr&v 
TOV fJbdvTiv, KOL 7rw9 TrXevacTac a(r<^aX6a>9* 

Xcb fmvTC^f irp&TOv fiev, €<^^, Kacvrjv €j(€ rrjv vavv, 
Kol fiff 'x,€i,fjL&vo^f TOV Se 6ipov^ avar/ov 

TovTo yap &v 7roA§9, rj^ct^ KCLKelae KaX &ie 
av fit) iretpaTf]^ iv irekarfei ae Xdfirj, 

XXXIII 

A SCHOOL OF RHETORIC 
AUTHOR UNKNOWN 

T^aipeT'' "^ApiaTCiBov tov pi]Topo<: kirrd fiaOtfTai, 
Tcaaape^ oi toI^oc Kal Tpla av^ekia, 

XXXIV 

THE LIBERAL ARTS 
LUCILIUS 

Ov Be'xeTai, MdpKOv tov prJTopa vcKpbv 6 UXovtodv, 
eiTTtov, dpKeiT(o Kep^epo^ &S€ kvodv 

1 



I30 GREEK ANTHOLOGY [sect, io 

Et S* iOeXei^ TrayTCi)?, 'If toi/A xal MeXCrtovi 

TtS fieXoTToirfT^ xal Tltv£ fieKera* 
Ovhev yhp aov yelpov e^^o) KaKov, a'^pi^ &v iXOoDV 

&B€ aoXoiKi^T) 'Pot;<^o9 d ypafifiaTLKo^. 

XXXV 

CROSS PURPOSES 

NICARCHUS 

AvaKOXfxp Bv<TK(0(f>0^ iKplv€TO, KOl TToXv /luWov 
^V 6 KptTf)^ TOVT(OV T&V SvO /Ca)(f>6T€po^' 

^riv 6 fikv avriXeyev to ivoLKiov avrov o^etXeiv 
fiffv&v irevff* 6 S' e^i; vvkto^ aXrfXeKivar 

'*E/A/8\€'^a9 S* avTOL^ 6 KpiTr)^ \iyei' 69 ri ficuxjeade ; 
fiT^Tffp eaO* vfi&v afi^orepoc Tp4(f)eT€. 

XXXVI 

THE PATENT STOVE 
NICARCHUS 

'Kyopaa-a^ yaX/covv fiiXidpioVy 'HXioSmpe^ 

Tov irepL rriv QpaKtjv '^vy^porepov ^opeov 

Mif (f>va'a, fiTf Kcifive' fidTf)v tov Kairvov iyelpet^* 
eh TO 0ipo^ ^aX/crJi/ ^avKaXiv rjyopaaa^, 

XXXVII 

THE WOODEN HORSE 
LUCILIUS 

^eaaaXJov Xinrov €)(€i^/Bipaaia'TpaT€,a\Xct, a-aXeva-ai 
ov BvvaT^ avTov 0X179 (f>dpfjLaKa SeaaaXirf^, 

''Oi/Tfi)9 Sovpiop iirirov, hp el ^pvy€<; cIKkov airavre^ 
<Tvv Aavaol^t ^xata^ ovk &v earfkOe irvka^* 



35-41] THE HUMAN COMEDY 131 

'^Ov aTf)aa^ dvdOrjfia deov T61/09, el irpoa'i'xeLf: fioiy 
Ta9 Kpt0d<; iroiei rot? reKvioi^ imadvqv. 



XXXVIII 

A MYSTERIOUS DISAPPEARANCE 

LUCILIUS 

Wlaihev * Kvrioyo^ rrjv Avaifid'^ov irore rvS/qv 
KovKCTi Tr)v TvSjqv etaiSe Avalfiajfp^, 

XXXIX 

CINYRAS THE CILICIAN 
DEMODOCUS 

Tldpre^ fiev KCKckc^ xaKol dvepev iv Be Kiki^cv 
6I9 dyaOo^ Kivvptf^, koI JS^ivvprj^ Be KtXtf. 

XL 

A GENERATION OF VIPERS 
AUTHOR UNKNOWN 

'AawiSa, (fypvvov, o<f>iv, koI KahiKea^ 7repi<f>€vye, 
Kol fcvva \v(r(T7)Ti]P, koI irdXt AaSiKea^:, 

XLI 

THE LIFEBOAT 
NICARCHUS 

lEil'x^e ^tXfi)!/ Xifi^ov Xo^rijpiov d\X iv i/ceivtp 
a<o0rjv ovSk Zev? avTo^ lao)^ Svvarar 

Ovvo/Ma yap fwvov ^v Scor^pto?* ol S' eiri^dyre^ 
eifKeov rj irapd yfjv fj irapd ^epae^ovrjv. 



132 GREEK ANTHOLOGY [sect, io 

XLII 

THE MISER AND THE MOUSE 
LUCILIUS 

Mvv ^Aa-KkrfindSrf^ 6 <l>iXdpyvpo^ elSep iv ot/ctp, 
Kai, Ti 7ro46t9, f^rjaiv, <l>i\TaT€ fw, irap ifioi ; 

'HSir S"* /iv<s f^eXdaa^, fitfhiv, <^tX€, (jyrjai, <f>ol3rf0f}^, 
oiy^l rpo^^ irapa aol XP?7So/a€I/, aXXct fiovrj^, 

XLIII 

VEGETARIANISM 
AUTHOR UNKNOWN 

Ov fJLOVO^ i/jbylrv)(a>v airc'xe^ X€/>a9, aX\a xal rjfJLel<;' 
ri^ yap S9 ifi'^vytov fjyfraTo, HvOctyopa ; 

'AW oTav iylrrjOfj ti koL oirrqdfj koI dXia-ff^, 
Srf t6t€ Kol 's^vyjqv ovk €'xpv iaOiofiev, 

XLIV 

nicon's nose 

NICARCHUS 

Tov yptnrov ^Ikodvo^ 6p& rfjv plva, Mevimre, 
avTO^ B* ovp juLKpav (fyalverai elvai ere 

IlXifv ff^€i, fielvoifiei/ ofixo^;* ei yap iroXv, irevre 
T7)9 pivo^ arahiov^ oXofiai ovk aire'xet, 

'AW* avTT) flip, opaSi TrpoTropeverar ffv 8' iirl 
Povvov 
yy^Xov aT&fiev, /cavrbv iao'^ofieOa* 



42-47] THE HUMAN COMEDY 133 

XLV 

WHY SO PALE AND WAN, FOND LOVER 

ASCLEPIADES ^ 

Uiv ^Aa-KXrfTndBff* tL ra SaKpva ravra ; ri ird- 

ov ae fjLovop j^aXeirfj K-virpi^ iXTftaaro, 
OvB' cttI (Tol fiovvtp Karedrjl^aTO To^a /cal tov^ 
iTLKpos ''Eip(o<;* ri fail/ iv airohi^ rideaai ; 

XLVI 

THE world's revenge 

LUCIAN 

'Ei/ iraxriv fiedvovaiv ^AkIvSuvo^ rjOeXe vi^(f>€iv' 
Tovv€Ka Kol fieOveLV avTO^ ISof e fi^vo^, 

xlvii 
epilogue 

PHILODEMUS 

*H.pda0rjv Tt9 S' ovyl ; KCfcwfjuaKa* tl^ S* dfivrjTO^ 
KcofjLODv ; aW efiavrfv eK rlvo^ ; oifxl deov ; 

*Fippi<f>0oi)' TToXiff yap iireu^erat dvrl fieXalvff^ 
6pl^ V^Vi o-vvcTTJ^ ayyeXo^ 'qXi/ccf)^. 

Kal 7rat^€tp ore Kaipo^, iirai^afiev rfvixa koX vvv 
ovKCTi, Xtolripi]^ <f>povTLBo^ dyjrofieOa. 



XI 
DEATH 

I 

THE SPAN OF LIFE 
MACEDONIUS 

Tala Kal EtXi^dirta, av fiev t€«69, 17 Se KaXinrrei^* 
YcdpeTov afi(f>OT€pa^ fjvvaa to ardSiov 

Etfii 0€^ firf voicDv TToOi vetaofiar ovSe yhp v/j^a^ 
7J Tti/09, ff rk i(ov, oiSa iroOev fi€T€0rfv. 

II 

DUSTY DEATH 
AUTHOR UNKNOWN 

M^ fivpa, fir) aTe<f>dvov<i Xcdivai^ arT^Xaiai %apt^ot/, 
fiTfBe TO TTVp <^Xe^9* 69 Kevbv r} SaTrdvrf 

Z&vri fioL el ti OeXei^ 'x^dpiaac* T€<l>p7fv Sk fieOwKfov 
irrihJbv irotTj&ei^y fcovx o 0ava}v TrUrac. 

Ill 

A CITIZEN OF THE REPUBLIC 
LEONIDAS OF TARENTUM 

*ApK€L fioi yalrf^; fiUKprj /covc^' 17 Se wepia'ar) 
aXXov iiriOxL^oL irKovaui KeKXi/iipov 

184 



1-6] DEATH 135 

^Trikfq^ TO (rtckffpov V€Kp&v fidpo^, oi /Lie Qavovra 
^v^ovt\ "AXxavBpo^ rovO* on KaX\AT^X€i;9. 

IV 

BENE MERENTI 
AUTHOR UNKNOWN 

Fala <f>£k7f Tov irpeafivv 'A/jlvvtcxov evOeo koXitoi,^ 

iroXK&v fivrfcra/JLiprf r&v iirl aol Kafidroiv 
Kal yap ael irpifwov aoL evea-TTJpt^ev ikairf^, 

TTOWOKI Koi UpOfUOV KXl^fUKTlV ^XoXacVy 

Kal Ai/oS^ lir\rj<r€, koI vBaro^ avXaxa^ SKkcov 
0rjK€ fi€V evXdyavoVy 0r]K€ S' oirmpo^pov* 

*Av0' &v ah irpriela Karct Kpord^ov iroXioto 
Kclao, Kal elapcvit^ avdoKOfiei fiordva^. 



PEACE IN THE END 
DIONYSIUS 

UprjvTepov yrjpd^ ae xal ov Kara vovco^ afiavpif 
ea^ea-ev, evvqOrf^ S' virvov 6(f>€i\6/A€vov 

^' Ajcpa fieptfiiniaa^ 'EparoaOeve^' ovSe K.vpfjvrf 
fiald 0*6 irarptpfov ivro^ eSexro ro^coi/, 

^AyXdov vliy (f)l\o^ Se xal iv ^eivrj KeKokvylrai 
trap ToSe Uptor^o^ Kpdairehov alyiaXov. 

VI 

THE WITHERED VINE 
LEONIDAS OF TARENTUM 

''A/iTTfXo? (09 i]8r) KafiaKi arrfpl^ofiat av<p 

o-KrfTravifp' /caXiei, fi eU 'Al&fjv Odvarov 



136 GREEK ANTHOLOGY [sect, ii 

AvaK(o<l)€t Ubij Fopye' rl rot, ')(ap Lea-re pov el rpeZ^ 
fj irUrvpa^ irola^ BaX-y^ inr* '^eXltp ; 

*flS* etwa^ ov Ko/jLTTfp, airo ^(ar)v 6 7ra\ato9 
&aaTOy KTi^ wXeovoDv fjkOe fieTOLKeaLrjv. 

VII 

ACCOMPLISHMENT 
THEAETETUS 

"HvSavev avOpoyirov^y 6 S* eTnirXeov rjvBave M.ovaat^ 
TS,pdvT(op, Koi yi^pta^s rjXvOev oiri ttpoato' 

Trjy aif Se reuvei&ra top iepov avSp* uTreoef o) 
i] p oye Kal ^(oec kcWl iv €V(l>pO(rvvff ; 

VIII 

LOCA PASTORUM DESERTA 
AUTHOR UNKNOWN 

Ni^^oSe? icaX y^vypct fioavKia ravra fieXiaaai^ 
otfjbov eir €iapipr)v Xi^are viaaopAvav^, 

'fl9 o yepoiv AevKimro'; eir apacrroSea-ai Xa^mol^ 
e^utro 'Xj^Lfxepirj vvktI Xo'xrjadfievo^, 

Xfirivea S' oifKerc ol KOfiietv (jylXov at Se rov axpij^ 
yeirova iroipiviai, iroXXa iroOovai vdirau 

IX 

THE OLD SHEPHERD 
LEONIDAS OF TARENTUM 

not/L6€i/€9 o2 ravTffv o/)€09 pd^i'V oioiroXelre 

dlya^ Kevelpov^ i/jL^areovTe^ 8i^, 
KT^^irayopj), iroo<; Vrj^, oXIjtjv %a/»ti/ dXXa irpoaijvij 

rivoire 'xyoviff^ eXveKa ^epaecfyovrj^' 



7-12] DEATH 137 

Trirprj^ avpi^ot irptfea ^oaxofievai*;, 
Etapt Se 7rpd>T<p Xecfuoviov avOo^ afiepaa^ 

X0i>piT7)^ a'T€(f>iTa) tv/jlI3ov ifwv aTeifxivG), 
Kat Tt9 air' evdpvoio /carappalvoiro jaXa/eri 

oio^y afioX/yalov fiaarov avaayofievo^, 
KprjwlS* vypa{p(ov iinrvfilSiov elat davovrtop, 

elalv afioc^atai kclv i^difievoL^ 'X^dpcre^, 

X 

THE DEAD FOWLER 
MNASALCAS 

'AfiTravaet zeal rySe Ooov irrepov iep6<; 6pvv<; 

ToaS* virep aSeia^ kt^ofievo^ Trkardvov, 
"DXero yctp TlolfiavSpo^ 6 MaXto?, ovB' ere velrai 

i^ov iir drfpevTot^ yevdfJLevo^ KoXdfioc^. 

XI 

THE ANT BY THE THRESHING-FLOOR 
ANTIPATER OF SIDON 

AvTOv (Tol Trap* a\<oviy hvrjiraOe^ ipydra fivpfii]^, 
rjpiov i/c ^(oKov iv>^dho<; eKriadfiav 

''0<f>pa ae koX <f)0ifievov Arjov^ aTaxvr)Tp6(l)o^ ai\a^ 
OeXyrj dporpaly Kclfievov iv daXafirj. 

XII 

THE TAME PARTRIDGE 
SIMMIAS 

OuKCT dv vXrjev Bpio^ evaKiov, dypora iripSi^, 



138 GREEK ANTHOLOGY [sect, ii 

o5;^€o *>fap TTV/Jbdrav eh *Aj(^ipovTo<; oSov. 



XIII 

THE SILENT SINGING-BIRD 
TYMNES 

« 

"Opveov & ^dpicnv /jLefieXrj/jApov, & irapofioLov 
oKKvoatv TOP abv <f>06yyop laoDadfiepop, 

'HpTrdadfj^, <f>C\* iXaii* aa S' fjdea koI to aop iJSu 
irpevfia aLcoirqpaX pvkto^ exovaip oSoL 

XIV 

THE FIELDS OF PERSEPHONE 
ARISTODICUS 

OvK€Tc Bi] ae Xiyeia KaT* d<\>P60p 'AXkIBo<; oIkov 

cLKol /McXc^ofiepap oyjreTac diXio^* 
''liSrj yap Xecfi&pa^ iirl KXvfiepov TreTroTrjaat 

Kol ipoaepd j(^pvaia^ dpdea Hep(r€<f>6pa^. 

XV 

THE DISCONSOLATE SHEPHERD 
THEOCRITUS 

*il Seikace tu &vpai, tC tol irXeop el KoraTa^el^ 
Sd/cpvac SiyXrjpa)^ WTra? 6hvp6fiepo<; ; 

Olx^Tai d '^ifiapo^, to kclKop Te/co^, o^X^t' e? '^AiBav, 
Tpa')(y<; yctp 5^a\at9 d/jL(f>€7ria^e Xvfco^, 

At Se KVP€<; xXayyevPTf tI toc irKeop^ dvi/ca Ti^pa^ 
oaTeop ovSe T€<f>pa XetTrer^ diroijf^ofiepa^ ; 



13- 18] DEATH 139 

XVI 

LAMPO THE HOUND 
ANTIPATER OF SIDON 

SrfpevTTjv AdjjbiroDva M.iBov Kvva Siyjra Karexra 
Kaiirep virep '>^v')(rj% iroXKa Trovrjad/Jbevov 

Hoaal yap Apvaaev vorepov ireSov, aXXa to vtode^ 
TT^SaKo^ ix TU0X^9 ovK ird'xyvev vStopy 

XltTrre 8' diravBi^aa^' 17 8' e^Xvaev. ff apa, iivfKf>ai, 
Adp/rroDVi Krafiivcov firfviv edead' iXdifxov. 

XVII 

STORM ON THE HILLS 
DIOTIMUS 

AvTOfiarat SecXy ttotI ravXiov ai ^o€9 fiXdov 

i^ op609 TToXXfj vi<j>6fJLevav yiovr 
Alal, ^Tfplfia'xp^ Se irapcb Spvi rov fjuaxpov evBev 

VTTVOV iKOVfll]07} S' CK TTU/OO? OVpaVlOV, 

XVIII 

A WET NIGHT 
ANTIPATER OF SIDON 

OifK oW el Atovvaov ovoaa-o/Mai rj A&09 ofiffpov 
pAp.'^op!, oXtadrfpol B* e*9 7r6Sa9 dfi<f>6T€poi* 

*Ayp60€ yap Kariovra IloXv^evov €K irore hairo^ 
rvfiffo^ €')(eL yXLa'vpoiv e^epiirovra Xdifxov^ 

YLelrai S' AioXlho^ Sfivpvrj^ ixd^, aXXd rt9 op^vr)^ 
ScLfuUvoi fjL€6va>v arpairbv verlriv. 



140 GREEK ANTHOLOGY [sect, ii 



XIX 

FAR FROM HOME 
TYMNES 



M^ aol TOVTO, ^CKaLvLy Xiqv iiriKaipiov ea-ra} 
€1 fir) irpo^ Ne/X^ 7^9 jJMplr}^ ervj^e?, 

*AXKd a 'EXeu^ep 1/179 oh* i^et t6j^o^* eari yap tar} 
irdvToBev eh 'Al^rjv ep')(pfUvoiaiv 0S69. 



XX 

DEATH AT SEA 
SIMONIDES 

'%&fia /JL€V dWoSairr) /cevOei k6vc<;* iv Be ae ttovto), 
KXeiadeve^, ISiv^elvfp fioip* €Kij(€v Oavdrov 

HXa^ofievov, yXv/cepov Se fieKii\>povo^ ol/caBe voarov 
rjfiirXaKe^y ovS* ixev ^iov eir dfi<f>cpvT7jv, 



XXI 

AT THE world's END 
CRINAGORAS 

AeiXaioty tL /cevalatv dXdfieOa daparjaavre^ 
iXwlaiv, drrfpov XrfOofiepoi davdrov ; 

*Hi^ ohe icaX fivOoLai xal 7]0eai irdvra ^ekevKo^ 
aprco^* a\V fjjSi]^ ^aiov iiravpofievo^, 

"VararioL^ iv "l^rjoai, roaov BCya rrfKoOi, AeafioVi 
Kelrai dfi€Tpr)TCi>v f e?i;o9 iir alytaX&v. 



19-24] DEATH 141 



XXII 

IN LIMINE PORTUS 
ANTIPHILUS 



*'HSi; TTOv Trdrprf^ TreXocra? a^^Bov, avpiov, elirov 
7) fiaKpfj Kar ifiov Bvairvotrj Koirdaer 

Oijirto Y6t\o9 efivae, /cal fjv ?<709 "AtSt ttoi^to?, 
Kai fjL€ Karerpv^x^ev /cetvo to kov<J>ov Itto^, 

HdvTa \6yov ire^vka^o rov avpiov ovSe ra fiiKpd 
Xrjdei TTjv yXda-a-ff^ dvTiiraXov Ne/AectJ/. 



XXIII 

DROWNED IN HARBOUR 
ANTIPATER OF THESSALONICA 

Mi;S' or €7r* ayKvpr)^ oXofj iriareve daXdaariy 
vavriXe, p/qh* el tol ireiafiara 'Xjepaof; e^of 

K.al yap "laji; 6pp,(p ivLKaTrirea-ev, €9 Be K6\vp,/3ov 
vavTOv Ta9 Ta')(i,va^ olvo^ eStfae yipa^, 

^€vy€ yopoiTVirirfv iinvrjlov' eyjSpo^i \aK')((p 
TTovTO^' Tvpar)vol tovtov eOevro vop^ov. 



XXIV 

IN SOUND OF THE SEA 
ANTIPATER OF THESSALONICA 

Kal veKVV aTrprjvvTO^ dviijaeL ps QoiKaatra 
Avaiv iprfp^lff Kpyirrov viro a-TriXdBi, 

Xrpffvk^ del (jyoDveva-a Trap' ovari Kal irapd Koxpov 
arjpM' ri p!, AvOpoDiroiy r^Be TraptpKiaaTe 



142 GREEK ANTHOLOGY [sect, ii 

*^H TTPOiff^ 'X^'qpaxre rov ovk iirl (popTtSt vrfi 
efiTTOpov, a\X oKiryrj^ vavrlXov elpeairff;, 

SrjKafievTj vaxjrjyov ; 6 8* ifc ttovtolo futTevav 
^(OTjPj eK irovTov kol fiopov elKKvadu/qv, 

XXV 

THE EMPTY HOUSE 
ANTIPATER OF THESSALONICA 

AvafJLope NiKcivoDp ttoXcS ficfJLoprjfieve iropTtp, 

Kelaai hrj ^eivrj yvfivo<; iir* rjlovL 
*H (TV ye irpo^ ireTprjaL' ra S* oX^ia Kelva fiMkaOpa 

<f>pov8d T€ Kol irdarjf; €\7rt9 6\a)\€ TvpoVy 
OvBi tI ae tcredvav ippvaaro* <f>€v, iXeeive, 

a)X6o ixo')(j9riaa^ Ix^vai xal TreKdyei. 

XXVI 

THE sea's HARVEST 
ISIDORUS AEGEATES 

"E/c fi€ yeoDfioplrff; 'Ereo^Xea irovrio^ cXttI^ 
eikKvaev 66veiq^ e/jbiropov ipycuritf^, 

vSyra he Tvpcrrjvrj*; eTrdrevv aXo^' dXS! afiq vri\ 
7rp7fvcx^€l<; K€Lvr)<; vSaaiv iyKariBw 

dOpoov efi0pia'avTO<; dijfiaTO^' ovk ap aktaa*; 
avT09 eTTLTrveUv kcI^ o66va^ dvefw^, 

XXVII 

THE SINKING OF THE PLEIAD 
AUTOMEDON 

"AvOptoire fwr;? 7r€pi(l>€lS€o, /irjBk trap &pr)v 

vavTiKo<; ladr /cal w? ov ttoXv^ apSpl /8i09' 



25-30] DEATH 143 

Ae^Xatc KXeoviKc, av S' eh Xiiraprjv ^daov ekdelv 
rjirelyev, kolKt}^ e/Miropo^ ite Xvpiff^, 

"^fiTTopo^ & "KXeovLKe* Svaiv S* inro Tl\€id8Q<i avTr)v 
irovTOTTop&Vy avrfj HXeidSc air/KariSv^, 

XXVIII 

A RESTLESS GRAVE 
ARCHIAS 

OvSe vi/cv^ vavrfyo^i iirl ')(66va ©17/349 iKaadeX^ 
Kyfuuriv aypinrvoDP Xtjaofjuac fjlovoiv 

*H yhp oXipp'qKTOt^ VTTO heipdaiv, dy^o6i irovrov 
Svafievio^, ^elvtov 'xepaXv cKvpaa rd^ov, 

AUl Se jSpofieovra xal iv v€KV€a<Tt daXdaar)^ 
6 rXijficov dto) Sovirov direyjSofievov* 

XXIX 

TELLURIS AMOR 
CRINAGORAS 

Tloifiriv & fjbd/eap, eWe kut' ovpeo^ iirpo^drevov 

KTIfyOi, TTOlTfpOP TOVT dvh \€V/c6\o<j}OV, 

Kptot9 drfr)TrjpaL ^ora ^tf^eofiev* oird^ODV, 

fj TTiKpy /Sdyjfai vrjoya irrjBdXLa 
^'AX/Aiy Toi/yctp eovv viropivOio^' dfi<bl Se ravrqv 

dlvd fie poifihrjO'a^ E0/)O9 dirrffiea-aTO, 

XXX 

A GRAVE BY THE SEA 
ASCLEPIADES 

'0#CTc» fiev 7n]j(€i^ direx'^ rprj'^ela OdXaaaa 
Kot KVfuiive ^6a 0* 7}XiKa (rot Bvpafii^' 



144 GREEK ANTHOLOGY [sect, ii 

^Hi/ Se TOP ^v/jbdp€Oi) KodeKri^ rd^ov, aWo fiev ovSev 
fcpijyvov, evprjaei^ 8' oaria Kal airohirjv. 



XXXI 

AN EMPTY TOMB 
CALLIMACHUS 

*'X2^6\€ fi'qh' iyivovTO 0oal v€€<;' ov yap av rjfjbei^ 
TracSa AcofcKeiSov XayiroXiv i<rT€VOfi€v, 

Nvv S' o fj^v eiv aki irov <f>€p€Tat V€KV<;' avrl &* 
itceivov 
ovvofia Kal k€V€OV arjfia irapep'^^ofieOa. 

XXXII 

THE DAYS OF THE HALCYONS 
APOLLONIDES 

Kal TTore Sti/?;6i9 a<j>o^o<i iropo^y elTre, daXaaaa, 
el Kal iv dXKvovtov ijfiaac KXavaofieOay 

'AXkvovcov, ah ttovto^ del a-TrjpL^aro KVfia 
vqvefiov, ©9 KpLvat 'xipaov dina-TOTipriv ; 

*AXKd Kal iQVLKa fiaia Kal iihiveaaiv dinjfKov 
av')(€l^, avv <f>6pT(p hvaa<i 'Apiarofiivriv, 

XXXIII 

A WINTER VOYAGE 

AUTHOR UNKNOWN 

Kai <r€, KXerjvoplStfy tto^o? wXecre irarpiSof; alr)^ 
daparjaavTa Notov XaiKaTTi X^^I^^P^V 

'^ilprf ydp ae TreSritrev dviyyvo*;* vypd Se rrjv (ttjv 
Kvfiar dff> ifi€pT7)v eKXvaev ffXiKiriv. 



31-36] DEATH 14s 

XXXIV 

THE DEAD CHILD 
AUTHOR UNKNOWN 

OuTTG) TOt w\6/cafioi T€Tfirffi€voi, ovBe <r€\dva<i 
Tol Tpterel^ firiv&v dvio^evvro Bpofiot, 

KX€vBcK€, ^i/eaal^ ore aav irepl \dpvaKa fjudrrfp, 
rXa/jLov, iir aiaxTtp ttoW ifioaae rd^xp 

Kal y€V€Ta<; HepLKXeiTO^* ctt* dyvd>T<p S' 'A^epoi/rt 
rj^daet^ fj^av, KX€vSv/c\ dvooTOTdrav. 

XXXV 

THE LITTLE SISTER 
LEONIDAS OF TARENTUM 

H 7rat9 (O'xeT aoopos ev €poofi<p ^o eviavro} 
€t9 ^AtSrjv, 7roXX^9 '^XiKirjf; irporiprjy 

AeiXala irodeovaa rov eiKoadp/qvov dBeX^ov 
vrjirvov daropyov yevadfievov Oavdrov, 

Alal, \vypd iradovaa Tieptarepl, d)9 61/ kToifxtp 
dvOpdoiroi^ BalfifDv OrJKC ret Seivorara, 

XXXVI 

PERSEPHONE'S PLAYTHING 
AUTHOR UNKNOWN 

'AtSrj dWirdvevre koI arpoTre, Tiirre tol ovtcd 
K.dWaia")(pov ^coa? vrjiriov &p^dvi<ra^ ; 

"Ecrrat fidv ye irat^ iv B(o/jba(n ^epcrei^oveioi^ 
iralrfVLOv* aW ocKocXvypd XeXotTre irdOrf, 

K 






146 GREEK ANTHOLOGY [SECT, ii 

XXXVII 

CHILDLESS AMONG WOMEN 
LEONIDAS OF TARENTUM 

*A BeiX* *Ai/Tt#cXeA9, Sei\rf B' iya> 17 rbv iv fj/Stj^ 
d/cfj/Q Kol fiovvov iraZBa irvpcoo'afiivTj, 

""OKTOncaiBeKeTrjii S9 dirdolkeo, rixvov' iyoa Be 
6p<l>dviov kXolco yrjpa^ oBvpofiivrj, 

3aifiv 669 ''AiBo<: aKiepov Bofiov ovre fioc ^a>9 

ijoet , OUT aKTL^ Q)/C609 fJ€\tOV 

*A BeCk* *AvTL/c\€L^, fi€fiop7jfiiv€, irevdeo^ e?»79 
IrfTi^p, 2^01^9 €K fie Ko/jLiaad/iepo^. 

XXXVIII 

fate's persistency 

PHILIPPUS 

*H TTvpl irdvra reKovaa ^iXalviov, 17 PcupvirevOrj^ 

fi^qrrfp, 17 reKVfov Tpttraov IBovaa Td<l>ov, 
'AWorplcu^ mBiaiv etfrnpfiLca' 17 f^ap idoXireiv 

TrdvTO)^ fioi i^rjaetv tovtov ov ovk erexov, 
' H S* evTrat^ derov vibv avri'^ayov dXKd fie BalfMov 

ijOeXe fiTfB* aX\779 firjrpo^ ^'xeiv 'xdpira, 
K\i7^€t9 rffiirepo^ yctp d'ire<f>diTo* vvv Be reKovaai^ 

7]Brf KoX XoLiral^ irevdo^ eyo) yeyova, 

XXXIX 

ANTE DIEM 

BIANOR 

Yldvra H^dpav airXtfO'Te, tl top veov ffpiraiTa^ avrw^ 
".AttoXov ; ov cro9 erfv, k&v ddve yffpaXeo^ ; 



37-42] DEATH 147 

XL 

UNFORGOTTEN 
SIMONIDES 

4>^ TTore UptOTOfia'vo^, irarpo^ irepl "xelpa^; e')(pvTO^, 

171/tV d<^' IfiepTrjv hrveev ffKLKl'qv' 
*fl TifjLrfvopiSrj, TratSo? <f>CKov ovirore XT/cny 

ovT aperrjv TroOicov ovt€ aaotfypoavvqv. 

XLI 

THE BRIDECHAMBER 
ANTIPATER OF SIDON 

"HSi; fj^v /cpo/coec^ TlLTavdrtBi, irirvaro vvfKJya 

KXeivaperti "x^pvaeayv iraoTo^ earn OaXdficDV 
K.aS€fi6v€^ S' T^XwovTO SimXevcov ^Xoya irevKa^ 

a^lrecv dp,<f>0Tepai^ dva^Ofievoc iraXdfiai^ 
ArffioD Kal N/^67r7ro9' d<l>apird^a<ra he vowo^; 

irapOevi/cdv, Kd6a<i a/ya/yev €9 TreXayo?* 
*Ayirf€LvaX S' iicdfiovTo awdXixe^ o^X^ Ovpirptov 

dXKh Tov 'AtSeco a-repvorvTrfj irdrayov, 

XLII 

BRIDEGROOM DEATH 
MELEAGER 

Ov ydfiov dW 'AiSav i7npvfi<f>iStov KXeapia-ra 
Si^aro TrapOevla^ afifiara \vofiiva' 

*'KpTi yap iairepioL vvfi^a^ iwl StKXiacv d'yevv 
XcoTOL, Kal daXdficDV iirXara/yevvro dvpar 

^H^oc S' oXoXvyfiop dveKoayov, eic B* 'Tfiivaio^ 
CLyaOel^ yoepop ^deyjML fMeOapfiOiraTo, 



148 GREEK ANTHOLOGY [sect, ii 

Ai 8* avral xal ^€7709 iSaBovy^ovv iraph TrcurreS 
TTevKac KOI ^0cfieva vepdev etfyaivov oSov, 



XLIII 

THE YOUNG WIFE 

JULIANUS AEGYPTIUS 

"12/3*09 cZ^^e (T€ TTttcTTa?, adpLO^ eIXe <re TVfil3o^ 
evOaXetov ^apircov av0o^, ^Avaaraalrf 

^ol yev€T7)^, aol inicph iroai^ Kara Sdxpva Xeiffei, 
aol Td')(a icaX iropOfjuev^ Sa/cpvyiei veKvtav 

Ov yhp o\ov XvKci^avra BiTjvvaa^ ^7X^ avvevvov 
a\V eKKaiheKeTLv, c^eO, fcare'xet ae Td(f>o^, 

XLIV 

SANCTISSIMA CONIUNX 
CRINAGORAS 

^eiXairj, ri ae Trp&rov eiro^ ri Be Sevrarov eiTrto ; 

SeiXaiTf TovT iv iravrX Kaxm erv/iov 
Or^eafc, & 'xapieaaa yvvai, koX €9 elBeo^ &prjv 

rdicpa KoX €t9 '^v%^9 ^^09 iveytcafiivrf 
Tlpa)Tfi ^0^ opofjL €<rK€V iTTjTVfjLov fjv yctp diravTa 

BevTep a^ifiTfTtov t&v iirX aol j^apirav. 

XLV 

SUNDERED HANDS 
DANfAGETUS 

TaraTiov, ^d>Kaia KXvrf) iroXi, tovto ^eavm 
elirev i^ arpvyerov vv/cra KarepyppAvq' 



\ 



43-47] DEATH 149 

Otfioc iyoD Bvarrfvo^, '^AiriXXi'X^e, ttoIov, ofievve, 
irolov iir OiKeirj vrji irepa^ ireXayo^* 

Avrap i/juev a')(eho6€v ftopo^; lararar C09 o<t>€\6v ye 
;^€Apl ^tKvfv TTfv afjv %€tpa Xa^ovaa Oaveiv, 



XL VI 

UNDIVIDED 
APOLLONIDES 

'E(f)0av€v *H\*oSft)/oo9, i^eo'TreTO S* ovB* oaov &prj 
varepov avSpl (jyCK^ Aioyeveca Sdfiap* 

"^AfjLifxD S' w^ (Tvvivaiov viro irXaKi rvfi/Sevovrac 
^vvov ayaXKofievoi /cat Td<f)ov w? daXafiov. 



XLVII 

FIRST LOVE 
MELEAGER 

AaKpva <rol koI vepOe htib ydovo^y 'HXtoSco/oa, 

Bapov/MiL (TTopyd^ X€L\lravov el^ ^AtSav, 
^cLKpva hvahcLKpvTa' irokuKKavrtp S* eVi tv/jl/S^ 

(ririvBo) v&fia ttoOodv, fivafia ^i\o<t>po(rvva^' 
Ol/cTpa yap oiicrpa ^tkav ae koI iv <f>6ifievoi^ 
^eXiaypo^ 

ald^fOf tceveav el^ *A')(epovTa ^apti^* 
Aial, TTOV TO TToOeivbv ifiol 0d\o^ ; apiraaev " AtSa?, 

apiraaev, aKfjuavov S' av0o^ €<f>vpe fcovi^;. 
'AXXa ae yovvovfiai, yd iravTp6<f)€, rav iravoSvprov 

flpefia aol^ KoKiroi^, fiarep, ivayKdXcaai, 



ISO GREEK ANTHOLOGY [sect, ii 

XLVIII 

FIRST FRIENDSHIP 
AUTHOR UNKNOWN 

*A /laKap afi^poairiaL avvearte (jytkraTe Movaai^ 
Xalpe KaX elv 'AtBeo) Scofiaai KaWt/Lta^€. 

XLIX 

STREWINGS FOR GRAVES 
AUTHOR UNKNOWN 

"AvOea TToWa yivotro veoSfii^Tto iirl TVfil3(p, 

firj ^dro^ ^^Xf^VPVf f^V /^o^kov alyLirvpov, 
AW ta fcal adpr^vya kol vharivT} vdpiciaao^, 
Om/Sie, /cal irepi aov irdvra yivoiro poSa^ 

L 

THE LIBERATOR 
DAMASCIUS 

Zaxrip/Tf rj irplv iovca fiovq) tg3 a-dfiart SovXrj 
fcal TO) (Tcofiari vvv eipev iXevOepirjv, 

LI 

DIMITTE MORTUOS 
PAULUS SILENTIARIUS 

Ovvofid fioL — TL Se TOVTo ; irarpl^ Se /jloi — €9 ri Se 

TOVTO ; 

xXetvov 8* eifil yevov^ — el yap d(f>avpoTdTov ; 
TiTiaa^ ivBo^o)^ eXiirov filov — el yhp dSo^a)9 ; 

Kelfiai. B* ivddBe vvv — t/9 rivt ravra 'Keyei^ ; 



48-53] DEATH 151 

LII 

MORS IMMORTALIS 
AUTHOR UNKNOWN 

JS^drOavov, aXXa fjueva) ere' fieveh Se re Kal av riv' 
aXXov 

LIII 

THE LIGHT OF THE DEAD 
PLATO 

vvv Be Oavwv Xd/j/irei^ ^IStairepo^ iv ^Oi/ievoi^. 



LIFE 



I 

THE JOY OF YOUTH 
RUFINUS 

Aovad/jLevoc, UpoBiKi], TrvKaacofieOa koL tov dxpaTov 
eKKa>/JL€v Kv\iKa<; fjuei^ova^ alpofievor 

Ba£09 o j(^acp6vTa)v icrrlv /9i09' elra ra Xoiira 
yrjpa<: k(o\v<t€c, koI to t€Xo<; ddvaro^, 

II 

THE USE OF LIFE 
NICARCHUS 

OxfK dirodvriaKeiv Set yLte ; ri fioi fieXet fjv re tto- 
ia^po^, 

fjv re hpofjbev^ yeyovw*; et9 'Affi^yi; vTrdyto ; 
TioKKoX yap p! apovatv ea 'xjoiXov p,€ yeveaOai^ 

T&vB* €ve/e€V yctp tcro)? ovttot* i& didaov^. 

Ill 
VAIN RICHES 

ANTIPHANES 

'^rj<})i^€c^, KaKoSaifiov, 6 Be 'Xp6vo<: a>9 tokov ovtw 
Kol iroXiov TLfCTet yrjpa<; eVe/jj^oyLtei/o?, 

162 



1-6] LIFE 153 

KovT€ TTioDV ovT uvOo^ iirl KpoTCLifiOL^ avo^Tjaa^, 
ov fxvpoVy ov y\axl>vpov yvov^ iror iptofiiviov 

TeOvij^Tfy TrXovTOvaav a^et9 fieycSXrfv SiadijKrjv, 
eK TToXK&v o^dkov fiovvov iveyxafjuevo^, 

IV 

MINIMUM CREDULA POSTERO 
PALLADAS 

HdaL davelv fiepoweaaiv 6<f>eiXeTaLy ovSi ta9 earlv 
avpiov el ^TJaev Ovt^to^ iiriardfievo^' 

TovTo a'a(f>&^y av0pa>7r€, fiaOmv eii^paive aeavrov, 
Xrjd'qv rod Oavdrov rbv ^pofitov KaT€')(€Ov, 

Tipireo koI Hatfylrjy rbv €<f>rjfi€piov fiiov cXkodv, 

ToXka Se irdvra TiJj^iy irpdyfiara Bb^ hUireiv, 

V 

DON EC HODIE 
AUTHOR UNKNOWN 

Tllve KaX ev<f>paivov, ri yhp avpiov 'fj ri rb fieWov ; 

ovSeh yiyvaxTKer fjifj T/oe^e, fit) kottUl" 
'n? ivvaaai 'Xjupiaai, fierdSo^f (f>dy€, dvrjra Xoyl^ov 

TO 5^1/ TOV fit} qXjV OVOeV 0A,0)9 aW€)(€l. 

nS? o ^lo<: Toioo'Se, poiri) fiovov civ wpoXd/Sfff;, aov^ 
av Be 0dvy^, erepov Trai/ra, aif S^ oifSev e%€t9. 

VI 

REQUIESCE ANIMA 
MIMNERMUS 

"H^Sa fjboi, <f>i\€ dvfii' Ta^' av rive^ aWoi eaovrai 
dvSpe^f iyo) Be daviav yala fieKaiv etrofiai. 



154 GREEK ANTHOLOGY [sect. 12 

VII 

ONE EVENT 
MARCUS ARGENTARIUS 

Hivre Oavwv Kcltrr) Karix^^v iroSa^, ovSe ra repirva 

f6)^9 ovS' avya^ SyjreaL rjeXiov* 
''Hare Xa^oiv Ba/c^ou ^copov Siira^; IX/C€ yeyrjdto^^ 

K.iyKi€, KaWiaTTjv ayxa^ e'xtov aXoj^oi/* 
Et he (TOL aOdvaro^ (TO<f)ir)^ voo^f ta0t KXedvdrj^ 

teal Zi]va)v 'AtStfv rov fiadhv 0)9 €fio\ov. 

VIII 

THE PASSING OF YOUTH 
APOLLONIDES 

'T7ri/(B€A9, 3) Waipe' to Se axv^o^ avro ^oa ae* 

eypeoy fifj r^pirov fiOLpiSiij jjuekiry 
Mrj (f>€L<rrjf AioBoope, Xd^po^ B* eh Ba/c^oi/ oKurdcbv 

dypi^ iirl a^aXepov ^mpoiroTei yovaro^* 
^^aaeO or ov Tnofietrda iroXv^ ttoXu?* aXX' ay 
iireiyov 

17 <rvv€T7f tcporaifxov airreraL r/fierepaiv. 

IX 

THE HIGHWAY TO DEATH 
ANTIPATER OF SIDON 

'ilKVfwpov /Jb€ Xeyova-L iarjfiove<; dvepe^ aoTptov 
el/Jbl fiivy aXV ov fioc rovro, ^ekevKe, p^Xer 

Et9 ^AtSrfv pLa ircuTL /carat ffaat^;' el Be rdj^iov 
rfperepr), MtV® daaaov eiro'^opeda* 

Ilivcopep' Kal Br) yhp errirvpov eh oBbv iirwo^ 
oZi/09) eTTel ire^oh drpairof: eh ^AtBrfv, 



7-13] LIFE ^ ISS 

X 

BEFORE THE DELUGE 
STRATO 

Kal Trie vvv koI epa^ ^a^oKpare^^ ov yctp 69 aUl 

TTiofi^ff ovS' ael ripylrto^s i^o/ieOa' 
Kal a'T€<f)dvoi^ /ce<l>a7ut^ irvKaacofieOa Kal fivplaoDfiev 

avTov^, irpXv rvfi^oi^ ravra (f>€p€iv iripov^. 
NSi; iv i/iol Tnirm fjuiffv to irXiov oarea rafid, 

vcKpcL Si ^€VKa\ia>v avra KaraxXvadra), 

XI 

FLEETING DAWN 
ASCLEPIADES 

Tliv(Ofi€v Ba/cj^ov ^copov irofia* SdtcrvXo^ dci?' 
if 7rd\L Kocfitardv \i/)(yov ISelv fievofiev ; 

Tliv(Ofi€v ydXepA^;' fierd roc y^povov ovKeri ttovXvv, 
cr^erXie, rrjv fiaKpcLv vvkt dvairavaofieOa, 

XII 

OUTRE-TOMBE 
JULIANUS AEGYPTIUS 

TloWaKi fjb€v ToS' aeiaa, teal €k rvfi/Sov Se ^orfaw 
iriv€T€, irplv ravrrjv dfi^ifidXrja-Oe kovlv, 

XIII 

EARTH TO EARTH 
ZONAS 

Ao9 /iot TovK 7aii79 ireTrovrffjuivov dSv tcvireXXov, 
£9 yevofiTfVf Kal v<l>* 3, xeiaofi* dwoifidifievo^. 



iS6 ^ GREEK ANTHOLOGY [sect. 12 

XIV 

THE COFFIN-MAKER 
AUTHOR UNKNOWN 

"HOeXov av ifkovrelv ft)9 TrKovaio^; ffv irore J^poitro^ 

'AXV orav e^^Xe^cD ^iKavopa tov aopoinjyop, 

Koi yv& irpo^ ri iroiei ravra ra rfKtoaa-oKOfjLa, 

Kkttiv irov iraaaa^ koX ral^ Korvkai^ irrro/Spi^a^ 
Tr)v ^Aairfv woiKA tt/oo? p^vpa fcal are^^dvovs- 

XV 

RETURNING SPRING 
PHILODEMUS 

''HSt; ical pohov io'TL, koI afcp^d^oDV ip€^cv0o<;^ 

/cat KavXol Kpdfi^r)^, SoxruXe, irptOTOTOfjuov, 
Kat fiaivT) ^ay\a/y€v(ra xal dpriTrayfff; dXirvpo^ 

Kol ffpiSdfCCDV ovXtov dl3po<f>vrj iriraXa, 
il/i6t9 ovT aKTr]<; eiripaivop^ev ovr €v awoyfrei 

yiyv6fJL€0* 0)9 aiel, S^o-vXe, to Trporepov ; 
Kal pjjv A.vTLy€V7}<i KaX Ba/c^to9 e^^e9 eirait^ov^ 

vvv S' avTOv<; ddyfraL arfp^pov iK(f)ipop,€p, 

XVI 

A life's wandering 

AUTHOR UNKNOWN 

KaTTTTaSoACft)!/ Wvov^ TToXvavdea^ otBar dpovpa^ ; 
KeWev iyo) (jyvop^rjv ex roKewv dyadmv* 

'E^OT€ T0U9 XlTTOp/qv, SlKTlV T^XvOoV TjSe Kot 7f&' 

ovvop,d fioi rXa0vpo9 /cat <j)p€vo^ etKeXop fjv 



I4-20] LIFE 157 

Koi Ka\ov TO Tvyri^ koX iruicpov olia fiiov. 



XVII 

ECCE MYSTERIUM 
BIANOR 

05to9 o /jbijBiv^ 6 X^TO?, o Kol Xdrpi^, ovro^ iparat 
Kaari tipo^ ^jrv^V^ Kvpio^ aWorpitf^, 

XVIII 

THE SHADOW OF LIFE 
THEOGNIS 
*'A<f>pOV€^ avOptOTTOL KoX VrjlTLOL 0?T€ OaVOVTU^ 

fcXalova, ovB* ^/Srj^ av6o^ airoWvfjbevov. 

XIX 

THE HOUSE OF FAME 
CALLIMACHUS 

*H\^6 SeaiTTfTOf; icaOaptjv 686v el 8* iirl Kiaaov 
Tov rebv ovx CLvrrf^ Ba/c^e, /eeXevOo^ ayei, 

**AW<iov ^v Krfpvice^ iirX fipax^v ovpo/jm xaipov 
(f>0€y^opTai, fceivov S' 'E\Xa9 ael ao<f>Lav, 

XX 

THE SHADOW OF DEATH 
AUTHOR UNKNOWN 

Tou9 KaraXeiy^avra^ yXvKepbv 4>do^ ovKeri Oprjv&y 
Toi)^ i> inl Trpoa'SoKirj ^Avra^ del Oavdrov. 



IS8 GREEK ANTHOLOGY [sect, 12 

XXI 

PARTA QUIES 
PALLADAS 

TlpoaSoKiTf Oavdrov TToXvciSi/i/o? ia-rcv avirj, 
TOVTO Se KcpBalvet Ovrjro^ aTroWvfievo^' 

Mif Toivvv tcKavari^ tov airepy^^ofievov 0i6tou>, 
ovSev yhp Oavdrov Sevrepov iatt irdOo^, 

XXII 

THE CLOSED ACCOUNT 
PHILETAS 

Oi) K\am ^eivfov ere ^CKalrare' iroXKa yhp eyi/fi>9 
KcCKd' KaK&v S* ai a-ol fwlpav evetfie Oeo^. 

XXIII 

THE VOYAGE OF LIFE 
PALLADAS 

n\oi)9 <r^aXe/309 to ^rjv' 'X^etfia^ofievoL yap iv avTtp 
TTciKKdKL vavrjy&v irraiofiev olfcrporepa' 

Tijv Sk Tv')(r)v ^LOTOLO Kv/Sepvqrecpav ej^oi/T€9 
c»9 iirl TOV ireKdyov^: dfKf)ll3o\oL irXio/iev, 

01 fiev iw* evirKotqv, oiS' cfiTraXiv dX\* afia iravre^ 
eh eva tov KaTCt 7^9 opfiov direp'XpfieOa, 

XXIV 

DAILY BIRTH 
PALLADAS 

Nu#cT09 direpxofievf)^ yevvdfieda ^fiap eir fifiap 
TOV irpoTepov fiioTov firjSev e^ovTes ert, 



21-27] LIFE 1 59 

Tov XoiTTov Se l3lov fTTjiiepov ap^6/i€voi' 
Mi) Toivvv Xeye aavrov ir&v, irpea^vra, weptcar&v, 
T&v yhp aweXBovraov (ri^fiepov ov /i€T€')(ei^, 

XXV 

THE LIMIT OF VISION 
AUTHOR UNKNOWN 

l^vv afjLfjL€^, Trpoad^ aXXoi iddWeov, avrcKa S* aXXoc 
&v afifie^ yevehv ovkct iTroyjrofMeOa, 

XXVI 

THE BREATH OF LIFE 
PALLADAS 

'Hepa XeiTTaXeov /ivKrrjpodev afiirvelopre^ 

^(oofiev TjeXlov Xafiirdha SepKOfjuevoi 
Udvre^ oaoc ^&fi€v xaTct tov ^lov, opyava S* ia-fiev 

avpac^ ^(ooyovoi^ irpev/Mara Sexyvfievoi, 
Et Si Tt9 ovv oXirfqv TraXdfiTj a(f>iy^€i€V dvTfjLijv^ 

'^v'Yvv avXijaa^ eh *AtSi]v Kardyei* 
05x6)9 ovSiv iovre^, dyfjvoplrj rpe^ofj^eaOa 

TTvoiri^ ef 6X47779 riepa ^oaKOfievoi, 

XXVII 

TWO ETERNITIES 
LEONIDAS OF TARENTUM 

Mvpio^ ^v, AvOpcoTre, ^p6i/09 irporov, dj^pi irpo^ f)& 
rjfXOe^, x^ XoiTTo^ fivpio^ eh 'Ai&ijv 



i6o GREEK ANTHOLOGY [sect. 12 

Tt9 fioipa ^(orj^ viroXelireTat 'ff oaov oaaov 
(TTiyfjLi], Kol (TTcyfiTJ^ €1 TV 'vafirfKoT€pov ; 

yi,LKpri aev f©^ reffXififieprj* ovoe yap avrt) 
iJSer, d\V ix'Spov a-Tvyvorept) Bavdrov, 



XXVIII 

THE LORD OF LANDS 
AMMIANUS 

KAi^ fie'X^pc^ 'Upa/cXeov^ arrfK&v ekOrj^ Trapopi^mv 
7^9 fiepo^ avOpcOTTOL^: iraaiv laov ere fiivei, 

KetVi; S' "Ip^ ofioto^, e'xjanv o/SoXov irXiov ovSev, 
€69 TTjv ovK€TL affv yijv ava\v6fi€vo^. 

XXIX 

THE PRICE OF RICHES 

PALLADAS 

n\0UT€A9, /Cal TL TO XoilTOV ,' d7r€pj(6fl€VO^ fJL€Ta 

aavTOV 
TOP irXovTOP (Tvp€L^ 6t9 (TOpov cXfcofievo^ ; 
Toj/ ttXovtov avvdyei^ hanav&v 'xpovov ov Swaaai 

8k 
fft)^9 acopevaat fi€Tpa irepuraoTepa, 

XXX 

THE DARKNESS OF DAWN 
AMMIANUS 

'Ha)9 6^ ^01)9 irapairefiTreTai^ eZr , cifieXovvTmv 

rffi&v, €^ai<f>vrf<; fj^ec 6 iropt^vpeo^y 
Kal T0U9 /Ltei/ Ti]^a^, tov9 S' 07rT7;<ra9, iviov^ Be 

ijyva'qa-a^y a^ei irdvTa^ is hf fidpaOpov, 



28-34] LIFE i6i 



XXXI 

NIL EXPEDIT 
PALLADAS 



r^9 i*ir€^r)v yvfivo^^ yvfJLVo^ 0* vtto yalav aTreifii, 
Kal ri fidrqv fJL0')(j9S}, yvfivbv op&v ro t€\o9 ; 



XXXII 

THE WAY OF THE WORLD 
LUCIAN 

%vriTCL TCL T&v dvTjT&v, KoX iTCLVTa TTapio'X^eTai f)iia<i' 
ffv he fiTji aW r}iiel<; avra irapep')(pfieda, . 



XXXIII 

THE SUM OF KNOWLEDGE 
AUTHOR UNKNOWN 

OvK fjfirjVy yevofirjv' rjfiriv, ovk el/ii' roaavra' 
el Si Tt9 aW* ipeei, yfrevaerai' ovk eaofiau 

XXXIV 

NIHILISM 
GLYCON 

Tlavra 76X0)9 teal irdvTa kovv^ Kal irdvTa to jj/rfSev* 
irdvra yhp i^ aXoymv earl tA yiyvoiieva, 

L 



i62 • GREEK ANTHOLOGY [sect. 12 

XXXV 

NEPENTHE 
AUTHOR UNKNOWN 

Ila)? yevofiTjv ; irodev eifii ; rivo^ X^P^^ fjf\0op ; 
direkdelv, 

7ra>9 Svvafial tl fiaOelv, firjSev i*inaTd/JL€VO^ ; 
OvSev ia>v yevofirjp' 7ra\«; eaaofMai ©9 irdpo^ fja' 

ovSev fcal firjSev r&v fiepoiroov to yevo^. 
'AW ay€ fiot ^aK^pio ^iKrihovov evrve vctfia* 

TOVTO yap iarc /cax&v ^dpfiaxov dvTiSoroVm 

XXXVI 

THE SLAUGHTER-HOUSE 
PALLADAS 

IldvT€^ Tc5 davdrcp rrjpovfieda koI rpedyofieaffa 
ft)9 dyiXf) xpLpfov a-ifya^OfjiivoDv dXoyo)^, 

XXXVII 

LACRIMAE RERUM 
PALLADAS 

AaKpvx^^v y€v6/JLi]v xal Ba/cpvaa^ diroOvrjaKto 
SdKpvac 8* iv TToWot? rov fiiop eipop o\ov. 

*n 76J/09 dv0payrrcov woXvBaKpvov, dadeveSy olxTpop^ 
avpofiepop Kara yrj^ koI hiaXvop^pop. 

XXXVIII 

THE world's worth 

AESOPUS 

Ila)? Tt9 dpev dapdrov <r€ ^vyjj, fiU ; fivpia yap <r€i/ 
Xvypd, Kol ovT€ (f>vy€lp evfiape^ ovre <f>€p€ip* 



35-40] LIFE 163 

'HSea ^v ^ap aov ra <f>v<r€c fcaXd, yalay OaXaaa-a^ 

aarpa, aeKrfvairj^ KvxXa KaX rjeXioVy 
TaWa 0€ irdvra ^o^oi re koX aXyea^ ktiv ti iradri 

iaffXov^ dfiotfiaifjv iKSex^rai NifjLea-tv. 



XXXIX 

PIS-ALLER 

THEOGNIS 

TldvTcov fiev fir} <f)vvat iircyOovlounv apurrov 

fir)B' iciSelv aifyd^ of €09 iJcXtoV 
<PvvTa 8* OTTO) 9 &KiaTa irvXa^ ^AtSao irep^aai 

Kol tceiadai TroXXifv yrjv iirafiriadfievov. 

XL 

THE SORROW OF LIFE 
POSIDIPPUS 

Tlolrjv Tt9 ^lOTOLO Tafij) rpi^ov ; eiv dyopn fiev 

velKea koI yaXeTral irprj^ie^' iv he Bofioi^ 
^povTiSe^' iv S dypoi^ Kafidrwv aXi^' iv he Ga- 
Xdaari 

rdp^Of;' €7rJ ^elvrjf; h\ fjv fiev ej^i79 ta, ^€09, 
*Hi/ h' dwopf}^, dvtr)p6v' e^€t9 ydfiov ; ovk dfjuepifjuvo^ 

eaaeai' ov ya/jueeL^ ; 5^9 er iprffwrepo^;' 
Te/cva irovoC irijpaxri^ airav^ )8t09* ai veorrjTe^ 

a^pove^' at iroXf^al 8' efiTraXiv dhpavee^* 
^Hv apa Tolvhe hvolv evo^ aipeai^^ fj to yeveaOai 

fjLrjhewoT ^ TO davelv avTt/ca TiKTOfievov, 



i64 GREEK ANTHOLOGY [sect. 12 

XLI 

THE JOY OF LIFE 
METRODORUS 

HapTOLTjv ^lOToio rd/MOi^ rpl^ov elv ayopf) fiev 

Kvhea icaX Trcvvral irpTj^ie^' iv 8e Bofioi^ 
''AfjLirav/M' iv 8' aypol^ ^v(rco<; X^P^^' ^^ ^^ Oa\da-ai^ 

K€pBo^' iirl ^eivTj^, fjv fiev e^jf^ ti, xXeo^, 
*Hi/ S* airopfj^, fi6vo<i olBa^;' ej^et? ydpuov ; olko^ 
apLaro^ 

eaaeraL' ov yafieei^ ; f^9 It €\a<f>p6T€po<^' 
TcKva 7r6do<;' a^povri^; airai^ /3lo^' ai veorrfre^ 

pcofjLaXeat' ttoXloI B* efiTraXiv evaefiee^' 
OvK dpa T&v BiaaSyv kvo^ aipeai^, ^ to yevetrdai 

firjBeTroT fj to Bavelv' ir<ivTa yap iaffXa jScip. 

XLII 

QUIETISM 
PALLADAS 

TiTTTe fidrrfv^ avOptoire, irovet^ fcal iravra rapda-a-ei^ 
Kkripfp Bov\€VG)v Tc3 Kara rrjv yevetnv ; 

TouTft) aravTov ac^e?" tc3 BaifiovL firj ^CkoveiKet' 
arjv Be rv^V^ aripyoDv rjavxpH'^ dydira, 

XLIII 

EQUANIMITY 
PALLADAS 

E^ TO <l>€pov (re <l>€pei, ^epe koX (f>€pov* el S* drfavaK^ 
Tel% 
KoX aavTov Xvirei^, koX to ^epov ae ifyepei. 



41-46] LIFE i6s 

XLIV 

THE RULES OF THE GAME 
PALLADAS 

X/cijvrj ira^ 6 jSio^ Kal iraiyvioV fj fidOe irai^eiv 
T7)v a-TTOvSrfv ixeraOeL^y rj <f>ep€ tA? oSvi/a?. 

XLV 

THE ONE HOPE 
PAULUS SILENTIARIUS 

Ou TO ^rjv yapCea-aav e^et ^v<riv, dWct to piy^ai, 

^povTLoa^ ix (TTepvoDv Ta9 TrdXio/cpord^ov^, 
Tl\ovTOV e'xetv ideKto tov iirapKiov, fj hk wepLaatf 

Ovfiov del KariSei ypvaofiavif^ fieXerr)' 
*'Ev0€v iv dv0pa>7roi(rcv apelova iroWdicL 8176*9 

Koi irevifjv wXovtov, fcal ^cotov ddvarov, 
Tavra av yiyvtixTKtdv /cpaS/179 XQvve Kekevdov^ 

619 l^icLV el<rop6(ov iXirlSa, Tr)v (ro<f>ir}v, 

XLVI 

AMOR MYSTICUS 
MARIANUS 

Tiov aoL To^ov ixelvo iraXivrovov oX r diro aelo 

TTTjyvvfievoi fietrdrTjv 69 /epcLSirjv 86vafC€^ ; 
TLov TTTepd ; irov Xafjuird^ iro\v(oSvvo^ ; 69 ri Se 
Tpvaad 
aTefLfiara ')(€pa\v e;^6A9, Kparl S' eTr* aXko 
ff>ep€L^ ; 
OvK aTTO irapS'^fiov, ^iv€, Ku7rptSo9, ovk dirb yalrj^ 
elfil zeal vXairj^ 6/C701/09 ev^poavvq^y 



i66 GREEK ANTHOLOGY [sect. 12 

*A\V iyoD €9 Ka0ap7)v fiepoircov <f)p€va irvpaov 



avdirrco 



€Vfia0Lr)^, '>^v'yY]v S' ovpavov elaavdyay' 
Eac 8' dpcT&v aTe<^dvov<i inavpwv irXeKto' &v dtf> 



€Kda-Tr)(; 



TOvaSe <f)€pcov, irpwrtp tc5 ao<l>irj<; ariifyo/jLai. 



XLVII 

THE LAST WORD 
PALLADAS 



IIoXX^ \a\€?9, av0pa)7r€, ')(ayiaX he tlBtj jjlgtcl fufcpop* 
alya, KaX fieXira ^Syv en tov ddvarov. 



INDEX I 



AUTHORS OF EPIGRAMS 



Addaeus, v. 12 ; vi. iS. 
Aeschylus, iii. 9, 13. 
Aesopus, xii. 38. 
Agrathias, i. 9, 29, 34 ; ii. 45 ; 

lii. 60 ; iv. 43 ; V. 2 ; viL 9, 

15 ; ix. 22. 
Alcaeus of Messene, iv. 18, 20 ; 

vi. 2. 
Alpheus, ii. 4 ; iv. 3 ; ix. 23. 
Ammianus, xii. 28, 30. 
Anacreon, iii. 8. 
Antipater of Sidon, ii. 8, 30, 42 ; 

iii. 27 ; iv. 2, 4, 9, 10, 46 ; 

vi. 27; vii. 19; ix. II, 20; 

xi. II, 16, 18, 41 ; xii. 9. 
Antipater of Thessalonica, i. 23 ; 

ii. 8 ; iii. 44 ; iv. 22 ; vii. 7 ; 

ix. 14, 21, 25 ; xi. 23-25. 
Antiphanes, xii. 3. 
Antiphilus, ii. 3, 12 ; vi. 17 ; x. 

9 ; xi. 22. 
Anyte, ii. 37 ; vi. 14, 24. 
Apollonides, ii. 9; ix. 13; xi. 

32, 46 ; xii. 8. 
Arabius, iv. 38 ; vi. 29. 
Archias, ii. 39 ; iv. 21 ; v. 7, 8 ; 

xi. 28. 
Aristodicus, xi. 14. 
Ariston, iv. 27. 
Artemidorus, iv. 33. 
Asclepiades, i. 2, 8, 27, 28, 66, 

69 ; ix. 8 ; x. 45 ; xi. 30 ; xii. 

II. 
Asclepiodotus, ix. 19. 
AutomedoD, xi. 27. 

Bacchylidbs, ii. 35. 

Bianor, vii. 18; xi. 39; xii. 17. 



Callimachus, i. 13, 37 ; ii, 13, 

26 ; iii. 22, 36, 42, 62, 67 ; iv. 

26, 29-31 ; vii. 12, 13 ; viii. 

4 ; ix. 15 ; xi. 31 ; xii. 19. 
Carphyllides, vii. 22. 
Cometas, vi. 10. 
Crinagoras, ii. 2, 41 ; v. 17 ; vii. 

4; xi. 21, 29,44. 

Damagetus, iii. 25 ; xi. 45. 
Damascius, xi. 50. 
Demodocus, x. 39. 
Diodorus, iii. 47, 48. 
Dionysius, ii. 18; x. 2; xi. 5. 
Dioscorides, i. 58 ; iii. 55 ; iv. 1 1. 
Diotimus, iii. 41 ; xi. 17. 

Eratosthenes, x* 7. 
Erinna, iii. 43 ; iv. 34. 
Erycius, iii. 16. 
Euenus, vi. 19 ; ix. 30. 
Euphorion, iii. 14 ; vii. 6. 

Gaetulicus, ii. 25. 
Glaucus, iii. 23; viii. 11. 
Glycon, xii. 34. 

Hegesippus, ii. 28. 
Hermocreon, ii. 16 ; vi. 7. 

IsiDORUS Aegeates, xi. 26. 

Joannes Barbucallus, vii. 8, 

20. 
Julianus Aegyptius, x. 10 ; xi. 

43; xii. 12. 
Julius Polyaenus, ii. i ; ix. 35. 

167 



1 68 



GREEK ANTHOLOGY 



Leon I DAS of Tarentum, ii. 24 ; 

iii. 20, 26, 52 ; iv. 7 ; v. 10, 

13; vi. 3, 26; ix. 28; X. 4; 

xi. 3» 6, 9, 35, 37 ; xii. 27. 
Leontius, iv. 19. 
Lucian, iii. 34 ; x. 46 ; xii. 32. 
Lucilius, iv. 24 ; x. 13, 16, 18- 

25i 28, 31, 34, 37, 38, 42. 

Macedonius, i. 22, 36, 43 ; ii. 

5, 7 ; V. 4 ; vii. i ; ix. 9, 10 ; 

xi. I. 
Maecius, i. 63 ; ii. 10. 
Marcus Ar|;entarius, i.4, 38, 53 ; 

vi. 16; IX. I, 16; X. 8; xii. 

7.. 
Marianus, vi. 9 ; xii. 46. 

Meleager, i. 6, 10-12, 16-20, 24, 
25, 32, 42, 45.49, 51, 52, 54. 
56, 59-62, 64, 65, 67, 68, 70- 
75; iv. 16, 17; vii. 11 ; viii. 
I, 3, 6, 8-10, 13, 14; ix. 12; 
xi. 42, 47. 

Metrodorus, xii. 41. 

Mimnermus, xii. 6, 

Mnasalcas, ii. 40 ; iii. 5 ; vi. 23 ; 
viiL 12 ; xi. 10. 

Moero, ii. 20. 

Moschus, iv. 37. 

M)rrinus, vi. 22. 

NiCABNETUS, iii. 29 ; vi. 28. 
Nicarchus, x. 3, 14, 17, 26, 27, 

29. 30. 32, 35» 36, 4i» 44; 
xii. 2. 

Nicias, ii. 29 ; iii. 31 ; v. 6. 

Nossis, i. 3; iv. 15. 

Palladas, ii. 27 ; ix. 34 ; x. 
15 ; xii. 4, 21, 23, 24, 26, 29, 

31. 36, 37» 42-44, 47. 
Pamphilus, vi. 21. 
Parmenio, iii. 3. 
Parrhasius, iv. 47. 



Paulus Silentiarius, i. 14, 15, 21, 

26, 33, 35 ; "• 43 ; vii. 2 ; xi. 

51 ; xii. 45. 
Perses, v. 11. 

Phaedimus, iii. 30 ; vii. 14. 
Phaennus, iii. 59. 
Phanias, iii. 40. 
Philetas, xii. 22. 
Philippus, ii. il, 14, 33 ; xi. 38. 
Philodemus, i. 31, 39 ; ii. 6 ; vii. 

3 ; X. 47 ; xii. 15. 
Plato, ii. 22 ; iii. 1 1, 12, 17, 18 ; 

iv. 14, 45; vi. 5, 8; viii. 5,7 ; 

ix. 18, 31 ; xi. 53. 
Pompeius, ix. 24. 
Posidippus, i. I ; ii. 21 ; iv. 5 ; 

xii. 40. 
Ptolemaeus, iv. 32. 

Rhianus, viii. 2. 

Rufinus, i. 7, 30 ; ix. 2 ; xii. i. 

Satyrus, v. 9 ; vi. 15. 
Secundus, ix. 6. 
Simmias, iv. 12 ; xi. 12. 
Simonides, iii. I, 2, 4, 6, 10, 24, 

61, 63, 66 ; X. 5 ; xi. 20, 4a 
Strato, i. 5, 76; ix. 3, 7 ; X. I ; 

xii. 10. 

Theaetetus, iii. 28; vii. 16; 

xi. 7. 
Theaetetus Scholasticus, v. i. 
Theocritus, ii. 15, 19, 38 ; iv. 

23 ; vi. 13; vii. 10 ; xi. 15. 
Theodorides, iii. 19. 
Theognis, xii. 18, 39. 
Theophanes, i. 41. 
Thucydides, iv. 13, 
Thymocles, ix. 5. 
T3mines, iii. 58; xi. 13, 19. 

ZoNAS, ii. 31, 32; xii. 13. 



INDEX 11 



FIRST LINES OF EPIGRAMS 



*A KjjTrpis 0^ vdydafioSf 
'A K(;irp(s rdv K6irpip, 
*A K&irpov & T€ KijOnpa, 
^A fidxap dfippoaljiin, 

A vdpos Ad/xriTOSf . 
'A TTokd "Leipifyuv, . 
*A 0^\6p(i;s x<'''P<*^o^^> 

A yf^vx^ ^aptffioxOe, 
'A/3/)oi)s val rbv "Epwra, 
''A77fiXoi' TdSe Aopicds, 
*'A77eXc ^€p<r€<l>6vris*Ep^ 
^Ayvdis xc*)P<w ^w*** 
' Ayybv XPI ^V^^o, . 
'A7p6s 'AxatM^^'^^ou, 
*A7xt(iXou f>rjyfuvos iwl 

ffKOVC, 

"Adiov oifbkvip(aTOiy 
*Adif fi4\os val Ilava, 
'Aivaov ILadapiiv fie, 
Al Xdptres r^fievoSf 
Aldi^bt IloXT&avdov, . 
AlyiaXira UpLi^rre, 
Alyipdr"^ rdde Ilavlf 
*AtS'fj dXXirdi'curf, 
AUl fioi diver fUvf . 
AfXtfOf (bKVfi6p<p fie, 
AivoXiKal ffdpiyyes, 
AtffxvXop E^oplcjyoSy 
Alu>v vdvra ipipei, 
Alwpy 0i^p€tov l/Aaffffd 

'AxflOUOS jiodl'^ PTJt SpSfAOS 

*AKpU ifiQp dirdrrnxa, 



. XI. 


37 


. vii. 


lO 


. iv. 


40 


ii. 


21 


. xi. 
. ix. 


48 
26 


• • • 

. 111. 

• 

1. 


46 
56 


i. 

• • ■ 

. Vlll. 


74 
8 


• 

1. 
.if, iii. 

V. 


32 

35 
16 


V. 


15 


ix. 


32 


■ • 

u. 


25 


i. 


3 


i. 


59 


. vi. 


12 


. iv. 


14 


. iii. 


30 


ii. 


10 


• • 

11. 
xi. 


34 
36 


i. 


10 


• • • 

HI. 


48 


. viii. 


10 


• • • 

. 111. 
. ix. 


13 
18 


. iv. 


21 


f, vi. 

■ 

1. 


27 
64 



"AXffos fikp Movcais, . iv. I 

* A/Airaljffei xal ride, . xi. lO 

' "AfxireXc fii^rore 0i;XXa, . viii. 12 

j "AfiireXos (hs iiSri, . . xi. 6 

"AvdpOKXoi &iroXXoy, . ii. 43 

*Avdpofidx'n^ ^Ti Oprjvov, iv. 3 

, 'Avipa Xvffarp-rjpif , . i. 14 

j "AvOca iroXXd yivoiro, . xi. 49 

I *Av0o5iaiT€ fx4Xi(r<ra, . i. 60 

"Avdpwire ^rjs irepiipelbeOj xi. 27 

'AvW j8o6s xP»^<^^ou, .. ii. 27 

'Apdels i^ aCp7)s, . . x. 25 

* ApKcT fioi yairis, . . xi. 3 

*Apu€tTai rbv "Epwra, . viii. 3 

" ApvaaTai,' rli rbcirovy . i^ 17 

'Apx^Xetb fjL€ ddfiapra, . iii. 49 

*Apx^X€(as XifievTra, . ii. 3 

"ApTCfu (Tol rd rridiXa, . vii. 14 

'ApTi XoxcvofJL^vrfv <t€, . iv. 6 

"ApTi fie yevbfievov, . iii. 33 

*ApTixoLV7J ftoidv re, . ii. 31 

'Aff^earoy kX4os otde, . iii. 2 

I *Aa"irlda <f>p\jvoy 6<pty, . x. 40 

"Affiropa Hdy Xo<f>i^a, . ii. 45 

'AffT^pas el ff ad pets, . viii. 7 

*AffT^p irply fjiiy fXafiireSf xi. 53 

*At01 Kbpa fieXiOpevire, . vi. 19 

*Ardh iyu>' Kelvrj ydp, . iii. 1 6 

*At0U efiol iififfaa-a, . iii. 5 1 

'Arpifiai, & ^iye, /3atv€, . iv. 16 

AUfXaKi Koi yi)pq., . . vi. 18 

Aiipiov d0pT^to ce, . ix. 9 

AiiTovLrj fie Aifivaaav, . iii. 44 

A^bfiarai 5etX^, . . xi. 17 

169 



I70 



GREEK ANTHOLOGY 



IV. 


43 


• 

1. 


69 


xi. 


II 


• • 

Vll. 


17 


xii. 


i8 


• 

1. 


65 


V. 


8 


• 

1. 


6 


• • 

Vll. 


7 


iv. 


33 



Ai^ToO fioi ariipavoi, 
AvTov <rol Trap' dXuvi, 
Awry Kal T€K4€(T<ri, 
"Aippoves &vdpiimoi, 
'Axi^etj rim^, 

Baids Ideiv 6 U.fUr)iroif 
Bc/3M<rd« ici;/3oj- fiirrc, 
BiSwls Kv64fyij fie, 
BuKoXiKal Moiaai, 



Tcua Kal ElXi/fSviaj xi. i 

Fata <f>i\rf rhv t pickup, . xi. 4 

Tdioi iKTveiicras, . . x. 20 

r^ irripriv yvfufds, . xii. 31 

TXevKotrdTais Xari^poKri, x. 4 



AdKpvd (Toi Kal v4p0e, 
dkaKp\rx4<av yepd/xrjv, 
Aa/jLOKplrtp fjukv iyd, 
Adi/wriv Kal 'Ni6pTiv, 
Adi/tPis 6 \€VK6xp<*iit 
AetXo/i; rl (re jppCjTOVy 
AeiXaiOL ri Kevaunv, 
£i€iv6s''Kpu)s SeiudSf 
A^^ae fi* 'HpdKXeiSj 
ArfOi^ei KXeoipdPTLSf 
Ai/o? XiKfialrif 
AikXidas dfi^riva^ePj 
AIktvop dxpofiSXipdoVf 
Alpdvfia /cat ^pvyiris, 
Alp<f>voi idfi-fidrjixcp, 
A6s /Aoi TovK yalrfs, 
Apdyfiard aoi. x^pov, 
AviTKiixfHp 5v(rK(t)(f>oi, 
A6<ytMp€ l^iKdv(apt . 
A(t)9€K4T7i t6p raT5a, 
AupixcL dffria ixkv crd, 



AiOKXiot, . . viii. 



. XI. 


47 


. xii. 

• • • 

. 111. 


37 
59 


X. 


15 


11. 


38 


. xi. 


44 


. xi. 


21 


• 

1. 

• • 

11. 


71 
28 


• 

1. 


26 


• • 

11. 


32 


i. 


35 


ii. 

• • 

11. 


7 

24 


. iii. 


10 


. xii. 


13 


• » 

11. 


33 


X. 


35 


xi. 

• • • 

. 111. 


25 
36 


. iv. 


5 



"Eyx" ffti TrdiKiP elir^ 

jrdXiPy 
"Etxc* Au<rt5£/ny$, . 
"Kyxei Toj JleiBovs, 
E^ Koi dvurra ic\i;ou(rc, 
E/ Kal ipTifuUrjf 
E/ Koi ffcv TroXiifHOPOs, 
E^ Kal (TOi idpdioSf . 
E^ Kal TyfXoT^pb), . 
E^ icdXXec Kavxft . 
Ef fie nXdrup od ypd^e 
E/ fjbkp dvb ^wdpTijSy 
¥J flip yvipdffKeiy . 
Ef ns diro^ yflft-^^f 
W rb KoXCk Bp-^KeiP, 
E/ r6 4>^pop ae <t>4p€i, 
Efapos Ifpdei fUp, . 
Ef)7 iropTov6p(p vX6os, 
"EWe Kplpop yephfiifp, 
Et0€ fie vaPTolourip, 
WOe ftbHop yephfirfP, 
WKbpa flip IlapliiP, 
Ef/cotrt yepp-fyra^f , 
Elfil flip o(f <l>iX6oiPos, 
Elpodlrj ffol rbpde, . 
Elp6diop ffrelxopra, 
Elpo<ri(l>vXXop 6poif 
Etvas ifXie x^P^$ • ^ 
ETW Tts 'HpdKXftre, ^ 
Eli 'AU-nv lOeia, . 
EU 85e NiKdpdpov, 
Eh'?68op elirXeOffei, 
Etffidep *AptIoxos, . 
Etre <r6 y* 6ppeb<l>oiTOPy 
E?X6 ^IXup X4fi^p, 
*Ek ^^s fie deol, , 
"Bk fie ye(Ofiof^7jSf , 
"EX/COS (x^ ^^^ fpiifTa, 
"EXkos ^x*^" ^ ^ctvof,. 
'EXirldos oifSi TiL^xv^i 
'EXiris del pi&rov, . 
'EXiris Kal <rif T^xv* 
"EfiiTPei Ildp XapoTffUff 



1. 


55 


i. 


53 


i. 


54 


iv. 


47 


ix. 


24 


ii. 


I 


v. 


17 


i. 


15 


. ix. 
9 iv. 


3 

28 


. ix. 


22 


ix. 


7 


X. 


12 


a • • 

. III. 


I 


. xii. 


43 


. vii. 


4 


. iii. 


20 


• 

1. 


41 


. ix. 


21 


• 

1. 

. viii. 


40 
6 


X. 


16 


• 

1. 


9 


ii. 


12 


. viii. 


I 


v. 


6 


iv. 


29 


iv. 

• • • 

lU. 


30 
15 


* • • 

111. 


32 


X. 
X. 


32 

3« 


v. 


9 


X. 


41 


iv. 
xi. 


42 
26 


• 

1. 


43 


i. 


13 


ix. 


34 


ix. 


35 


ix. 


33 


. vi. 


2 



INDEX II 



171 



*Ev iraaiv fieOvouaiVy . x. 46 

'Ev <rol rdfiA Mutcrice, . viii. 9 

*Ev$dd€ yQ jcar^x^'f ^ii* 54 

*EvTbs ifJLTJi Kpadlrji, i. 75 

*Bf draXai' x^^P^^f • *^' 34 

'E| drdfuav 'EirLKOvpos, . x. 24 

*£^ (Spat fxdx&oiif . . x. 1 1 

'E^icoi^oiAnyj A(oi'i/<rios, iii. 65 
'Epfialoisr}fjuy*A<f>po5l(rtoSf x. 3 

' Ep/MS r^i^' Icrraica, . vi. 14 

*Epfioyiy7i t6p larpbv lbu)v^ x. 28 
*'EpfU»y4v't} rhv larpbv 6 

dffTpo\6yos, . . X. 27 

"Epx^o Kal icar' ^/xdi' t^ev, vi. 6 

*Es ir6<rt»' ddpi^aa-a, . vii. 20 

*E(rircpfi7v Mocp^s /te, . i. 5 

E^dypei Xaybdtipa, . v. 10 

'EC^Itjs yivos i<r/x4Vf . iii. 12 

E0d6(S Zi/i'o^^Xa, . . i. 42 

E0dets 0v\Xo<rrpiI;rt Wdy, vi. 13 

E(f5i7/bios rdf yridtf, . . ii. 35 

¥ti}8ia flip v6vT0St . . v. 2 

'K6fjui$iffp ^retro, . . iv. 26 
E(^pov /i€ Tfyrfx^iO-i • .iii. 26 

"R^a-e^iri rb fjJXadpop, . vii. i 
E(f0oproi I'ttcs jreXayl- 

ridei, . . . vii. 11 

"EiftOavev'HXibSwpoSj . xi. 46 

*Ei^d^^a; yal Eiyirpci/, . ix. 12 

'ExBaUpu) rb voirffia, . iv. 31 

Zffvbs Kal AiffTovSf . . ii. 14 

Zdeiv elvaXtrj 8M, . ix. 19 

Zuxrlfiri ij vplv iovtra, . xi. 50 



'H Kadapi^, N(;/x0ai ydp, 
'H TraU vx.€r^ aiapos, 
*H To\i> 'Seip'^viaVf 

'H Tvpl rrdvTa reKoCVra, . 

''H ^* {nrb <r6l Xapldas, . 

*H ^d 76 /cai <r6j ^tXivvaf 

H ^d I'i^ Toi KXebpiKe, . 



IX. 


13 


xi. 

111. 


46 


vii. 
xi. 

• • • 

111. 


19 

38 
62 


• 

1. 


34 


viii. 


2 



*H aev Kal tpdifjJpas, iii. 61 

' H aofiapbv yeXdaatra, . ii. 22 

*H rd ^65a (toSbeaaap, . x. 2 

'H r6 irdXai Aats, . . ix. 6 

"HjSa /M>( 0/X6 du/ii^, . xii. 6 

*B.y6pa(ras x^^^^^^^t x* 3^ 

'Hd^a TrdPTa KiXevOa, . x. lO 

"HStj Kal />6dop iarl, . xii. 15 

"H^i; /caXXtWnjXov, v. I 

"H-dtj XevKb'iop OdKXeif . i. iS 

"Rdrj fji^p yXvKds 6p$pos, . viii. 13 

"H-Stj fjjkp KpoKbets, . . xi. 41 

"ILdrj irov irdrpiys xeXdaaSf xi. 22 

"Hdrj Toi 4>^ip6ir(opoPf . ix. II 

'H$i> dipovs dtrJ/upTif . i. 2 

*Hipa XeiTTaXioPj . .xii. 26 

'Hep/17 Fepdy^tai . . iii. 24 

"HdcXop B.P irXovTcTv, . xii. 14 

*RX6€ Ocafri/rof, . . xii. 19 

*HX^e Kal is UlXarop, . ii. 15 

"HjjLrip dxftciop irdXa^itos, . iv. 25 

*Hi' v^os dXXd iriprfSf . ix. 29 

"Hi' Taplins ffpoya, . . v. 12 

*Hv rdxa ffvpl^oproSy iv. 3S 

"Hi' Ti irddu) KXeb^ovXe, i. 70 

'Hi' TIP* txv^ ^X^P^^i X. 29 

''Hfdai'ei' dpBpdlnroiSf xi. 7 

HoCs d77cXe x^P^t • i* 20 

HpdirXees Tprjxtpa, , ii. 1 8 

B.pdffdtiP • rf J 5' oi)x^ . X. 47 

Hpdffdtfs irXovTUP, . ix. 16 

Hp^^i* inrkp TiifipoiOf . iv. 12 

Hpiop elfd BlruiPos, iii. 29 

HpW o^K irrl irarplf . iii. 40 

"Hpttxap KdpVK* dperas, . iv. 2 

Hpilxap dXiyai fUp, . ix. 23 

Htrt^dov TTvrk i^^Xop, . i. 4 

Hci;s ^^ i^oOf wapavifi' 

ircrat, . , . xii. 30 

Qeiopbrfs ^KXaiop, . . vii. 18 

Oiffwis 6de rpayiK^Pf iv. II 

QeffffdXbp tinrop ^ets, x. 37 



172 



GREEK ANTHOLOGY 



QrjpevT^v Adinrriava, 
BPTjrdi. tA tu)v Ovtjtwv, 

" Ifeu ^ir' alyelpoiffiv, 
"Ifeu iirb CKiepdiv 7r\d 

ravov, 
"Ifiepov aiXi^iravTLf, 

^'Iiriroy *A6t^viov j<r€v, 
'I(Ttds i}d&irP€vaT€f . 
"laruj vvkt6$ ifiijs, . 
"lijy^ 71 NtKoOs, 

Kai Kawpbv 7e\(£(ras, 
Ka2 Kpavaas BafivKuPOS 
Kal piKVP dvpijvPTOs, 
Kal vdXtP WxiffOvia, 
Kal trie pvp Kal l^pa, 
"Kal v6t€ 5«/Tjeis A^OjSos 
Kal irore Qvfi(b8rjs, 
Kal ak KXerjpopidrjf 
Kdfik rbv ip fffUKpoU, 
KSlp fi^xP^^ "H.paK\iovs, 
KairvaddKUP (Opovs, 
Kaprepbs ip jroXifiois, , 
KdrOaPOP dWd jxipw <t€j 
Kei/xai' Xd| ivl^aLPe, 
Keiffai Si} xP^^^^^^t 
KcKpoirl paipe \dyvp€, 
KepKlda rdp dpdpipd, 
Kijp fi€ (pdyijs iirl ftil^ap, 
K-^p irp^fipri Xax^w /*€, 
KripTtxrcta rbp "Epwro, 
KXaffdeifffis Trori PTjdSf . 
KXtDi'cs dTrrjdpioif . 
KpridlSa T^p Tro\(>iJ.vdoPf 
Kprffipo^drap dUepup, . 
Kp}}s yepcdp BpdraxoSf . 
Kvapir) KoX roia^c, 
KvfMa rb TTiKpbp "Epwros, 
KvTTpidos o5toj 6 x^P^^i • 
Kiofjid^o) xp^(f€iop, 



xi. 1 6 

xii. 32 
vi. 22 

• • ■ 

111. 31 

vi. 7 
iv. 22 
ii. 6 

i. 58 

ix. I 

iii. 47 

ii. 23 

iv. 15 

iv. 46 

xi. 24 

vii. 12 

xii. 10 

xi. 32 

iii. 25 

xi. 33 

V. II 

xii. 28 

xii. 16 

iii. 8 

xi. 52 

i. 72 

ii. 20 

i. I 

ii. 30 

ix. 30 

X. 9 

i. 12 

ix. 14 

vi. 17 

iii. 42 

ii. 36 

iii. 66 

■ • • 

111. 9 

i. 46 

vi. 24 

X. 8 



Aafiirdda dels Kal T6|a, . iv. 37 

Ael^papop d/JLtpiKXaaTOVy . ii. 8 

AevKddos alvifp fx^^* • ii* 1 1 

A^s votI rap Motcdp, . iv. 23 
ALffffOfi' "Epwy rdv Aypv- 

TPOP, . . . i. 62 

Aovffd/xepoi UpodlKT}, . xii. I 

A65os,iy(»), pal Avdos^ . iii. 55 

yLarpbs ^r' ev K6Xiroi<r«', i. 45 

M^XXoj' &pa (TTvyepdPf . ii. 29 

Mi/XPT) TTov fi^fivT), . ix. 5 

M^ f^ret d^XroiffiP, . x. I 

MiJ /AC r6v ^fc AipdpoLO, . vi. i 

Mt; ix^ixxf/ri vapiup, . vii. 22 

M77 /it;pa fii] aT€<l>dpovs, xi. 2 

M^ aol TovTO ^iXaivi, . xi. 19 

Mr; (TiJ 76 TroiopdfJLOiOf . vi. 3 

M?75' 3r' ^tt' dyKijpris, . xi. 23 

MrjK^i d€LfialpoPT€Sf . vi. 25 

Mr^K^Ti PVP fjup6pi^€f . vi. 16 

Miji/i; xpu(r<SKe/)«s d^KpHf i. 38 

Mt^ttotc Xi/x»'f fi^KtiTa . vii. 9 

Mv^^ia ^i^v''EXXas diratra, iv. 13 

MOj* 'Acr/cXiyirtdSrys, . x. 42 

Mi/p£os V &p$p<air€, . xii. 27 



Nacos i/jid, dp^vreipa 

Ti5/)os, 
Navi77oO Td<pos elfii' b 5' 

dprloPf 
'Navrjyov rdtpos elpi' trd 

5^ irX^e, . 
NaurfXe /ui) ireiJ^ou, 
NaurfXot & irXtaopres, . 
"Ne^pclap btrSo'OP ffdXviy^ 
N^a (Toi (5 TrbpToVf 
N 77((i56s Kal ^vxpd /Soai/Xm, xi. 8 
Ni/u)!' (bKvw6pu)p 6s ix^^^f ii* 4 
NiK67roXtv Mapd^cui'is, . vii. 21 
Nt0e xaXa^o/36X6(, . i. 8 

Ni5/cra fUffiriP iirolrjffe, . x. 18 
'SvKTepiPT) diK€p(i)i, . i. 39 



IV. 17 

• • • 

111. 17 

iii. 19 
iii. 21 
iii. 28 
iv. 10 
11. 5 



INDEX II 



173 



NvKTiKdpa^ 4S€if . . X. 14 

NvKTbs dir€p)^ofJi4vris, . xii. 24 

Ni//A0at i<f>vdpidd€if . ii. 16 

N(//Li0at ir€vdofiiy(fi , viii. 1 1 

Ni;/A0as BavK^dos ^Atyu/, . iii. 43 

Nvv Afifies TTphad^ &\\oi, xii. 25 

Ni>^ Up^ kolI \vx^€, . i. 67 

Nuf , (T^ 7dp oiJk- A\Xi;v, . i. 28 

Sct»'e T6.<f>ov TTCLpb. \iTbVf iv. 9 

Hetvot \dCvia% fiij ^awre, iv. 41 

'0 ^paxifi "Ep/iioy^priSy . x. 19 

'0 irX6os wpatos, . . vi. 26 

'0 TrTOLvbs rhv trravdu, . iv. 36 

'0 ffTi^cwos vepl Kparif . i. 19 

OW Sti Ovarbs iytb, . iv. 32 

OW 5rt /Aoi irXoiJrov, . ix. 15 

Otbe Trdrpap iroXi^daKpWf iii. 5 

Oide iroT* AlyaloiOf , iii. 1 1 

Otvordras ^€vo<f>CiVf . x. 7 

'OiCT(b fiev rri^x^^^ Axexc, xi. 30 

"OXjSta riKva yivoiade, . vii. 16 

'OXicdSa TTup /*' ((pKe^e, , ix. 28 

'OTrXffiEu K^firpL rb^a, . i. 50 

"Opdpe ri fioi dvff^paare, i. 24 

"OpBpe tL vvv Svffipaare, i. 25 

"Opffpos H^ri Xpv<rL\\af . i. 23 

"Opveov & Xdpiaiv, . xi. 13 

"Optp^os olxo^tjivoVf , iv. 19 

0«5 ydpLOV dXX' ^ktdavy . xi. 42 

0^ d^Xerai "SUdpKov, . x. 34 

Ou kXoUu) ^eivuv ff€, . xii. 22 

OiJ /c6»'tj oi55' 6Xf7ov, . iii. 23 

0^ fi6vos ifixf/vxdfVf . X. 43 

0^ vXdKafiov ArjfxovSf . i. 49 

0^ ffol TOVT* i^6<t)v, . i. 73 

0^ rb ^rjv x^P^^<^<^^^t • ^^^* 45 

0^ rb Odveiv dXyeivbVy . iii. 38 

Oi> Tprixli (re XLdeioSf , iii. 14 

Oiudi v4kvs uavrfybSf . xi. 28 

0^/c diroOvT^ffKeiv dei fie, xii. 2 

OvK i$^ov(ra TvxVi • ix. 17 



O^K iSiXu ^i\60vpe, 
Ojuk ef/x' 0^5' iriwVf 
0^/c ^/uiyi' yevbfiTjv, 
OiiK old' el AibwiroPf , 
OMd* bfJLOv x^Aid/XKtrtv, . 
OiiKir' dy' vXijey, . 
0^/c^r' dvA ^pvylriVf 
Oiuk4ti di^ ae }dy€iaf , 
Ovk4ti BeXyopLivas, 
OifK&ri wov TXijpi.ov, 
OCvopid pioi' tL 5^ toOto, 
OCiru) ffoi KoXi^'KuVf 
Oi^TTU) Toi irXoKafJLol, 
OUpiov ix TpOfiprjSf 
Odros b firfdiv 6 Xit6s, . 
OOtws {fTryilxraiSf . . 
*0<l>6aXiMoly t4o fUxpis, . 

Iloudd pie Treyrairripov, , 
Haidbs d7ro<l^i.pAvoiOf 
IlaXXds rdv Kv$4p€iav, . 
nd>' (pLXe TTfKTlda ptpLve, 
ndvd p.€ rbvb' leprjs, 
Haub(bprfi bpbcju 76X60;, . 
Udvra 7^X(i;s xal vdura, 
TldvTa Xdp<av dTrXiytrre, 
UdvTes pikv K^X(/C6s, • 
Hdvrei r<} davdrtp, 
TLavTolriv Pibroto, . 
IlduTUJV piiv p.^ <i>vvat, . 
TlapdeviKijv veaotbbtfj . 
Ilappievii OVK (pyifi, 
Ildffa SdXaffira OdXaffaa, 
H&ffd ffoi olxop>iv(p, • 
Uciffav iyd) rijv viKra^ . 
l\d<n, davelv pLepbTecffiv, 
Ueidoi Kal Ha4>lqi, 
Uipirca <roL pLijpov ijdi/f . 
Tl^pLiru) ffoi 'ToSbKXeia, . 
Il4vTe davwv Kelffrj, 
H^vre p.eT* dXXcav Xdppios, 
Uiu* 'A<r/cXi;7rtd5i7, 
UTve Kal e^uippalvov, 



vi. 


28 


• 

1. 


66 


xii. 
xi. 


33 
18 


• • • 

VUl. 


14 


xi. 


12 


iv. 


20 


xi. 


14 


iv. 

• ■ • 

111. 


4 
60 


xi. 


51 


vii. 


3 


xi. 


34 


V. 


3 


xii. 


17 


• 

1. 


37 


it 


33 


• • • 

111. 


34 


• • • 

111. 


37 


iv. 


39 


vi. 


10 


V. 


7 


ix. 


10 


xii. 


34 


xi. 


39 


X. 

xii. 


39 
36 


xii. 


41 


xii. 


39 


iv. 

• 

1. 

• • • 

111. 
iv. 


7 
36 

27. 
18 


• 

1. 


29 


xii. 

• • 

vu. 


4 
8 


• 

1. 


44 


ix. 


2 


xii. 


7 


X. 


17 


X. 


45 


xii. 


5 



174 



GREEK ANTHOLOGY 



nXoOs <r<f>d\€p6s t6 ^i*, . 
nXourets Koi tL t6 \oit6v, 
Tl\(aTrjp€S ff(b^oi<r$€, 
Holrjv Tis pidroio, . 
Uoifiives ot ravTTiVy 
IloifievLav &y\cixr<ros, 
Uoifx^v & fidKap etde, 
IloXXd XaXets ia^dptOTre, . 
IloXXd/ci /Jiiv T6d^ dci<ra, 
IIoO (TOL t6^ov iKclvo, 
Hov t6 irepL^Xen-Tovy 
Hp-qiTcpov yijpds ae, 
UpoffdoKlrj davdroVf 
Tlpibras binr&r'' lircfe, . 
nT«/i7$ /iot K(bv(a\f/, 
Uravcfi TTTavbp *E/)wra, . 
IltSKeLadb) Kal ixarpbs, . 
IltDs yevbpiriv ; vbOcv elfilf 
IIws TLS &v€V Baydrov, . 

"Pov<l>tPos T-j VS» • 

2^/ta Qebyvibos dpi, 
2t7(lrci; \det,ov Apvdduy, 
"Zk^vtj Tras 6 /3/os, . 
Soi /cal yvv uir6 7^v, 
Soi rdSe Udv ffKOiriiJTaf 
Zo2 rd§6 avpiKxdf . 
.S7nJXv77cs Nu/i^wv, 
2r/)077iJXi7 eirbpyevre, . 
^Tpv/jibyi Kal /JLcydXffif . 
'ZrCjp.ev dXippdKToio, 
^<l>aLpi<rTb.y rd^'Epwra, 



TA p65a rd Spoffbevra, . ii. 19 
T^5' iyir6 rds irXardvous, vi. 9 
T^5c Kard xXoe/wto, . vi. 4 



Xll. 


II 


• 

1. 


16 


xii. 


23 


xii. 

• • ■ 

111. 


29 
18 


xii. 


40 


xi. 


9 


vi. 


15 


xi. 


29 


xii. 


47 


xii. 


12 


xii. 


46 


ix. 


20 


xi. 


5 


xii. 


21 


• • 

Vll. 


6 


• 

1, 


61 


iv. 


35 


i. 


52 


xii. 
xii. 


35 
38 


X. 


23 


i. 


30 


• • • 

111. 
vi. 


63 
8 


xii. 

• • • 

111. 


44 
56 


ii. 


39 


ii. 


17 


ii. 

X. 


41 
6 


ix. 


25 


vi. 

• 

1. 


23 

48 


i. 


21 


xi. 


20 



Tdi' iXa<poy AdSiaya, 
Tds Tplxas & ISLKvXXa, 
T^ByrjK' EifTvxibrjs, 
T^ff (rapes ai xdptres, 
Tf UatpL-g ffT€<pdyovSf 
Ty j>d iror' O^XuyuTOto, 
T^5' virb T^v ApKcvOoy, 
T'gde Xduv b AiKotvoif 
Tyde rby ix MeXirfji, 
Tijy Albs dfj^TToXoyf 
T^y KvayQiriy MoCffav, 
Tijy fUKprfiv fie X^yovcri, 
T^y fUKpijy Traij^ovffaVf 
Tijy vepivTjxofJL^yriyf 
T^y irbXiy ol v^Kves, 
T^y aefiyQs ^-ffcaffaVi 
^T)y rpl^oy bs vapdyeis, 
Trjy ypvxv^ 'Ayd^wya, 
Tl TrXioy eis <j)8tya, 
Tf ffTvyyq ; tI bk raOra, 
Tifiap^ra irpb ydpLoio, 
Tlirre fidrrfy AydpaTre, 
Ttirrc fidTTjv yobojyres, 
Tlirre fie rby <f>iX^p7ifioy, 
TiiTTe TravrjfiipioSj . 
Tfs St'tyarai yyujyai, 
Tls ^^yos, Sj yavrjy^f 
Tis Tivos € tier a y^tyai, 
Tfi(bX({J ifw^ dydefibeyrif 
Tb l>bbov dKfid^ei, . 
Tb (TKij^pos i)5b y^yrfSe, 

Tb Xf^^^ ^^ dwix^^^i 
Tby yairis Kal vbyrovy 
Tby fie XLdoy fUfiyrjffo, 
Tby fUKpby MdKpo)pay 
Tbv 'Ldrvpov Aibbtapos, 
Tov ypvTTov "NUiayos, 
Tov Xidivou Albs, , 
Tods KaTaXeixj/ayTaSi 
TovTo col "Aprepu 5to, 
Tovrb TOL TifieripujSf 
TpTyXay dir' dyOpaKiris, 
T<fi fie KavujirLTg.f . 



11. 


42 


X. 


13 


. iv. 


24 


i. 


57 


. vii. 


IS 


X. 


5 


V. 


5 


• • • 

. 111. 


67 


• • • 

. 111. 


58 


V. 


14 


. iii. 


45 


V. 


13 


X. 


22 


• 

1. 


51 


. ix. 


27 


• • • 

. IIL 


50 


. iii. 


57 


. viii. 


5 


• • • 

. 111. 


41 


• 

1. 


63 


. vii. 


5 


. xii. 


42 


• • ■ 

. Ul. 


53 


vi. 


20 


. vi. 


21 


• 

1. 


76 


. iii. 


22 


• • • 

111. 


52 


V. 


4 


. ix. 


4 


• 

1. 


II 


. Vll. 


13 


. iii. 


3 


. vi. 


II 


X. 


21 


iv. 


45 


X. 


44 


X. 


26 


. xii. 


20 


• • 

11. 


40 


. 111. 


64 


ii. 


9 


• • 

11. 


26 



INDEX II 



175 






iii. 6 Xpvffbv ivrip eVpuofy 



*'TSa<n Kal K'^iroia't, 
'Tiri/(^tj & *TaTp€f . 

'T\//iKOfiov vapd, rdvde, . 

^elSji irapSevlrjSf . 
^€v <r^ lAi^piav 7r\dff<raSf 
^Tj irore TlporrdiJXixoii • 
^rffflv 6 fi€ (TTiJ^ros, 
^pTjv lep^ fieydXoVf 
^pi^oKbfu^ rbSc Havlf 
^(a<rif>6p€ fi^ rbv "E/xirra, 

Halpeiv rbv Karb. 7af, . 
XcUper* * ApiCTeldoVf 



VI. 


29 


xii. 


8 


xi. 


45 


vi. 


5 


ix. 


8 


iv. 


44 


xi. 


40 


ii. 


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Printed by T. and A. Constable, Printers to His Majesty 
at the Edinburgh University Press